From Publishers Weekly
Editor Terry Carr once rejected two of Sargent's early stories, saying that her talent for characterization deserved better plots. In the 30-odd years since, Sargent has found some. Included are some of her best older tales: from the 1970s, "Gather Blue Roses," a sparse and tender depiction of the pain of empathy, and "If Ever I Should Leave You," a gorgeously heartbreaking twist on a familiar time-travel theme; and from the 1980s, the satisfying duet of "Originals" and "Shrinker," two very different takes on classic artists' dilemmas unchanged by modern gadgetry. The more recent works particularly shine, from the bittersweet realism of "Amphibians" through the well-honed satire of "Thumbprints" to the starry dreams of "Venus Flowers at Night" (a prequel to the trilogy concluded by 2002's Child of Venus). The collection is rounded out by "Climb The Wind," "Erdeni's Tiger" and "Spirit Brother," three eloquently mystical tales of Mongolias past and present. "Utmost Bones" and "Out of Place" are the only weak points, interesting ideas without much else to recommend them. This solid volume does a good job of showcasing Sargent's impressive range of style and theme, but given lukewarm receptions for the three collections she published in 2002 and 2003, it's unlikely to get much attention from nonfans. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
A much-honored and versatile writer here collects some of her shorter fiction. The title story, one of the more recently written, is an sf treatment of the conflict, for any creator, between artistic integrity and the rewards and pressures of the market. "Gather Blue Roses," one of the earlier pieces, deals with the Holocaust. "Venus Flowers at Night" and "Utmost Bones" reflect probably her best-known work, the Venus trilogy (Venus of Dreams [1986], Venus of Shadows [1988], Child of Venus [2001]). Her historical novel of Genghis Khan, Ruler of the Sky (1993), which she characterizes in the afterword to this book as having something in common with the tale of alien invasion, led to the historical stories "Erdeni's Tiger" and "Spirit Brother," and "Climb the Wind" shows her using similar elements in an sf milieu. Other stories manifest not only Sargent's command of language and characterization but also influences as varied as The Twilight Zone; Albany, New York (her hometown); and 9/11. Roland Green
Copyright © American Library Association. All rights reserved
Review
“She is one of the few science fiction writers who measures up to the Shogun standard of world creation.” —Orson Scott Card
Book Description
This eclectic group of short stories traverses time, place, and genre to deliver vivid accounts of captivating worlds, both real and imagined. By weaving together the historical and the fantastic, the stories in this collection produce fascinating narratives that remain deeply human. The startling title story, “Thumbprints,” explores the darker side of the book business when a literary agent goes too far to ensure that his author’s fees are paid in full. “Erdeni’s Tiger,” a historical drama, features a young wife in twelfth-century Mongolia who must master the spirit world to save her tribe. “Climb the Wind” revisits Mongolia in a modern-day setting as the country’s military past haunts its current inhabitants.
About the Author
Pamela Sargent is the author of the Child of Venus, Climb the Wind, and Star Trek, The Original Series #88. She has won Locus and Nebula awards and has been a finalist for the Hugo Award. She lives in Albany, New York.
Thumbprints FROM THE PUBLISHER
This eclectic group of short stories traverses time, place, and genre to deliver vivid accounts of captivating worlds, both real and imagined. By weaving together the historical and the fantastic, the stories in this collection produce fascinating narratives that remain deeply human. The startling title story, "Thumbprints," explores the darker side of the book business when a literary agent goes too far to ensure that his author's fees are paid in full. "Erdeni's Tiger," a historical drama, features a young wife in twelfth-century Mongolia who must master the spirit world to save her tribe. "Climb the Wind" revisits Mongolia in a modern-day setting as the country's military past haunts its current inhabitants.
FROM THE CRITICS
Publishers Weekly
Editor Terry Carr once rejected two of Sargent's early stories, saying that her talent for characterization deserved better plots. In the 30-odd years since, Sargent has found some. Included are some of her best older tales: from the 1970s, "Gather Blue Roses," a sparse and tender depiction of the pain of empathy, and "If Ever I Should Leave You," a gorgeously heartbreaking twist on a familiar time-travel theme; and from the 1980s, the satisfying duet of "Originals" and "Shrinker," two very different takes on classic artists' dilemmas unchanged by modern gadgetry. The more recent works particularly shine, from the bittersweet realism of "Amphibians" through the well-honed satire of "Thumbprints" to the starry dreams of "Venus Flowers at Night" (a prequel to the trilogy concluded by 2002's Child of Venus). The collection is rounded out by "Climb The Wind," "Erdeni's Tiger" and "Spirit Brother," three eloquently mystical tales of Mongolias past and present. "Utmost Bones" and "Out of Place" are the only weak points, interesting ideas without much else to recommend them. This solid volume does a good job of showcasing Sargent's impressive range of style and theme, but given lukewarm receptions for the three collections she published in 2002 and 2003, it's unlikely to get much attention from nonfans. Agent, Richard Curtis. (Oct.) Copyright 2004 Reed Business Information.
Art & Photography
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