From Library Journal
The end of the 20th century has renewed an interest in the end of the 19th century, in particular the aesthetes and fin-de-siecle writers of France who influenced writers like Oscar Wilde and pointed toward modernists such as James Joyce, Ezra Pound, and T.S. Eliot. Coined by Baudelaire to describe Edgar Allan Poe, Decadence represented an aesthetic/aristocratic attack on bourgeois culture, exploring themes of art, deviance, perversion, and marginalization. Editor Hustvedt has collected translations of 12 short novels or selections by Barbey d'Aurevilly, Joris-Karl Huysmans, Villiers de L'Isle-Adam, Remy de Gourmont, and six others. Each selection includes an introduction by the translator. Hustvedt has performed a valuable service by providing this rich assortment of materials not otherwise readily available. Recommended for public and academic libraries.?T.L. Cooksey, Armstrong Atlantic State Univ., Savannah, Copyright 1999 Reed Business Information, Inc.





Language Notes
Text: English
Original Language: French

FROM THE PUBLISHER

In France at the end of the nineteenth century, progress and material prosperity coincided with widespread alarm about disease and decay. The obsessions of our own culture as the millennium comes to a close resonate strikingly with those of the last fin-de-siecle: crime, pollution, sexually transmitted disease, gender confusion, moral depravity, alcoholism, and tobacco and drug use were topics of popular discussion then as now.

The Decadent Reader is a collection of novels and stories from fin-de-siecle France that celebrate decline, aestheticize decay, and take pleasure in perversity. By embracing the marginal, the unhealthy, and the deviant, the decadent writers attacked bourgeois life, which they perceived to be the chief enemy of art. Barbey d'Aurevilly, Joris-Karl Huysmans, Jean Lorrain, Guy de Maupassant, Villiers de l'Isle-Adam, Catulle Mendes, Rachilde, Jean Moreas, Octave Mirbeau, Josephin Peladan, and Remy de Gourmont looted the riches of their culture for their own purposes. In an age of medicine, they borrowed its occult mysteries rather than its positivism. From its social Darwinism, they found their monsters: sadists, murderers, transvestites, fetishists, prostitutes, nymphomaniacs, and hysterics. And they reveled in them, completely upending the conventions of romance and sentimentality. The Decadent Reader, which includes critical essays on all of the authors, many novels and stories that have never before appeared in English, and familiar works set in a new context, offers a compelling portrait of fin-de-siecle France.

FROM THE CRITICS

Library Journal