Raymond Chandler is arguably the best American pulp novelist. His prose is so acutely visual, his characters so raw and intense that it is small wonder that all but one of his books have been made into movies. And his hero Philip Marlowe has graduated into American legend. Together with its companion volume (Stories and Early Novels), Later Novels and Other Writings forms the most complete Chandler collection in print. In addition to his later novels, this collection contains selected essays and letters, biographical information, and textual as well as explanatory notes. As an added bonus, the editor has included Chandler's screenplay to Double Indemnity, the classic Billy Wilder film adapted from James M. Cain's novel. You're able to compare the script to the finished movie and have the rare opportunity to see how one major crime novelist altered and interpreted another.


From Library Journal
These additions to the venerable series make official what mystery fans have always known: Raymond Chandler is one of the gods of American literature. Following the trail blazed by Dashiell Hammett, Chandler created Philip Marlowe and set the standard against which all private detective fiction is measured. This two-volume set covers the full canon of Chandler's work from early pulp stories to all the Marlowe novels, the screenplay for Double Indemnity, and essays on the mystery genre plus the usual Library of America goodies such as notes on the text and a chronology of the author's life. In terms of literary inventions, the Wild West cowboy and the hard-boiled P.I. are this country's only true native sons and are deserving of respect. One of them at least now has it.Copyright 1995 Reed Business Information, Inc.

FROM THE PUBLISHER

Later Novels and Other Writings begins with The Lady in the Lake (1943). Written during the war, the story takes Marlowe out of the seamy L.A. streets to the deceptive tranquility of the surrounding mountains, as the search for a businessman's missing wife expands into an elegy of loneliness and loss. The darker tone typical of Chandler's later fiction is evident in The Little Sister (1949), in which an ambitious starlet, a blackmailer, and a seemingly naive young woman from Manhattan, Kansas, are the key players in a plot that provides fuel for a bitter indictment of Hollywood and Chandler's most savage portrayal of his adopted city. The Long Goodbye (1953), his most ambitious and self-revealing novel, uncovers a more anguished resonance in the Marlowe character, in a plot that hinges on the betrayal of friendship and the compromises of middle age. Playback (1958), written originally as a screenplay, is Chandler's seventh and last novel. A special feature of this volume is Chandler's long-unavailable screenplay for the film noir classic Double Indemnity (1944), adapted from James M. Cain's novel. Supplementing the volume, and providing a more personal glimpse of Chandler's personality, are a selection of essays - including "The Simple Art of Murder," in which Chandler muses on his pulp roots and on the special qualities of his hero and style - and eleven letters that range wittily and often sardonically over the worlds of writing, publishing, and filmmaking.

FROM THE CRITICS

Library Journal