From Publishers Weekly
In a deceptively colloquial, intellectually dense style, de Zengotita posits that since the 1960s, Americans have belonged to a culture of reflexivity, and the media in all their forms have put us there. We're bombarded from childhood with so many images putting "us"—the individual person—at the center of the universe that we cannot help thinking that this is where we belong. We live in a Times Square world, says the Harper's contributing editor, and thus we become the ultimate Descartesians: media think only of us, therefore we think only of ourselves. The result of this self-centeredness is that we become increasingly numbed by the bombardment of images and, in a variation on the "if a tree falls in the woods" query, we can no longer imagine our premediated lives. Media imagery has given us an omniscient perspective—we can be on the grassy knoll, by the Twin Towers, on the beach as the tsunami hits—while never having to incur the horrors of being there. "Mediation" inevitably closes us off to the unmediated world, home of those victims of the tsunami whose lives are hideously hard and where no media put them front and center. This provocative, extreme and compelling work is a must-read for philosophers of every stripe. (Mar. 2) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
De Zengotita's style is both reflective and sardonic as he delves into the ways the media has shaped our individual reactions to modern culture and events. Influenced by the media-inspired "culture of performance," we now live our lives as if we are performers practicing method acting, he maintains. We go through the motions of expected reactions to everything from the 9/11 terrorist attacks to Princess Diana's death to documentaries of the Kennedy assassination and the civil rights movement. The Internet, satellite television, and a host of technological products and services now give us the impression of participating in current and historical events to such an extent that we can barely distinguish the varying levels of what de Zengotita categorizes as ranging from the real-real to the unreal-real. Analyzing car commercials, cell-phone usage, the social art of teenagers, and other aspects of modern culture, with keen detail and wit, de Zengotita offers an amazing look at how media affects our culture, our choices, and our responses to our media-filtered lives. Completely absorbing, amusing and insightful. Vanessa Bush
Copyright © American Library Association. All rights reserved
Book Description
A provocative, eye-opening look at the way media shapes every aspect of our lives.
Just when you thought there was nothing new to say about the media, along comes a book that transcends the conventional wisdom with an original vision, one that unites our most intimate personal concerns with far-reaching historical trends in an accessible way. From Princess Diana's funeral to the prospect of mass terror, from oral sex in the Oval Office to cowboy politics in distant lands, from high school cliques to marital therapy, from hip-hop nation to climbing Mt. Everest, from blogs to reality TV to the Weather Channel, Mediated takes us on a tour of every department of our media-saturated society. And at every turn we see ourselves as we are, immersed in options, surrounded by representations, driven to unprecedented levels of self-consciousness-and obliged by these circumstances to transform our very lives into performances.
Sophisticated, satirical, sometimes searing, ultimately forgiving, Mediated tackles everything we take for granted and reintroduces us to it all as if for the first time. You'll laugh, you'll squirm, you'll agree, you'll object-but you'll find more Aha! moments packed into fewer pages than you've ever come across before.
About the Author
Thomas de Zengotita is a contributing editor at Harper's and the Nation, and holds a Ph.D. in anthropology from Columbia University. He teaches at the Dalton School and at the Draper Graduate Program at NYU.
Mediated: How the Media Shapes Your World and the Way You Live in it FROM THE PUBLISHER
From Princess Diana's funeral to the prospect of mass terror, from oral sex in the Oval Office to cowboy politics in distant lands, from high school cliques to marital therapy, from hip-hop nation to climbing Mt. Everest, from blogs to reality TV to the Weather Channel, Mediated takes us on a tour of every department of our media-saturated society. And at every turn we see ourselves as we are, immersed in options, surrounded by representations, driven to unprecedented levels of self-consciousness - and obliged by these circumstances to transform our very lives into performances.
FROM THE CRITICS
Publishers Weekly
In a deceptively colloquial, intellectually dense style, de Zengotita posits that since the 1960s, Americans have belonged to a culture of reflexivity, and the media in all their forms have put us there. We're bombarded from childhood with so many images putting "us"-the individual person-at the center of the universe that we cannot help thinking that this is where we belong. We live in a Times Square world, says the Harper's contributing editor, and thus we become the ultimate Descartesians: media think only of us, therefore we think only of ourselves. The result of this self-centeredness is that we become increasingly numbed by the bombardment of images and, in a variation on the "if a tree falls in the woods" query, we can no longer imagine our premediated lives. Media imagery has given us an omniscient perspective-we can be on the grassy knoll, by the Twin Towers, on the beach as the tsunami hits-while never having to incur the horrors of being there. "Mediation" inevitably closes us off to the unmediated world, home of those victims of the tsunami whose lives are hideously hard and where no media put them front and center. This provocative, extreme and compelling work is a must-read for philosophers of every stripe. (Mar. 2) Copyright 2005 Reed Business Information.
Kirkus Reviews
How direct experience seems to have been replaced by the representations of life-images delivered by profit-oriented or otherwise suspiciously motivated media interveners. Self-styled social-critic de Zengotita (Anthropology/New York Univ.) offers a mostly pessimistic, mostly ironic extended commentary about the contemporary American experience. It seems that media-broadly but never specifically defined here-have taken over hundreds of millions of minds. Almost every concept, almost every tangible object, is commodified, he says. The result? It's nearly impossible to think of even highly personal events such as birth or marriage without being influenced by images concocted by others, including movie producers, self-help authors, counselors, workshop presenters, memoirists, philosophers, and the like. Maybe a few objects are just what they are, he says, using paper clips and pencils as examples, purchased and used not because of what they say about a life, but because of their unadorned functionality. Such objects are rare in his view of the world, however, as are unmediated thoughts. He uses the death of Princess Diana as an example of mediated reality, meaning that those who paid attention "were truly grieving and they were performing. Immersed in a world continuously represented from every angle, they understood Di's death as an opportunity to play a significant role in it, to represent themselves at levels of prominence usually reserved for the celebrated. But they already knew how to be representational." Because it seems that anything and everything, anybody and everybody, could be considered a mediator or be mediated, de Zengotita's hypothesis is so all-encompassing as to beelusive. In a preface, the author tells us that "the actual process of mediationis elaborate beyond imagining," a warning that proves all too true. This extended essay perhaps would have been more effective as a magazine article than as an exhaustingly abstract, repetitive book. Lots of self-contained fascinating thoughts about matters such as the impact of TV on viewers, but too often de Zengotita offers seemingly random ideas in search of a lucid thesis. Agent: Michelle Tessler/Tessler Literary Agency
Art & Photography
Book Info
