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   Book Info

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Beautiful Shadow: A Life of Patricia Highsmith  
Author: Andrew Wilson
ISBN: 1582341982
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review


From Publishers Weekly
While British journalist Wilson's portrait of Highsmith (1921-1995) is neither graceful nor fluid, it is as haunting and as chilling as the stories and novels Highsmith crafted over more than 50 productive years. The author of Strangers on a Train and five novels featuring the amoral and murderous Tom Ripley, Highsmith achieved considerable critical acclaim in her native United States, but never sold well here. She was better received in Europe and that was where she made her home. The biographer's exhaustive attention to detail coupled with his access to Highsmith's journals (or "cahiers," as she called them) and letters, and extensive interviews with her friends, lovers and associates, allow him to reveal in excruciating detail this very private person. Highsmith emerges as a woman of great intelligence, candor and curiosity, but also as a racially prejudiced, anti-Semitic and insensitive boor. She was an acute observer capable of seizing a single incident and transforming it into a complex story. But she was unable to transform her own unhappy life. Instead she transmuted her troubles, her experiences, her observations into her work. One of her lovers observed, "If she hadn't had her work, she would have been sent to an insane asylum or an alcoholics' home.... She was her writing." Highsmith's work has had an important impact on both crime fiction and gay and lesbian fiction, and Wilson has impressively documented that as well as the tremendous cost Highsmith paid for her achievements. 16 pages of b&w photos not seen by PW. Copyright 2003 Reed Business Information, Inc.


Book Description
The first and highly anticipated biography of the author of such classics of suspense as Strangers on a Train and The Talented Mr. Ripley.

The life of Patricia Highsmith was as secretive and unusual as that of many of the best-known characters who people her "peerlessly disturbing" writing. Yet even as her work - her thrillers, short stories, and the pseudonymous lesbian novel The Price of Salt - have found new popularity in the last few years, the life of this famously elusive writer has remained a mystery.
For Beautiful Shadow, the first biography of Highsmith, journalist Andrew Wilson mined the vast archive of diaries, notebooks, and letters that Patricia Highsmith left behind, astonishing in their candor and detail. He interviewed her closest friends and colleagues as well as some of her many lovers. But Wilson also traces Highsmith's literary roots in the work of Poe, noir, and existentialism, locating the influences that helped distinguish Highsmith's writing so startlingly from more ordinary thrillers.

The result is both a serious critical biography and one that reveals much about a brilliant and contradictory woman, one who despite her acclaim and affairs always maintained her solitude.



About the Author
Andrew Wilson has written for most of Britain's national newspapers, including the Daily Telegraph, the Guardian, the Independent on Sunday and the Daily Mail. This is his first book.





Beautiful Shadow: A Life of Patricia Highsmith

ANNOTATION

Winner of the 2004 Edgar Award for Best Critical/Biographical Work

FROM THE PUBLISHER

The life of Patricia Highsmith, author of Strangers on a Train and The Talented Mr. Ripley, was as secretive and unusual as that of many of the characters who people her "peerlessly disturbing" thrillers and short stories. In Beautiful Shadow, the first biography of Highsmith, British journalist Andrew Wilson mines the vast archive of diaries, notebooks, and letters the writer left behind, astonishing in their candor and detail. He draws on interviews with her closest friends and colleagues, as well as some of her many lovers, and traces Highsmith's literary roots in the work of Poe, noir, and existentialism, whose influence distinguished Highsmith's writing so startlingly from more ordinary thrillers. The result is both a serious critical biography and one that reveals much about a brilliant and contradictory woman, one who despite her acclaim and affairs always maintained her solitude.

FROM THE CRITICS

The New York Times

In Beautiful Shadow, Andrew Wilson achieves the detachment required to document Highsmith's bizarre personal habits (carrying a purse full of snails, obsessing over human waste disposal) while still appreciating the intellectual and emotional insights she had to give. — Elise Harris

The Washington Post

Andrew Wilson, whose first book this is, has been about as lucky as a biographer can get. He had access to a treasure trove of papers, not only detailed private diaries and a huge correspondence but also the "cahiers" -- part working journals, part commonplace books -- that Highsmith began writing at age 15. He was able to interview scores of her friends, colleagues and ex-lovers, and many of them were remarkably frank with him. But Highsmith, too, has been lucky in her first biographer. He has presented a thorough, extensively researched, dispassionate account of her complex life, and his analysis of how her personality affected her books, while not exhaustive (this is not a "critical" biography), is accurate and illuminating. — Alice K. Turner

Publishers Weekly

While British journalist Wilson's portrait of Highsmith (1921-1995) is neither graceful nor fluid, it is as haunting and as chilling as the stories and novels Highsmith crafted over more than 50 productive years. The author of Strangers on a Train and five novels featuring the amoral and murderous Tom Ripley, Highsmith achieved considerable critical acclaim in her native United States, but never sold well here. She was better received in Europe and that was where she made her home. The biographer's exhaustive attention to detail coupled with his access to Highsmith's journals (or "cahiers," as she called them) and letters, and extensive interviews with her friends, lovers and associates, allow him to reveal in excruciating detail this very private person. Highsmith emerges as a woman of great intelligence, candor and curiosity, but also as a racially prejudiced, anti-Semitic and insensitive boor. She was an acute observer capable of seizing a single incident and transforming it into a complex story. But she was unable to transform her own unhappy life. Instead she transmuted her troubles, her experiences, her observations into her work. One of her lovers observed, "If she hadn't had her work, she would have been sent to an insane asylum or an alcoholics' home.... She was her writing." Highsmith's work has had an important impact on both crime fiction and gay and lesbian fiction, and Wilson has impressively documented that as well as the tremendous cost Highsmith paid for her achievements. 16 pages of b&w photos not seen by PW. (July 15) Forecast: Interest in Highsmith was revived when the film of The Talented Mr. Ripley was released in 1999, and a little Highsmith mini-industry is cropping up. Many of her works are being reissued by Norton; others are available from Vintage and Grove. Copyright 2003 Reed Business Information.

Kirkus Reviews

A closely drawn portrait of the writer who "celebrated irrationality, chaos and emotional anarchy, and regarded the criminal as the perfect example of the twentieth-century existentialist hero." British journalist Wilson uses Highsmith's diaries, notebooks, letters, and interviews to catch (in her own words) her "moods, fits, and daily activities." Perhaps best known for Strangers on a Train and her Ripley novels, Highsmith (1921-95) was never easy on her readers, says Wilson. Her work was often macabre and transgressive, noir and existential, drawing upon evil's banality and life's strange forces ("Each person carries around in himself a terrible other world of hell and the unknown," she wrote in her notebook). Highsmith herself comes across as a distinctive character: she was reserved ("This is the tragedy of the conscience-stricken young homosexual, that he not only conceals his sex objectives, but conceals his humanity and natural warmth of heart as well," she wrote, though she later became comfortable with her lesbianism); footloose; bereft of moral certainties ("I myself have a criminal bent. . . . I have a lurking liking for those who flout the law which I realise is despicable of me"); maybe even, as a friend noted, possessing "a form of high-functioning Asperger's Syndrome." Her relationships were many and urgent, and she had a quirky enough character to provide diverting stories, like the one of smuggling pet snails into France by hiding them under her breasts. But it's the dark side that most fascinates Wilson, the warped perspectives of Highsmith's central characters, their attractions and antagonisms, and her desire "to explore the diseases produced by sexual repression . . .like peculiar vermin in a stagnant well." Perhaps no one "can document a life in all its richness," but Wilson has come close, getting at Highsmith from a number of angles and showing the splinters of identity in his subject that she herself found so captivating. (Two 8-page b&w photo inserts, not seen) Agent: Clare Alexander/Gillon Aitken

     



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