From Publishers Weekly
Alma Mahler Gropius, the "wild brat" of fin-de-siecle Vienna, is the graceless subject of Phillips's (Snakebite Sonnet) bitingly sarcastic historical novel. The fetching and full-figured daughter of a celebrated landscape painter and a self-sacrificing lieder singer, Alma Shindler had little education, undeveloped musical talent dulled by a hearing defect and lifelong laziness, but a lot of spunk when it came to attracting admirers. Enamored of Nietzschean ideals and anti-Semitism, she could count among her lovers or husbands the director Max Burckhard, artists Gustav Klimt and Oskar Kokoschka, Wagner interpreter and composer Gustav Mahler, Bauhaus architect Walter Gropius and author Franz Werfel. In Phillips's version, Alma recounts her long and eventful life from the grave ("Death, also, I find to be a disappointment") with a prefacing remark that sets the chatty, ill-tempered tone for the rest of the narrative: "I was awfully interested in myself when I was alive." Phillips's well-informed presentation of the historical milieu is overpowered by the self-centered sensuality of his protagonist, who comes across as a spoiled and mean-spirited Moll Flanders. "I wanted to be with a man as awful as myself," she muses early on. At first, the tone is refreshingly astringent, but as the novel proceeds, Alma's exploits become increasingly grating, and the reader comes to believe that even Phillips can't abide his anti-heroine. Yet Alma's forthright narration succeeds in conveying the personality of a complex, indomitable woman who behaved "more like a man than a woman," fascinated Vienna's art world and, later, Hollywood's expatriate colony, and who lived life exactly as she wished, bravely and without hypocrisy. Agent, Henry Dunow. Copyright 2001 Cahners Business Information, Inc.


The New York Times Book Review
". . . Mr. Phillips explores the confused emotions of adolescent romance and the even more complicated world of adult attraction."


From Booklist
The crucial test of a successful historical novel is whether the past is brought to vivid and viable light. Phillips' second novel, passing with flying colors, takes the form of a memoir by Alma Mahler, widow of famous late-nineteenth- and early-twentieth-century Austrian composer Gustav Mahler. She remembers her life not from the perspective of old age but from the vantage point of the grave, for as she observes, "the dead know everything." Alma was the daughter of a noted Austrian landscape painter, and she grew up to be remarkably beautiful. A minor composer herself, she attracted like bees to honey men of artistic consequence across three eras: fin de siecle, pre-World War I, and interwar Vienna. The roster of Alma's men included, besides Mahler, architect Walter Gropius and author Franz Werfel. For all her attractiveness, Alma proved emotionally stingy as a wife, lover, and mother. "I lived a long life and I was unkind to many men," she admits. Alma doesn't earn the reader's admiration; nevertheless, she and her world are made, yes, vivid and viable. Brad Hooper
Copyright © American Library Association. All rights reserved

FROM THE PUBLISHER

At the turn of the century, she was "the most beautiful girl in Vienna," intelligent, aristocratic, and adored. Her father was a landscape painter and an Imperial favorite. She herself stood at the threshold of a promising musical career. Her childhood dream had been to follow her Papi's footsteps in the impersonal pursuit of Art. Instead, Alma Mahler turned her considerable talents to becoming a freelance muse.

Passionate, fickle, brilliant, and alcoholic, she made a series of dazzling conquests, including the composer Gustav Mahler; the architect Walter Gropius, who went on to found the Bauhaus; the author Franz Werfel, who wrote The Song of Bernadette; and the revolutionary painters Gustav Klimt and Oskar Kokoschka.

In The Artist's Wife, Alma Mahler tells her own story, after death and without apology: her childhood in the crumbling Austro-Hungarian Empire, her climb to the heights of Central Europe's beau monde, the struggles of her three marriages, the deaths of three of her children, her flight from Hitler's Anschluss, and her exile in Golden Age Hollywood.

It was an extraordinary life, encompassing poverty and wealth, celebrity and isolation, and ranging from the court of the Habsburgs to Beatles-era Manhattan.

FROM THE CRITICS

Kirkus Reviews