FROM THE PUBLISHER

"The story we know begins with a challenge from a brash American woman: Who killed Cock Robin? From the start, poetry was their trysting-place and battleground: Sylvia read Ted's poetry before she met him, confronting the handsome young poet with his own words at their first encounter, one cold Cambridge night." "In prose, Emma Tennant takes us beyond the familiar outlines of their legend, imbuing the story with the heightened symbolism of an epic drama. From the scarlet lipstick and headband Sylvia wore the night they first met, to the yards of red corduroy curtains left unfinished at her death, Tennant constructs a ballad from unforgettable images that tap into our very nerve endings. As Sylvia and Ted struggle to create both life and art, their duet becomes a duel - creating a powerful vortex of sensation and passion that draws everyone into its path, including Slyvia's darkly beautiful rival, Assia Wevill."--BOOK JACKET.

FROM THE CRITICS

Elaine Feinstein

Breathes life into these people, especially Sylvia and Assia.

Antonia Fraser

A gem.

Alan Jenkins

Intense . . . poetic.

Publishers Weekly

In the almost four decades since her suicide, Sylvia Plath has been idolized almost as much for her role as the deceived wife of Ted Hughes as for her poetic works. The couple's erotically charged meeting, initially idyllic marriage and later bitter estrangement are documented in Plath's journals and letters and in numerous nonfiction books. Before his death last year, Hughes published Birthday Poems, manifestly his version of their relationship. That there was a third party to their tragedy, Hughes's mistress, Assia Wevill, who herself committed suicide, has also been a matter of public record. Now British author Tennant, who memorialized her own relationship with Hughes in her memoir, Burnt Diaries (U.K., Canongate, 1999), imagines Sylvia's, Ted's and Assia's lives as told from each participant's point of view. As befits a story of a tragic love triangle among poets, Tennant writes lyrical and surcharged prose, with short chapters shot through with intense emotion. Though the narrative is initially overwrought and heavily portentous, she sustains the dramatically dark mood artfully, building to a fittingly mythic, cathartic ending. Her psychological insights into Plath's and Wevill's troubled personalities, which at first may seem gratuitously grim, shed light on their early experiences and emotional conditioning, and become more appropriate as Plath, Hughes and Wevill mature. Accelerating the dramatic suspense, Tennant alternates the feverish thoughts of three high-strung, complex personalities, and although the outcome is known, readers will feel the strong hand of fate in the collision of their passions and artistic ambitions. (May 12) Forecast: A must-read for Plath devotees, the novel also has enough appeal as well-crafted fiction to attract a discriminating audience of more general readers. It joins other recent (nonfiction) titles that have kindled fresh interest in the couple. Plath's unabridged diaries were published last year, and Ariel's Gift: Ted Hughes, Sylvia Plath and the Story of Birthday Letters is being released this month (Forecasts, Mar. 19). Copyright 2001 Cahners Business Information.

Library Journal