From Publishers Weekly
A London-educated Iraqi woman, al-Radi, recounts 10 years in her life, covering the Persian Gulf War in 1991, then the Western embargo on Iraq and finally the years she entitles "exile," which she spent primarily in Lebanon, occasionally visiting the United States. Al-Radi, an artist by training, writes powerful but not ostentatious prose, with abrupt, fragmented and simple sentences as she interweaves the violent, chaotic effects of war with everyday incidents. One may feel the urge to skim the detailing of run-of-the-mill events regarding, say, al-Radi's dog and his adventures. And the artistry and authenticity of al-Radi's voice will be marred for some by her ardent anti-Israel and anti-American sentiments. The author rightly addresses the devastation of war, the inevitable violence wrought on innocent civilians. But she does not address the context in which the Gulf War and the embargo took place. Mention of Saddam Hussein's invasion of Kuwait in 1990 and ruthlessness toward his own people is reduced to a bare minimum. Al-Radi singles out Israel for criticism of its policies regarding Lebanon and the Palestinians, at one point comparing Israeli policies to Nazi tactics. There is no question that war is brutal, and al-Radi touchingly portrays the Iraqi plight, but in her eagerness to cast blame, she loses sight of the bigger picture. Copyright 2003 Reed Business Information, Inc.


Review
“I searched for recent books about Iraq that described it as a real country. I found only one, the excellent Baghdad Diaries.” —Edward Said

“I hope many people will read this book and note the futility of war and perhaps do something about it; all my life I have cherished this hope in vain, but we must not stop.” —Mary Wesley, author of Harnessing Peacocks and A Sensible Life

“Something of what sanctions mean for ordinary Iraqis. . .records the day-to-day struggle for survival.” —Times Literary Supplement

“Insouciant, charming and witty, with much black humour. Al-Radi writes poignantly.” —The Independent (London)


Review
?I searched for recent books about Iraq that described it as a real country. I found only one, the excellent Baghdad Diaries.? ?Edward Said

?I hope many people will read this book and note the futility of war and perhaps do something about it; all my life I have cherished this hope in vain, but we must not stop.? ?Mary Wesley, author of Harnessing Peacocks and A Sensible Life

?Something of what sanctions mean for ordinary Iraqis. . .records the day-to-day struggle for survival.? ?Times Literary Supplement

?Insouciant, charming and witty, with much black humour. Al-Radi writes poignantly.? ?The Independent (London)


Book Description
In this often moving, sometimes wry account of life in Baghdad during the first war on Iraq and in exile in the years following, Iraqi-born, British-educated artist Nuha al-Radi shows us the effects of war on ordinary people. She recounts the day-to-day realities of living in a city under siege, where food has to be consumed or thrown out because there is no way to preserve it, where eventually people cannot sleep until the nightly bombing commences, where packs of stray dogs roam the streets (and provide her own dog Salvi with a harem) and rats invade homes. Through it all, al-Radi works at her art and gathers with neighbors and family for meals and other occasions, happy and sad.

In the wake of the war, al-Radi lives in semi-exile, shuttling between Beirut and Amman, travelling to New York, London, Mexico and Yemen. As she suffers the indignities of being an Iraqi in exile, al-Radi immerses us in a way of life constricted by the stress and effects of war and embargoes, giving texture to a reality we have only been able to imagine before now. But what emanates most vibrantly from these diaries is the spirit of endurance and the celebration of the smallest of life’s joys.


From the Inside Flap
In this often moving, sometimes wry account of life in Baghdad during the first war on Iraq and in exile in the years following, Iraqi-born, British-educated artist Nuha al-Radi shows us the effects of war on ordinary people. She recounts the day-to-day realities of living in a city under siege, where food has to be consumed or thrown out because there is no way to preserve it, where eventually people cannot sleep until the nightly bombing commences, where packs of stray dogs roam the streets (and provide her own dog Salvi with a harem) and rats invade homes. Through it all, al-Radi works at her art and gathers with neighbors and family for meals and other occasions, happy and sad.

In the wake of the war, al-Radi lives in semi-exile, shuttling between Beirut and Amman, travelling to New York, London, Mexico and Yemen. As she suffers the indignities of being an Iraqi in exile, al-Radi immerses us in a way of life constricted by the stress and effects of war and embargoes, giving texture to a reality we have only been able to imagine before now. But what emanates most vibrantly from these diaries is the spirit of endurance and the celebration of the smallest of life’s joys.


From the Back Cover
“I searched for recent books about Iraq that described it as a real country. I found only one, the excellent Baghdad Diaries.” —Edward Said

“I hope many people will read this book and note the futility of war and perhaps do something about it; all my life I have cherished this hope in vain, but we must not stop.” —Mary Wesley, author of Harnessing Peacocks and A Sensible Life

“Something of what sanctions mean for ordinary Iraqis. . .records the day-to-day struggle for survival.” —Times Literary Supplement

“Insouciant, charming and witty, with much black humour. Al-Radi writes poignantly.” —The Independent (London)


About the Author
Born in Baghdad in 1941, Nuha al-Radi trained at the Byam Shaw School of Art in London in the early 1960s and later taught at the American University of Beirut. A painter, ceramist, and sculptor, her works have been shown throughout the Arab world and in Berlin, London, and Washington.

FROM THE PUBLISHER

The only available book about daily life in modern Iraq, BAGHDAD DIARIES offers American readers a first-person account of the human toll of war and the price paid by ordinary Iraqi citizens.

The author, Nuha al-Radi, is a cosmopolitan, Western-educated Iraqi woman who writes with surprising humor and stoicism about the reality of daily life in Baghdad during the first Gulf War and the subsequent bleak years under sanctions. She describes the difficulties of day-to-day survival but also the funny and macabre goings-on about town. Following her into exile in Jordan and later Beirut, the diary continues to November 2002. It ends with several dramatic new entries written as Baghdad is bombed again and U.S. troops advance towards the city.

FROM THE CRITICS

The New York Times

Ms. Radi is a painter and sculptor not a writer, but she has an artist's eye for the telling detail: the birds flying upside down after an air raid, people gathering mementos from a rocket that has fallen into the garden of the Rashid Hotel, bicycles becoming the transport mode of choice as gasoline supplies dry up. — Michiku Kakutani

The Washington Post

Al-Radi looks at Iraq like a woman who insists on viewing a canvas only through a magnifying glass, intimately describing its texture while failing to see the wider scene. But however narrow its focus, Baghdad Diaries offers an unfiltered perspective on a widely misunderstood world. — Frank Smyth

Publishers Weekly

A London-educated Iraqi woman, al-Radi, recounts 10 years in her life, covering the Persian Gulf War in 1991, then the Western embargo on Iraq and finally the years she entitles "exile," which she spent primarily in Lebanon, occasionally visiting the United States. Al-Radi, an artist by training, writes powerful but not ostentatious prose, with abrupt, fragmented and simple sentences as she interweaves the violent, chaotic effects of war with everyday incidents. One may feel the urge to skim the detailing of run-of-the-mill events regarding, say, al-Radi's dog and his adventures. And the artistry and authenticity of al-Radi's voice will be marred for some by her ardent anti-Israel and anti-American sentiments. The author rightly addresses the devastation of war, the inevitable violence wrought on innocent civilians. But she does not address the context in which the Gulf War and the embargo took place. Mention of Saddam Hussein's invasion of Kuwait in 1990 and ruthlessness toward his own people is reduced to a bare minimum. Al-Radi singles out Israel for criticism of its policies regarding Lebanon and the Palestinians, at one point comparing Israeli policies to Nazi tactics. There is no question that war is brutal, and al-Radi touchingly portrays the Iraqi plight, but in her eagerness to cast blame, she loses sight of the bigger picture. (May) Copyright 2003 Reed Business Information.

KLIATT - Penelope Power