From Publishers Weekly
Nearly 50 years after the murder of Emmett Till, his mother, Till-Mobley, has added her perspective on the tragedy. In what came to be seen as a seminal event in the fledgling civil rights movement, two white men abducted 14-year-old Emmett from the home of a relative in rural Mississippi in August 1955. That night they tortured the boy before dumping his lifeless body into the Tallahatchie River. His crime: he inadvertently whistled in the vicinity of a white woman who happened to be the wife of one of his killers. Although the events surrounding the murder have been recounted many times, Till-Mobley fills readers in on her son's childhood in Argo, Ill., and later Chicago. As a single mother, she tried to instill Emmett with self-confidence and a sense of life's possibilities. In her view, these two qualities helped cause his death when he journeyed to Mississippi, where the "code" demanded that blacks efface themselves in the presence of whites. Her memoir, written with Chicago journalist Benson, is told chronologically, with a large portion devoted to the events leading up to the murder and its aftermath. As she puts it, "I wanted to rip the sheets off the state of Mississippi." Till-Mobley, who died last January, spent the final 35 years of her life as a teacher and spokesperson for civil rights. While her accomplishments are admirable, her memoir has a perfunctory quality, except when describing the events surrounding Emmett's murder, and the narrative voice is uneven. Till-Mobley was a social activist but not necessarily a social critic. As a result, the example of her life is far more valuable than the insights that she draws from it. Copyright 2003 Reed Business Information, Inc.


From Booklist
The mere mention of Emmett Till, a 14-year-old Chicago boy murdered in Mississippi in 1955, brings horrific memories for Americans. Till, on vacation in the south, was reportedly killed for whistling at a white woman. His murder and mutilation--he was wrapped in barbed wire and thrown into a river--shook the conscience of America and became a central stimulus for the modern civil rights movement. The graphic brutality of the murder and the courage of Till's mother were imprinted on American consciousness as she chose an open casket that displayed the horror of the crime to the world. In this as-told-to memoir, Till-Mobley recalls her son's early childhood through his 14 years of life. The second half of the book focuses on Till-Mobley herself, a woman determined to find meaning in the life and murder of her young son. Relying on the love and support of family, Till-Mobley earned college degrees late in life, works with the church, and makes a career of giving hope to other youth, surely meeting her objective that her son not have died in vain. Vernon Ford
Copyright © American Library Association. All rights reserved


Review
Advance praise for Death of Innocence

“I am so thankful for the bravery and courage Mamie demonstrated when she shared her only child with the world. The news of Emmett’s death caused many people to participate in the cry for justice and equal rights, including myself. The respect I have felt for her since 1955 will always live with me. She was blessed among women to carry the mantle with grace and dignity.”
—Rosa Parks

“Death of Innocence reveals Mamie Till-Mobley for what she was: one of the greatest, but largely unsung, heroes in all of African-American history. Her words are powerful; her strength and vision in the face of the unspeakable horror of her son’s death are astonishing. The life and work of Mamie Till-Mobley serves as an inspiration to all who love justice."
—Stanley Nelson, executive producer and director of the documentary The Murder of Emmett Till

“Mamie Till-Mobley has written a powerful book in which she reveals to us the life she shared with her son, Emmett Till, and her pride and joy as he became a remarkable young man. This story shows us how the cruelty of a few changed the life of a loving, caring mother and the history of a nation.”
—Kadiatou Diallo, author of My Heart Will Cross This Ocean: My Story, My Son, Amadou

“An epic drama of despair and hope. The most powerful personal story, so far, from the civil rights movement.”
—Morris Dees, Southern Poverty Law Center

“Mamie Till-Mobley has always deserved our admiration for her insistence that the world know her son’s terrible fate, and for her determination to confront his killers in a Mississippi courtroom. Now, in the final act of her life, she gives us an account of the crime, its victim, and its aftermath that is as historically valuable as it is inspiring.”
—Philip Dray, author of At the Hands of Persons Unknown: The Lynching of Black America

"In the pantheon of Black women I love and admire, Mamie Till-Mobley stands tall. Throughout her memoir…she is as fearless in sharing her life story as she was when she insisted on an open-casket funeral for her beloved son, Emmett. It was wise of Till-Mobley, who died earlier this year at 81, to wait until she could see the end of her journey to tell her story….Throughout her life, Till-Mobley never tried to cash in on her son's death. Instead, she tried to find a way to make sense of it. None of us can really know her pain, but through Death of Innocence we do know her grace. Her book is a story of faith and hope -- but not blind faith and hope; rather faith and hope as action, as being worthy of the challenge."
-Nikki Giovanni


Review
Advance praise for Death of Innocence

?I am so thankful for the bravery and courage Mamie demonstrated when she shared her only child with the world. The news of Emmett?s death caused many people to participate in the cry for justice and equal rights, including myself. The respect I have felt for her since 1955 will always live with me. She was blessed among women to carry the mantle with grace and dignity.?
?Rosa Parks

?Death of Innocence reveals Mamie Till-Mobley for what she was: one of the greatest, but largely unsung, heroes in all of African-American history. Her words are powerful; her strength and vision in the face of the unspeakable horror of her son?s death are astonishing. The life and work of Mamie Till-Mobley serves as an inspiration to all who love justice."
?Stanley Nelson, executive producer and director of the documentary The Murder of Emmett Till

?Mamie Till-Mobley has written a powerful book in which she reveals to us the life she shared with her son, Emmett Till, and her pride and joy as he became a remarkable young man. This story shows us how the cruelty of a few changed the life of a loving, caring mother and the history of a nation.?
?Kadiatou Diallo, author of My Heart Will Cross This Ocean: My Story, My Son, Amadou

?An epic drama of despair and hope. The most powerful personal story, so far, from the civil rights movement.?
?Morris Dees, Southern Poverty Law Center

?Mamie Till-Mobley has always deserved our admiration for her insistence that the world know her son?s terrible fate, and for her determination to confront his killers in a Mississippi courtroom. Now, in the final act of her life, she gives us an account of the crime, its victim, and its aftermath that is as historically valuable as it is inspiring.?
?Philip Dray, author of At the Hands of Persons Unknown: The Lynching of Black America

"In the pantheon of Black women I love and admire, Mamie Till-Mobley stands tall. Throughout her memoir?she is as fearless in sharing her life story as she was when she insisted on an open-casket funeral for her beloved son, Emmett. It was wise of Till-Mobley, who died earlier this year at 81, to wait until she could see the end of her journey to tell her story?.Throughout her life, Till-Mobley never tried to cash in on her son's death. Instead, she tried to find a way to make sense of it. None of us can really know her pain, but through Death of Innocence we do know her grace. Her book is a story of faith and hope -- but not blind faith and hope; rather faith and hope as action, as being worthy of the challenge."
-Nikki Giovanni


Book Description
There are many heroes of the civil rights movement—men and women we can look to for inspiration. Each has a unique story, a path that led to a role as leader or activist. Death of Innocence is the heartbreaking and ultimately inspiring story of one such hero: Mamie Till-Mobley, the mother of Emmett Till—an innocent fourteen-year-old African-American boy who was in the wrong place at the wrong time, and who paid for it with his life. His outraged mother’s actions galvanized the civil rights movement, leaving an indelible mark on American racial consciousness.

Mamie Carthan was an ordinary African-American woman growing up in 1930s Chicago, living under the strong, steady influence of her mother’s care. She fell in love with and married Louis Till, and while the marriage didn’t last, they did have a beautiful baby boy, Emmett.

In August 1955, Emmett was visiting family in Mississippi when he was kidnapped from his bed in the middle of the night by two white men and brutally murdered. His crime: allegedly whistling at a white woman in a convenience store. His mother began her career of activism when she insisted on an open-casket viewing of her son’s gruesomely disfigured body. More than a hundred thousand people attended the service. The trial of J. W. Milam and Roy Bryant, accused of kidnapping and murdering Emmett (the two were eventually acquitted of the crime), was considered the first full-scale media event of the civil rights movement.

What followed altered the course of this country’s history, and it was all set in motion by the sheer will, determination, and courage of Mamie Till-Mobley—a woman who would pull herself back from the brink of suicide to become a teacher and inspire hundreds of black children throughout the country.

Mamie Till-Mobley, who died in 2003 just as she completed this memoir, has honored us with her full testimony: “I focused on my son while I considered this book. . . . The result is in your hands. . . . I am experienced, but not cynical. . . . I am hopeful that we all can be better than we are. I’ve been brokenhearted, but I still maintain an oversized capacity for love.” Death of Innocence is an essential document in the annals of American civil rights history, and a painful yet beautiful account of a mother’s ability to transform tragedy into boundless courage and hope.


From the Inside Flap
There are many heroes of the civil rights movement—men and women we can look to for inspiration. Each has a unique story, a path that led to a role as leader or activist. Death of Innocence is the heartbreaking and ultimately inspiring story of one such hero: Mamie Till-Mobley, the mother of Emmett Till—an innocent fourteen-year-old African-American boy who was in the wrong place at the wrong time, and who paid for it with his life. His outraged mother’s actions galvanized the civil rights movement, leaving an indelible mark on American racial consciousness.

Mamie Carthan was an ordinary African-American woman growing up in 1930s Chicago, living under the strong, steady influence of her mother’s care. She fell in love with and married Louis Till, and while the marriage didn’t last, they did have a beautiful baby boy, Emmett.

In August 1955, Emmett was visiting family in Mississippi when he was kidnapped from his bed in the middle of the night by two white men and brutally murdered. His crime: allegedly whistling at a white woman in a convenience store. His mother began her career of activism when she insisted on an open-casket viewing of her son’s gruesomely disfigured body. More than a hundred thousand people attended the service. The trial of J. W. Milam and Roy Bryant, accused of kidnapping and murdering Emmett (the two were eventually acquitted of the crime), was considered the first full-scale media event of the civil rights movement.

What followed altered the course of this country’s history, and it was all set in motion by the sheer will, determination, and courage of Mamie Till-Mobley—a woman who would pull herself back from the brink of suicide to become a teacher and inspire hundreds of black children throughout the country.

Mamie Till-Mobley, who died in 2003 just as she completed this memoir, has honored us with her full testimony: “I focused on my son while I considered this book. . . . The result is in your hands. . . . I am experienced, but not cynical. . . . I am hopeful that we all can be better than we are. I’ve been brokenhearted, but I still maintain an oversized capacity for love.” Death of Innocence is an essential document in the annals of American civil rights history, and a painful yet beautiful account of a mother’s ability to transform tragedy into boundless courage and hope.


From the Back Cover
Advance praise for Death of Innocence

“I am so thankful for the bravery and courage Mamie demonstrated when she shared her only child with the world. The news of Emmett’s death caused many people to participate in the cry for justice and equal rights, including myself. The respect I have felt for her since 1955 will always live with me. She was blessed among women to carry the mantle with grace and dignity.”
—Rosa Parks

“Death of Innocence reveals Mamie Till-Mobley for what she was: one of the greatest, but largely unsung, heroes in all of African-American history. Her words are powerful; her strength and vision in the face of the unspeakable horror of her son’s death are astonishing. The life and work of Mamie Till-Mobley serves as an inspiration to all who love justice."
—Stanley Nelson, executive producer and director of the documentary The Murder of Emmett Till

“Mamie Till-Mobley has written a powerful book in which she reveals to us the life she shared with her son, Emmett Till, and her pride and joy as he became a remarkable young man. This story shows us how the cruelty of a few changed the life of a loving, caring mother and the history of a nation.”
—Kadiatou Diallo, author of My Heart Will Cross This Ocean: My Story, My Son, Amadou

“An epic drama of despair and hope. The most powerful personal story, so far, from the civil rights movement.”
—Morris Dees, Southern Poverty Law Center

“Mamie Till-Mobley has always deserved our admiration for her insistence that the world know her son’s terrible fate, and for her determination to confront his killers in a Mississippi courtroom. Now, in the final act of her life, she gives us an account of the crime, its victim, and its aftermath that is as historically valuable as it is inspiring.”
—Philip Dray, author of At the Hands of Persons Unknown: The Lynching of Black America

"In the pantheon of Black women I love and admire, Mamie Till-Mobley stands tall. Throughout her memoir…she is as fearless in sharing her life story as she was when she insisted on an open-casket funeral for her beloved son, Emmett. It was wise of Till-Mobley, who died earlier this year at 81, to wait until she could see the end of her journey to tell her story….Throughout her life, Till-Mobley never tried to cash in on her son's death. Instead, she tried to find a way to make sense of it. None of us can really know her pain, but through Death of Innocence we do know her grace. Her book is a story of faith and hope -- but not blind faith and hope; rather faith and hope as action, as being worthy of the challenge."
-Nikki Giovanni


About the Author
Mamie Till-Mobley died on January 6, 2003, at the age of eighty-one. Following the death of her only child, Emmett Till, she entered Chicago Teachers College in 1956, graduating cum laude and fifth in her class three and a half years later. In 1973, she earned a master’s degree in administration and supervision at Loyola University. Till-Mobley was a frequent lecturer throughout the country, recalling the struggle for civil rights and urging her listeners to be the best they could be.

A Chicago-based writer and lawyer, Christopher Benson is the features editor for Ebony, and a former Washington editor for Ebony and Jet. His articles have also appeared in Chicago and Reader’s Digest. Benson is the author of the novel Special Interest, which will be published by One World/Ballantine in December 2003.


Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1

I will always remember the day Emmett was born. It was July 25, 1941. A Friday. But I’m getting a little ahead of my story, because this is not where it really begins. You see, my mother had brought me to the hospital on Wednesday. And the fact that it was my mother and not my husband who took me to the hospital to have a baby probably tells you just about everything you need to know about Louis Till. He was at work that day, I think. He worked at the Corn Products Refining Company in Argo, Illinois, where we lived, just outside Chicago. I guess you might call Argo a suburb, but it didn’t have anything at all in common with the big city, except for being close to it. It was a sleepy little town where whites called blacks by their first names and where blacks would never dare do the same thing. It was a place where most little black girls dropped out of school by age sixteen to get married and where I was considered an old maid because I had waited until I finished high school to marry Louis at age eighteen. That was just the year before. Argo was also a place where it seemed the greatest ambition of most black men, like my father and my husband, was to work for Corn Products, and the greatest ambition of their wives was to take care of things at home for their husbands. So it was with my mother, who did what my mother always seemed to be there to do. She took care of me, and on that Wednesday when she drove me to Cook County Hospital in Chicago, I really needed care. I was going into labor and I didn’t understand much about that except for this: those pains were talking to me. They were saying: "Any minute now, Mamie Till. Any minute, girl."

Now, Cook County was a public hospital and it was one place you were sure black folks could get treated. That’s not to say that we were treated well. The nurses decided right away that this was not an emergency. But, then, of course, they were feeling no pain. They put me into a room with another lady and it seems that I was the only one who noticed that this woman was screaming and hollering and cursing and she was going through every four-letter word she could think of, teaching me a few in the process. That was about the time my pain stopped. I felt so sorry for her that I forgot my own troubles. I got up out of my bed after everyone left and started trying to comfort her, help ease her pain. I didn’t understand a lot of things back then. I mean, I was so naive it wasn’t safe for me to walk the streets alone. And listening to the screams of that poor woman really frightened me because I didn’t understand any of it. My God, was this what was in store for me? No one had prepared me for any of this. Why hadn’t my mother talked to me about these things? And why on earth did this woman want to kill her husband? I guess it was her husband. "That man," I think is what she kept saying. Anyway, she told me that I would soon find out why.

Over the next couple of days, I was in and out of pain–terrible pain–and my mother was in and out of the room checking on things, taking care of me. That room always seemed dark, like a government office, not cheerful the way I thought it should look for such a blessed event. But that was Cook County Hospital. Louis never came to see about me. I would have thought that he would be excited about the baby, but he didn’t seem to care. On Friday during one of my mother’s visits, I told her what I had been telling the nurses: that I needed to go, that if the pain was a sign, then it was definitely time. I didn’t think I could take another minute of it. But they weren’t paying me any attention. Mama asked if my water had broken. I told her I thought it had and that I had asked somebody to come and change my bed. But when they didn’t, I just pulled the blanket up and got back on top of the bed. Well, Alma Gaines was having none of that. My mother called the nurse, who checked my situation and quickly got me into the labor room. And that’s where things really got serious. The doctor there began to examine me. He said something that I didn’t get, but I could hear the urgency in his voice. What I understood was that they had to get busy. They had to take my baby. The baby was coming butt first. It was a breech birth. I had no idea how serious that could be, but even I understood the anxiety I heard in the doctor’s voice, and the tense way things were moving in that room.

"What have you been doing?" he asked, like he was accusing me of murder.

Now I knew; it was my fault. Whatever was happening to my baby was all my fault. The only thing I could recall was that Louis and I had moved into a new place not that long before all of this. As the medical team rushed to prep me, I thought about that move from my mother’s house to a little apartment down the street. I was so proud of that little place, our first apartment. I had bought curtains. Everything had to be perfect. I mean, I was such a perfectionist. And now, of course, I know better, but I didn’t know anything then. I was hanging curtains and I was cleaning cobwebs high up on the windows. And somebody came by and saw me and told me I shouldn’t reach overhead like that. So, it was my fault that all this was happening, all because I wanted a nice, clean place for the baby to live and play. Now, in the delivery room, I was being punished for it, but I didn’t want my baby to have to suffer for my mistake. The agony was so severe, I finally understood why that woman back in the room wanted to kill "that man." Somehow, though, I didn’t think that would help. At that moment, I thought there could be no greater pain than giving birth to a child. I couldn’t imagine then how much more pain a mother might have to endure. Someone placed a cone over my mouth and told me to count backward from one hundred. The last thing I remember was ". . . ninety-nine . . ."

When I finally awakened, it seemed as if I had been dreaming. I was back in the room, but there was no baby there. In fact, I had never even seen my baby. I wanted to know where they had taken the baby. All they told me was that I was very sick, and they really didn’t want to bring him to me and they had taken him to do whatever it is they do to babies. "Him." A boy. I kept insisting on seeing my baby boy and, finally, they gave in and brought him to me, probably just to keep me quiet, knowing how mothers are. But I didn’t care. I was so happy to see my baby, all six and three-quarters pounds of him.
Happy, that is, until I looked down at him in my arms.

I reacted right away with a frown. "Oooh, no . . ."I said, before thinking much about it.
His skin color was very, very light and he had blond hair and blue eyes. I looked up at the nurse, but I was assured that they had handed me the right baby. There was more. It had been such a difficult birth that they had used forceps and clinched him at the temples. He was scarred on his forehead and on the nose, and his little face looked distorted. My reaction must have startled him. His eyes grew wide, and he began to cry.

I pulled him closer to my bosom and rocked him gently. "Oh, honey. Mama loves you."
That was our first connection, mother and son. I was so contrite after that and I would remember all of my life how my son looked when he came into the world, and how I reacted to it.

The attending nurse needed a name to complete the birth certificate form. I had been ready for some time. Now, this was long before you could tell what sex a baby was going to be ahead of time, the way people do these days. But I just knew I would have a boy. After all, I had decided, a boy first, then a girl, then another boy and then another girl. So, weeks before I went to the hospital, I asked my husband what he wanted to name our son. He just shrugged and sort of brushed me off. Then I thought about my favorite uncle, who didn’t seem much concerned, either, when I asked him. That’s when I decided myself on the name Emmett Louis, after my favorite uncle and my husband, because they didn’t care and I did.

We didn’t have long together during that first visit. Emmett was taken from me again right away. I was running a temperature and at a certain point, I think I became delirious. It’s all a blur. They had given me eighteen stitches inside and I don’t know how many outside. But I began scratching at the stitches and, in my state of mind, I guess I was causing problems, making things worse. Infection set in and I had to be looked after. Emmett was in even worse shape. His neck, right knee, and left wrist had been constricted by the umbilical cord. He could have choked to death. Thank God, he didn’t. His wrist was swollen and his knee was swollen even more. It was as big as an apple. The circulation had been cut off. Apparently, that was what kept him from being delivered normally, what caused the breech birth and what forced the doctors to use the forceps to help him into the world. And it was why that doctor seemed to be accusing me of being a bad mother even before I became a mother; all because I hadn’t been taught how to prepare for such an important part of my life.

There are certain things that a parent owes a child. One is to prepare him for the world outside. I know this, not only because I became a mother, but because I learned so much from what my mother hadn’t taught me. My mother was good at a lot of things. She was a good teacher and once kept me up until three in the morning drilling me on my multiplication tables, then got me up to make the 8 a.m. school bell that same morning. She was a good nurturer, making sure that I and just about everybody else in our neighborhood was well fed. She was a firm disciplinarian, with strong Mississippi-bred church values. But she wasn’t so good at opening up to me and telling me some things I really needed to know. At age sixteen, I finally heard my mother’s version of the facts of life.

"If you run around here kissin’ these little boys, you’ll come up in a family way."
That was it. I didn’t even know what "pregnant" was. I’d never seen that word. That same year, my mother let me go to the birthday party of a friend. The parents–church members and friends of my mother–weren’t home. A boy there leaned over and kissed me on the mouth. Oh, God. If Mama knew I was up there kissing . . . I would get beheaded. I slapped that boy. Slapped him silly. But I knew it was too late. I knew I was pregnant. I left the party right away and ran home. When Mama came in, I was in the bathroom gagging. I had a toothbrush almost down to my tonsils.

She just stood there. "Gal, what’s wrong with you?"

"I’m gonna have a baby," I declared.

"Oh, my,"she said. "What have you been doing?"

That’s when I told her about the boy kissing me. And instead of her telling me everything was all right, instead of telling me that I couldn’t possibly get in a family way that way, she simply dismissed it, turned, and walked off. And I was left there, all alone with my biggest fear and a toothbrush down my throat. I waited, and waited, and waited for that baby to arrive.

One day, I just couldn’t take it anymore. I worked up the nerve to ask Mama when the baby would be coming. We hadn’t talked about it, so what did I know?

Finally, she said something. "Gal, you’re not pregnant." And that was it. Until I really did become pregnant with Emmett. Eventually, I discovered where babies came from. I learned at the hospital, during labor. In the delivery room, I told the doctors and nurses to get the bedpan because I thought I was having a different kind of problem. And the doctor told me that was the baby. I asked where the baby was coming out and the doctor told me that the baby was coming out the same way he went in. Ooohhh, I was embarrassed to pieces. I should have known that the doctor knew how the baby got there, but I just couldn’t face the doctor knowing that I had slept with a man. Even though the man was my husband. Well, I was pretty educated by the time I got out of the hospital. I surely knew a lot more than I knew when I went in.

Still, I struggled with it all. There had been so many things my mother didn’t tell me; things that might have helped me avoid so many difficulties along the way. I just don’t know what her problem was, but it left me feeling vulnerable. My mother and father were divorced and my stepfather was a very nice man. But it was my mother who always was the source of strength for me. A stately, sturdy woman, who seemed so much taller than five-foot-three, she had the look of someone who could handle anything that came her way. And she always seemed to be guided by traditional values–the kind of things you learned in Sunday school more than everyday school. She taught me these things, how to be a good person, but still something was missing.

There were several incidents that occurred during my early years, events that I wish I had been better prepared to take on. Because I was used to her taking care of me, I thought I could rely on her to handle them, or at least show me she understood. There was this neighbor of ours, one of our church deacons. I was about seven, an only child, and I always loved playing with his children, three girls and a boy. One day he sent all the kids out of his house, but he told me to stay behind with him. He was cooking a turtle and asked me if I wanted to look at it. Of course I did. He picked me up and I looked over in the boiling pot and I could see the turtle’s heart beating. He told me that the turtle’s heart was like a timer, that it would not stop beating until the turtle was done. I was fascinated, but I knew right away that I did not want any turtle soup, or whatever it was he was making. That might have been the only thing I would ever remember about that man, if it hadn’t been for the other thing. He kept holding me up in his arms even though I was getting uncomfortable and told him I wanted to get down, to go out. The other kids had already left and I wanted to be with them, not him.

"No, you’re gonna stay in here with me," he said. Although I was a very naive child, I knew something was wrong. And I was right. He finally set me down, but he didn’t let me leave. He began to pull my pants down. Why was he doing this to me? He was a deacon in our church, a man I was taught to respect, but this was not what a good man was supposed to do. This was bad, and I wasn’t quite sure what I should do about it.
Well, he gave me the answer, by asking the question. "Who you gonna tell?"

"I’m gonna tell my mama," I blurted out without any hesitation. I was afraid and I didn’t know what else to say. I figured my mother could fix anything. She always did.
"Oh, no, you can’t do that," he said, as if he was really surprised by my threat. What did he think I would do?

Then he asked me again, and I repeated that I would tell my mother. I held to it because I meant it. This didn’t seem like something he should be doing, and I was going to tell her. If I could get to her. Finally, I guess he decided it wasn’t worth the risk. He let me go, sent me out to play with the other kids. But I couldn’t wait to tell Mama. What happened next was as surprising to me as what had happened in the first place. When I told Mama everything that had gone on, she didn’t have any reaction. I wanted to know what she was going to do. But she just shooed me off somewhere. She never acted like she thought it was anything of consequence. But she did make me stay around our house from then on. I don’t know to this day whether Mama spoke to that man or not. I can’t help but wonder about it, though.

There was another incident. I was about fourteen by this time, and I wanted to go to a dance with my dearest friend, Ollie Colbert. I could never go to dances. They were just off-limits. But I begged Mama so, and Ollie’s mother told Mama that I would have adequate supervision. Mama reluctantly let me go, but I had to be home by nine o’clock. The dance didn’t start until eight, so I had one hour. As it turned out, I wouldn’t even have that long. I had just gotten there, had one dance, and the music was sounding so good. Oh, it was just glorious. I had never experienced such excitement. I felt like a cat in a fish market. Then, all of a sudden, somebody tapped me on the shoulder. I turned around and saw that it was the son of one of our church officers. He was very handsome and charming, but he wasn’t asking me for a dance. Mama had sent this young man to pick me up. Oh, I was so upset. But I had to do what she told me to. Now, we were only about five blocks from my house when he and I got in the car and he began driving. But then he started going the wrong way, taking the long way up and down streets in the white neighborhoods. Oh, my goodness, where was he going, what was he doing? Just as I was asking myself these questions, the answer came. He made a proposition. He suggested things I had never even thought about, sexual things. How strange, that the one person my mother had trusted to make sure I got home safely was the very person she would have wanted me to avoid that night.

"No. Absolutely not," I said, wondering if I could just get out of the car and run home. Then I told him what I had told that demon deacon so many years before. I threatened to tell Mama.

Unlike the man in that earlier incident, this young man seemed so calm about it all. "She won’t believe you," he said.

Well, that scared me more than anything. He seemed so sure about it, I began to really worry. He was such an upstanding, outstanding young man in the neighborhood that he figured he could get away with this. After all, his family was involved in our church and everyone saw him drive his mother and sister to and from church every Sunday. The whole community knew him and respected him.

Somehow, we wound up right in front of my house and then he really came on strong. He tried to touch me. And I threatened to scream. Finally, he jerked back, and at that moment, I opened that car door and left it swinging as I ran up the steps of my house.
For some reason, Mama was not there, looking out the door like she always did when she waited for me to come home. In fact, she was nowhere to be seen. I finally found her way in the back of the house just as calm as could be, I guess because she trusted this young man so much. I rushed to tell her this story about the fine, young trustworthy church boy and asked her what she planned to do.

She looked at me for a long moment. "I’m going to pray on it."

I’m not sure how her prayers were answered. That was the last time it ever came up.
There was a lesson in these experiences. I realized that, sometimes, you can suffer the greatest harm at the hands of the people you trust the most. Unfortunately, that would be a lesson I would come back to later in life. But I shouldn’t have had to learn it in this way. I was caught off guard because of my mother’s failure to open my eyes to so many possibilities in life. She taught me to always see the best in people, and never seemed to think it was important that I should also be prepared for the worst. Just in case. My mother was good at a lot of things. She was the best there was. I can’t help but wonder, though, how much different my life would have been had I known all the things children need to know as they grow to become adults, all the things a mother should share to make sure a child can make it in a world where there may be no mother around to take care of things. I decided that I could not let Emmett face that world unprepared. It was my obligation as a mother, as his mother, to make sure he would have the survival skills that I had lacked. But there was something else, something very compelling about my start with Emmett and all the problems we had to overcome in those early days–problems that seemed to be all my fault.

Something happens when a child faces a life-and-death situation, as Emmett did. It leaves an indelible mark on the mother. Somewhere deep inside I knew that everything I did had consequences in the life of my child. And I had to make sure that I always did the right thing, the best thing, for him. I knew that each moment was a blessing and that each moment was to be nurtured and protected, as was my son. It would become such a stressful balancing act, to do enough without doing too much. To protect my child without stifling him, snuffing out his independence and his sense of adventure, the very things that would make him such a special little boy.

FROM THE PUBLISHER

Mamie Carthan was an ordinary African-American woman growing up in 1930s Chicago, living under the strong steady influence of her mother's care. She fell in love with and married Louis Till, and while the marriage didn't last, they did have a beautiful baby boy, Emmett.

In August 1955, Emmett was visiting family in Mississippi when he was kidnapped from his bed in the middle of the night by two white men and brutally murdered. His crime: allegedly whistling at a white woman in a convenience story. His mother began a career of activism when she insisted on an open-casket viewing of her son's gruesomely disfigured body. More than a hundred thousand people attended the service. The trial of J. W. Milam and Roy Bryant, accused of kidnapping and murdering Emmett (the two were eventually acquitted of the crime), was considered the first full-scale media event of the civil rights movement.

What followed altered the course of this country's history, and it was all set in motion by the sheer will, determination, and courage of Mamie Till-Mobley - a woman who would pull herself back from the brink of suicide to become a teacher and inspire hundreds of black children throughout the country.

FROM THE CRITICS

The Washington Post

Death of Innocence is really a testament to the power of the indestructible human spirit -- of which the tortured face of Emmett Till speaks as eloquently as the diary of Anne Frank. — Gail Buckley

Publishers Weekly

Nearly 50 years after the murder of Emmett Till, his mother, Till-Mobley, has added her perspective on the tragedy. In what came to be seen as a seminal event in the fledgling civil rights movement, two white men abducted 14-year-old Emmett from the home of a relative in rural Mississippi in August 1955. That night they tortured the boy before dumping his lifeless body into the Tallahatchie River. His crime: he inadvertently whistled in the vicinity of a white woman who happened to be the wife of one of his killers. Although the events surrounding the murder have been recounted many times, Till-Mobley fills readers in on her son's childhood in Argo, Ill., and later Chicago. As a single mother, she tried to instill Emmett with self-confidence and a sense of life's possibilities. In her view, these two qualities helped cause his death when he journeyed to Mississippi, where the "code" demanded that blacks efface themselves in the presence of whites. Her memoir, written with Chicago journalist Benson, is told chronologically, with a large portion devoted to the events leading up to the murder and its aftermath. As she puts it, "I wanted to rip the sheets off the state of Mississippi." Till-Mobley, who died last January, spent the final 35 years of her life as a teacher and spokesperson for civil rights. While her accomplishments are admirable, her memoir has a perfunctory quality, except when describing the events surrounding Emmett's murder, and the narrative voice is uneven. Till-Mobley was a social activist but not necessarily a social critic. As a result, the example of her life is far more valuable than the insights that she draws from it. (Oct.) Copyright 2003 Reed Business Information.

Library Journal

With the help of Benson, a Chicago-based journalist, Till-Mobley has written a moving memoir about her son Emmett's tragic murder and her life without him for almost 50 years. In 1955, the 14-year-old black youth was killed and mutilated in Mississippi for allegedly whistling at a white woman, and his case became a cause celebre for the early Civil Rights Movement-especially when the white killers were acquitted. Till-Mobley speaks with a powerful voice that produces tears of profound sadness, anger, and, finally, great admiration for this mother who experienced the death of her only child. Especially wrenching is her description of identifying Emmett's body, lovingly touching each part. Perhaps a bit bathetic in places, this is nonetheless a wonderful book that deserves a wide audience. Till-Mobley died in January 2003 on her way to give a talk about Emmett; she had forgiven her son's murderers.-A.O. Edmonds, Ball State Univ., Muncie, IN Copyright 2003 Reed Business Information.

Kirkus Reviews