Between all the critical acclaim, Greg Kot's book on the band, and the introspective I Am Trying to Break Your Heart documentary, you'd think that pretty much everything has already been said about Wilco. But The Wilco Book--the influential rock band's own scrapbook of photos, observations, and random notes--has more than a few revelations for fans. Here we get beautiful photographs of musical instruments (taken apart, being fixed and played) interspersed with quotes about their studio, their performance and recording habits, and their songwriting. Some may think a close-up of a Gibson guitar is a mundane affair, but to Wilco's Jeff Tweedy, that tool of the trade is an important element in the music-making process, worthy of plenty of attention. In addition, there are numerous shots of the band, random images by Fred Tomaselli, a new essay on the ensemble by Rick Moody, and "The Angel Is My Watermark," a piece by Henry Miller that resonates with the group. The enclosed 12-track CD contains previously unheard tracks from the A Ghost Is Born sessions. A couple tunes ("Diamond Claw," "What Good Am I") rank with Wilco's best work, while the rest show the band in the midst of the creative process, making aural sketches. All-told, the poignant randomness of The Wilco Book unfolds like a great Wilco album: it's a wonderful mix of compelling experimentation and heartfelt sentiment. A must-have for Wilco lovers. --Jason Verlinde

Tweedy Talks
Amazon.com Music Editor Jason Verlinde talks with Wilco's Jeff Tweedy about the book, the band's music, and more in our special audio interview: Jeff Tweedy on The Wilco Book Jeff Tweedy on Wilco's fame and status

Wilco on Record
Looking for more Wilco? Check out Amazon.com's complete list of Wilco on CD.

From Publishers Weekly
In case fans of alt-country turned art-rock band Wilco didn't get enough pertinent reading material this year—including front man Jeff Tweedy's poetry collection, Adult Head, and rock critic Greg Kot's affectionate band bio, Wilco: Learning How to Die—there's this lavishly designed and gorgeously printed collaboration between band members and the New York design company PictureBox. Meant to capture the soulful, rockin', poetically inscrutable essence of Wilco's art, it collects essays, drawings and random comments by Wilco members, organized by their collective interests, including "The Loft" where they rehearse, "The Instruments" they use and the process of "Making a Record." Accompanied by a CD of unreleased material and generously illustrated with beautiful color photographs by Michael Schmelling, it also features Henry Miller's classic essay on creativity, "The Angel Is My Watermark"; an often tortured look at five Wilco songs by Rick Moody; and a section on how the band's soundman prepares for a live concert that gives a fascinating look at the workday of professional musicians. While the book's beauty can't mask its lack of context—biographical or musical—for anyone with a casual interest in the band, there are plenty of hardcore fans out there who'll find it required reading. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Book Description
By Wilco and Peter Buchanan-Smith and Dan Nadel with contributions by Henry Miller, Rick Moody, Michael Schmelling, Fred Tomaselli This is a book about Wilco and the pictorial, literary, and musical world they conjure up on record and in performance. The Wilco Book looks and reads like a Wilco record sounds; it's a translation of the band's sensibility from sound into print. It features dozens of never-before-seen photographs of the band by Michael Schmelling accompanied by reflections, drawings and photographs by members of Wilco. Also included are essays by Henry Miller and Rick Moody, paintings by Fred Tomaselli, visual images by Bern Porter, and a compact disc of unreleased music. Through words and images the book explores what Wilco does, how it does it, and where it all comes together. Includes a 40-minute CD of original, unreleased songs. Track listing: Pure Bug Beauty This Is New Diamond Claw This Is New (The Explanation) What Good Am I Here Comes Everybody Hummingbird (Soma version) The High Heat Doubt Barnyard Pimp Rottnest Hamami

FROM OUR EDITORS

The Barnes & Noble Review
If you are a fan of the former alt-country group now turned art-rock quartet Wilco, you may be surprised to learn that even with one album and two books already released this year, there is still more to know about the band. If you are not a fan, then do yourself a favor: Get the first album, Yankee Hotel Foxtrot, and the most recent one, A Ghost Is Born, and mentally prepare yourself. Just do it, okay? Think about what singer Jeff Tweedy alludes to as "angst, regret and forgiveness" (he labeled his effects pedals accordingly), as they pertain to evolution and experimentation. Then take three months off and listen to Wilco relentlessly until you no longer want to kill yourself ￯﾿ﾽ and then buy The Wilco Book!

A sort of journalistic "almost-narrative" of whys and wherefores, it includes a few contributions from band favorites like Henry Miller, Fred Tomaselli, and Rick Moody. But most of the content comes from the band members themselves -- and the fine people at PictureBox - creating a collage of words and photos about the road and the studio and about what happens in both places. See, the thing about this book is that it doesn't include a lot of biographical information. Band members don't reminisce about the past or even talk much about the band itself. Instead, this musical slice of life paints a portrait of artists caught up in the excitement of experimentation and living in a time of great transition. Reading the book is like listening to Wilco: an experience that is moody and smart and a little ephemeral.

The accompanying CD is a collection of tunes from the A Ghost Is Born sessions. Some of these songs ("Diamond Claw" and a startlingly different version of "Hummingbird," for example) are so good, listeners will wonder why they were omitted from the first record No matter, we have them now.

The random and super-heady breakdowns of "process" are sometimes a little long, but the exhaustive dissection of an important group of artists in a period of drastic transition is a weighty and worthy subject. Read what Tweedy has to say about songwriting: "It's pretentious -- that's the word for it. But I don't know of anything that isn't based on pretense." So there. Elizabeth McMillan

FROM THE PUBLISHER

This is a book about Wilco and the pictorial, literary, and musical world it conjures up on record and in performance. Created in collaboration with Jeff Tweedy, Wilco, and Tony Margherita, this primarily visual book explores what Wilco does, how it does it, and where it all comes together. The band narrates the book in the form of long captions accompanying a variety of images: a Korean postcard, a Stratocaster, a backstage practice session, and so on. Along the way, central topics such as instruments, touring, and recording are covered both in general (i.e., what happens, physically, when a guitar string breaks) and specific to Wilco. Just as the band assembles its disparate talents and inspirations to make music, this book coheres in the end to reveal a 40 minute CD of original, unreleased songs. Just as Wilco experiments with music by turning convention on its head, this book is an utterly new take on the old genre of the rock 'n' roll book. The Wilco book will look and read like a Wilco record sounds; it's a translation of the band's sensibility from sound into print.

FROM THE CRITICS

Publishers Weekly

In case fans of alt-country turned art-rock band Wilco didn't get enough pertinent reading material this year-including front man Jeff Tweedy's poetry collection, Adult Head, and rock critic Greg Kot's affectionate band bio, Wilco: Learning How to Die-there's this lavishly designed and gorgeously printed collaboration between band members and the New York design company PictureBox. Meant to capture the soulful, rockin', poetically inscrutable essence of Wilco's art, it collects essays, drawings and random comments by Wilco members, organized by their collective interests, including "The Loft" where they rehearse, "The Instruments" they use and the process of "Making a Record." Accompanied by a CD of unreleased material and generously illustrated with beautiful color photographs by Michael Schmelling, it also features Henry Miller's classic essay on creativity, "The Angel Is My Watermark"; an often tortured look at five Wilco songs by Rick Moody; and a section on how the band's soundman prepares for a live concert that gives a fascinating look at the workday of professional musicians. While the book's beauty can't mask its lack of context-biographical or musical-for anyone with a casual interest in the band, there are plenty of hardcore fans out there who'll find it required reading. (Nov.) Copyright 2004 Reed Business Information.

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