Francis Ford Coppolla
Kerri's work is lush with natural light that makes the images sensual and rich...

John Mariani, Food Editor, Esquire
A beautifully produced book by one of the great photojournalists of America.

Susan Larson, Book Editor, New Orleans Times-Picayune
In perfectly chosen words and images [Obituary Cocktail] captures something timeless and essential about New Orleans.

Book Description
The new edition: Two years after its original release, the new Obituary Cocktail has more bars, photos, drink recipes, and quotes. Six added spreads include the bar in the kitchen at Commander's Palace, The Circle Bar and its Herradura tequila shot with tonic--the Harry Tonic Jr.--and Butler's fantastically seedy interior. WINNER Silver Medals, Publisher's Mktg Assoc & Ind Publ Assoc 2002! Book of the Year 1999 (New Orleans Gulf South Booksellers Association).

About the Author
Kerri McCaffety earned a degree at Tulane University, where she concentrated on ethnographic documentary. The Society of American Travel Writers awarded her its coveted gold Lowell Thomas Award. Her writing and photojournalism appear in publications including The Oxford American, Town and Country, Historic Traveler, Colonial Homes, Southern Accents, Travel & Leisure, Metropolitan Home, and The Seattle Times. With six volumes now in print, she is considered New Orleans' preeminent photographer.

FROM THE PUBLISHER

Obituary Cocktail pours out the story of New Orleans and of such local phenomena as Mardi Gras, Quadroon Balls, and the world's first cocktail.Obituary Cocktail reveals recipes for long-time favorites like the Ramos Gin Fizz and the Sazerac, as well as historic drinks that have not been tasted for 100 years, like the strange poison the book is named for.

From the French Quarter's elegant Arnaud's to the Ninth Ward's eccentric Saturn Bar, from the world-famous Pat O'Brien's to the obscure Bud Rip's Obituary Cocktail dispels erroneous bar folklore and tells the true stories that prove even more fascinating.

SYNOPSIS

New Orleans, with over 3,000 gin joints--more per capita than anywhere else in the United States--uncorked its drinking tradition with the first shipload of weary Frenchmen needing a place to sit, brag and languish in the heat. It has never abandoned it European/Caribbean, opulence-in-exile heritage even during Reconstruction and Prohibition, and clings to tit still. Where else can you get a "go cup," bar hop at four in the morning, or sit out a tropical storm drinking Hurricane Punch in the same crumbling cottage where pirates plotted military matters two centuries ago.?
With almost 200 luscious photographs, Obituary Cocktail takes us on a tour of architectural and cultural treasures still operating today.--saloons that are some of the oldest buildings in America, beautiful yet unpretentious places where the past flows into the present.
Accompanying this visual feast are the stories lurking in these dusky rooms--tales of an emperor's exile, lusty ghosts, politics, and the birth of jazz. Blended together, they pour out the story of the New Orleans and of such local phenomena as Marti Gras, Quadroon Balls, and the world's first cocktail. Obituary Cocktail Reveals recipes for long-time favorites like the Ramos Gin Fizz and the Sazerac, as well as historic drinks that have not been tasted for 100 years, like the strange poison the book is named for.
From the French Quarter's elegant Arnaud's to the Ninth Ward's eccentric Saturn Bar, from the world-famous Pat O'Brien's to the obscure Bud Rip's Obituary Cocktaildispels erroneous bar folklore and tells the true stories that prove even more fascinating.
From the Author
I decided to tell the story of New Orleans through its saloons. These buildings and their history exemplify the charm of America's most decadent city, that undeniable part of new Orleans that I love and that has remained for centuries irresistible to artists, poets, and romantics.
About the Author
Kerri Macaffety studied anthropology at Tulane University where she concentrated on ethnographic documentary. she wen on to photograph people and their environments in Europe, Central Africa, and Haiti. Her writing and photojournalism have appeared in publications including The Oxford American, Historic Traveler, colonial Homes, southern Accents, Travel & Leisure, Louisiana cultural Vistas, and The New Orleans Times-Picayune. MacCaffety's fine -art photography is represend by Carol Robinson Gallery. She has lectured on historic New Orleans bars at the Louisiana State Museum, where her photographs are a part of the permanent collection.

FROM THE CRITICS

D. Eric Bookhardt - (Gambit Magazine)

MaCaffety's prints are startling, but for reasons having to do with the dusky formal reductions we usually associate with the early photo-romantics Steicben, Gentbe or Imogen Cunningham....A stationary ballet of elegantly undulating luminosity.

Angus Lind - (The Times-Picayume)

It's the kind of assignments any columnist like me like me fantasizes about:
Meet the attractive female author of a photographic book about the subject near and dear to me heart, the great bars of New Orleans.
Meet this photojournalist ("You can't miss me--I've got long red hair") in a famous old French Quarter tavern at happy hour, have a few cocktails with her and discover she has the same passions for the saloons of New Orleans that you do, for the stories that have been told in them, the lives that have passed through them, the loose tongues that have wagged in them, their beauty, their crustiness and their timelessness.
Delightful, engaging and very Irish Kerri McCaffety, a 31-year -old Texas native who came to Tulane University to study premed, graduated in anthropology and becomes an accomplished photographer of home interiors, has told the history of new Orleans through bars in her exquisite "Obituary Cocktail; The Great Saloons of New Orleans"(Pontalba Press).
Sitting at a table in the bar of Tujague's (est. 1856) on Decatur Street one recent afternoon, she recounted how she was quickly seduced by the city's charms. "I had been to New Orleans before Tulane. I always loved the look of New Orleans, but the feel of it, it was so relaxed. It's so colonial. It feel like I'm in a Graham Green novel. I just fell in love with the city." And its bars.
"Cocktails and bars seems to be a strange metaphor for the city. The timelessness of bars seems to bring out the friendliness of people. Even people who don't drink have their inhibitions lowered when they come to New Orleans," she said.
Before barhopping from the Napoleon House and jean Lafitte's Blacksmith Shop to Bud Rip's and Parasol's, McCaffety begins her photojournalistic escapade with a quote from Clarence Darrow that sets the tone:
"Take out of this world the men who have drunk, down through the past, and you would take away all the poetry and literature and practically all the works of genius that the world has produced. What kind of a poem do you supposed you would get out of a glass of ice-water?"
Well, you won't find it in this book, thats for sure.
In her research, McCaffety unlocked long-lost secrets of many of these establishments. The title of the book, " is an invention of Lafitte's Blacksmith Shop around the turn of the century, when America discovered the martini. The shop's version consisted of four jiggers of dry gin, a half jigger of dry vermouth and an added splash of the mysterious and enchanting beverage known as absinthe.
The popular absinthe produced by the Period family in France contained wormwood MaCaffety found. Wormwood not only has insecticide properties, but it contains a chemical similar to one found in marijuana. the profound reactions some had to the intoxicating psychoactive combination was blamed for all kinds of misbehaviors, not excluding murder. by 1912 absinthe was banned in the United States, but its aperitif cousins, Period and Herbsaint live on, without the wormwood.
Hence the name, Obituary cocktail. "Death and drinking, that's what New Orleans is all about, " she said, Especially when you consider our famous centuries.
Three years and many drinks in the making the book went through many stages, but there's no doubt it began with the Napoleon House, McCaffety's favorite bar. It was there where her anthropological subconscious may have factored into the direction she eventually headed.
"I was sitting in there drooling over the way the paint was peeling off the wall. It was a very organic color that looks like 17th century painting. I was getting tired of shooting houses that were clean and perfect." the Napoleon House is a place that not only has stayed the same way for generations and disdained change, but epitomizes the stylish decadence of new Orleans. It was a perfect start for her photography and research about why New Orleans is so crazy about Napoleon. She sold the story to a magazine, then moved on to the next bar and decided that to study what a culture surrounds itself with would be "very anthropological."
And that would be bars and more bars.
Over the bar at the blacksmith Shop she found an inscription in French scrawled by Portuguese sailors in about 1820: " Love makes time fly; time makes love fly."
In bars, besides alcohol, there is wisdom.
We learn that during Prohibition, rum runners from Belize then British Honduras, tossed sacks filled with rum and whiskey overboard into shallow marshes along the river's edge as their ships approached port in the Gulf. when they got into port customs officers would search and find nothing. the smugglers would go back and retrieve their liquor later. One roguish smuggler went so far as to name his vessel "Look Me over," practically taunting the customs officers. For more than 12 years, this is one way the illegal bars of the city were supplied.
During this same era, when the Volstead Act reigned, McCaffety came up with this story: "In the dry days of the 1920's Federal Agent Isagore Einstein (apparently no relation to the genius) traveled around America testing how easily he could acquired liquor in different cities. As Einstein ranked cities according to the time it took to get a drink, New Orleans came in firs. Einstein stepped off the train in the big Easy and bought an illegal alcoholic beverage in 37 seconds."
McCaffety was stunned by how photogenic so many of the bars were, which spurred her on to more research and work and is all reflected in her efforts. But there was another motive that kept her going. It seems some year back there was this crazy rumor, she said, that Disney was thinking about buying the French Quarter.
"OhmyGod! Simulated faux New Orleans! Now i wanted to document this for me, if no one else."
In Obituary Cocktail,you'll find recipes for drinks not made in a century and recipes for drinks served that same way for 200 years. McCaffety got a bunch of friends together and tried them all to make sure all the recipes worked.
"I can't drink that much liquor," She said. "it was quite a challenge. but look at it this way: Its anthropology."

Christina Masciere - (New Orleans Magazine)

A collection of sumptuous, atmospheric images of the city's most famous taverns, Obituary Cocktail relates the history of the city itself through drink, an essential ingredient of New Orleans culture....Informative and lovely, Obituary Cocktail is a treat for those who appreciate the fine art of drinking a smart cocktail in distinguished surrounding.

WHAT PEOPLE ARE SAYING

Kerri McCaffety's camera plunges to the depths of these time-machines, uncovering their soul. Kerri's pictures are filled with the presences that their interiors conceal. She has the knack of capturing the auras of mirrors, bottles, glasses, and bartops. she sees the Kirlovian reflections with impeccable instinct for the beauty of form.
There is quicksilver and grace in her vision. She also knows the milieu of drinking and drinkers like bees know flowers. — Andrei Codrescu

Her academic training in anthropology has lent to her lifetime training in the craft of photography, and to her natural and profound sense of beauty, a quick and true apprehension of the social, historical, and even mythological context of everything she sees. — Tom Piazza

Michael Sartisky