Review
"The photography of Manuel Alvarez Bravo is Mexican by cause, form, and content, anguish is omnipresent and the atmosphere is supersaturated with irony."--Diego Rivera


Review
"The photography of Manuel Alvarez Bravo is Mexican by cause, form, and content, anguish is omnipresent and the atmosphere is supersaturated with irony."--Diego Rivera


Book Description
Manuel Alvarez Bravo began photographing in 1924, during Mexico's thriving post-revolutionary artistic renaissance. His influences, from indigenous cultures to contemporary European trends, combined through his artistry to form a unique, transcendent vision rooted in the iconography of his country. While his early work embraced Mexico's urban realities, its peasants and workers, and its hauntingly beautiful landscape, Alvarez Bravo's ever-present acknowledgment of the macabre prompted André Breton, the leader of Surrealism in France, to claim him as an exponent of the movement.

Prolific, uncompromising, and committed to advancing the arts of his country, nevertheless, public recognition eluded Alvarez Bravo, even in Mexico, until the 1970s, when his photographs were exhibited at the Pasadena Art Museum in California and at New York's Museum of Modern Art, in 1971. But it was not until 1997 that his work became widely known through a definitive exhibit of 185 photographs at the Museum of Modern Art and the simultaneous publication by Aperture of Manuel Alvarez Bravo: Photographs and Memories.

Manuel Alvarez Bravo won his first award in 1931, and then decided to pursue photography as a career. He met André Breton in 1939, and his work was subsequently included in Surrealist exhibitions in Paris. In 1942, the Museum of Modern Art, New York, acquired their first works by Alvarez Bravo; in 1955, his photographs were included in Edward Steichen'sFamily of Man exhibition at MoMa. In 1959 Alvarez Bravo co-founded the Fondo Editorial de la Plástica Mexicana, with the goal of publishing books on Mexican art, which he co-directed until 1980, and from 1980 to 1986, he devoted his time to founding and developing the collection of the first Mexican Museum of Photography. Alvarez Bravo is the recipient of the Sourasky Art Prize (1974), the National Art Prize (Mexico, 1975), a John Simon Guggenheim Memorial Fellowship (1975), the Victor and Erna Hasselblad Prize (1984), and the International Center of Photography's Master of Photography Award (1987).

Manuel Alvarez Bravo: Photographs and Memories presents an intimate portrait of Mexico's revered photographer and, with his most beloved images, includes a selection of little-known work chosen with the photographer specifically for this classic monograph.


About the Author
Frederick Kaufman's writing has appeared in the New York Times Magazine, the Village Voice Literary Supplement, Gentlemen's Quarterly, Aperture, among numerous other publications. His novel, Forty-Two Days and Nights on the Iberian Peninsula with Anis Ladron, was published by Harcourt Brace Jovanovich in 1987. Kaufman often writes about Spain and Latin America.

Manuel Alvarez Bravo won his first award in 1931, and then decided to pursue photography as a career. He met André Breton in 1939, and his work was subsequently included in Surrealist exhibitions in Paris. In 1942, the Museum of Modern Art, New York, acquired their first works by Alvarez Bravo; in 1955, his photographs were included in Edward Steichen's Family of Man exhibition at MoMa. In 1959 Alvarez Bravo co-founded the Fondo Editorial de la Plástica Mexicana, with the goal of publishing books on Mexican art, which he co-directed until 1980, and from 1980 to 1986, he devoted his time to founding and developing the collection of the first Mexican Museum of Photography. Alvarez Bravo is the recipient of the Sourasky Art Prize (1974), the National Art Prize (Mexico, 1975), a John Simon Guggenheim Memorial Fellowship (1975), the Victor and Erna Hasselblad Prize (1984), and the International Center of Photography's Master of Photography Award (1987).

FROM THE PUBLISHER

Manuel Alvarez Bravo: Photographs and Memories. Essay by Frederick Kaufman, based on interviews with Manuel Alvarez Bravo. Manuel Alvarez Bravo presents an intimate portrait of Mexico's most famous photographer, and, along with his most beloved images, the volume's text, an "essay of memories," reconstructs Alvarez Bravo's life and evokes the rich historical background in which he flourisheda background of relationships with such figures as Diego Rivera, Frida Kahlo, Sergei Eisenstein, Tina Modotti, and Octavio Paz. A major traveling exhibition opened at the Museum of Modern Art in New York City, February, 1997. 75 blackandwhite duotone photographs, 9 9/16 X 11 3/8, 80 pages. Hardcover.

"The photography of Manuel Alvarez Bravo is Mexican by cause, form, and content, anguish is omnipresent and the atmosphere is supersaturated with irony."

Diego Rivera