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   Book Info

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Kazimir Malevich: Suprematism  
Author: Matthew Drutt (Compiler)
ISBN: 0892072652
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review

Book Description
In 1915, Kazimir Malevich changed the future of modern art when his experiments in painting led the Russian avant-garde into pure abstraction. He called his innovation Suprematism--an art of pure geometric form meant to be universally comprehensible regardless of cultural or ethnic origin. His Suprematist masterpiece, White Square on White (1920-27), continues to inspire artists throughout the world. Focused exclusively on this defining moment in Malevich's career, Kazimir Malevich: Suprematism features nearly 120 paintings, drawings and objects, among them several recently discovered masterworks. In addition, the book includes previously unpublished letters, essays and diaries, along with essays by international scholars, who shed new light on this popular figure and his devotion to the spiritual in art. Edited by Matthew Drutt.~Essays by Jean-Claude Marcadé, Nina Gurianova, Vasilii Rakitin, Tatiana Mikhienko and Yevgenia Petrova. Hardcover, 9.5 x 11 in./272 pgs / 120 color 60 BW0 duotone 0 ~ Item D20401

About the Author
Matthew Drutt is Chief Curator of the Menil Collection in Houston, Texas.




Kazimir Malevich: Suprematism

FROM THE PUBLISHER

"In 1915, Kazimir Malevich (1878-1935) changed the future of Modern art when his experiments in painting led the Russian avant-garde into pure abstraction. He called his innovation Suprematism - an art of pure geometric form meant to be universally comprehensible regardless of cultural or ethnic origin. His Suprematist masterpieces, including Black Square (1915) and White Square on White (1920-27), continue to inspire artists throughout the world." Accompanying the first exhibition to focus exclusively on this defining moment in Malevich's career, Kazimir Malevich Suprematism features nearly 120 paintings, drawings, and objects, among them several recently rediscovered masterworks. In addition, the book includes previously unpublished letters, texts, and diaries, along with essays by international scholars, who shed new light on this influential figure and his devotion to the spiritual in art.

     



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