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   Book Info

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Masks of Mary Renault: A Literary Biography  
Author: Caroline Zilboorg
ISBN: 0826213227
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review
Masks of Mary Renault: A Literary Biography

FROM THE PUBLISHER

Born Eileen Mary Challans in London in 1905, Mary Renault wrote six successful contemporary novels before turning to the historical fiction about ancient Greece for which she is best known, including The Last of the Wine, The King Must Die, The Bull from the Sea, Fire from Heaven, and Funeral Games. While Renault's novels are still highly regarded, her life and work have never been completely examined. Caroline Zilboorg seeks to remedy this in The Masks of Mary Renault by exploring Renault's identity as a gifted writer and a sexual woman in a society in which neither of these identities was clear or easy.

FROM THE CRITICS

Publishers Weekly

Almost 20 years after her death, Renault, author of a hugely popular series of historical novels set in ancient Greece, remains elusive. Born in England, she lived in South Africa for the second half of her life, where she was both an antiapartheid activist and accused of racism in her policies as president of the Durban chapter of PEN. Though openly and happily settled in a monogamous lesbian relationship, she maintained a bisexual identity and had few, if any, lesbian friends. Her pioneering depiction of male homosexuality was so successful that many men imagined her to be a man. Yet she disapproved of South Africa's homophobic legal system because it forced gays into a homosexual underground where they "met all the wrong sort of people" with whom "they had nothing in common." An instinctive feminist, she detested what she called "Women's Lib" and was wholly comfortable in terming heterosexuals "normal." Zilboorg, a Cambridge academic, here applies the perspectives of queer theory in an attempt to wrest from Renault's fiction a coherent thread of transgressive sexual identity that in Zilboorg's view represents a radical position. Readers turning to this book as a biography will be disappointed; while Zilboorg's readings of the novels are solid and corrective, their author remains opaque. Thanks to Renault's extraordinary reticence and advanced sense of privacy, we know only what she wants us to. Even this determined biographer cannot unmask her. (June) Copyright 2001 Cahners Business Information.

     



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