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   Book Info

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Orienting Arthur Waley: Japonism, Orientalism, and the Creation of Japanese Literature in English  
Author: John Walter de Gruchy
ISBN: 0824825675
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review

Book Description
Hailed recently as "the greatest translator of Asian literature ever to have lived," Arthur Waley (1889-1966) had an immeasurable influence on Western perceptions of Asia and on the development of Asian studies in the West. Waley was the single most important force in creating what the English-speaking public understood to be "Japanese literature" with his popular and critically acclaimed translations of Japanese poetry, no plays, and the celebrated eleventh-century court romance The Tale of Genji. Orienting Arthur Waley, the first book-length study of Waley and his Japanese translations, provides a provocative examination of Waley's contribution to twentieth-century English literature and culture. John de Gruchy "orients" Waley as a member of an elite Anglo-Jewish family, a top graduate of Rugby and Cambridge, and a younger member of the Bloomsbury Group. He examines how these social contexts influenced Waley's work, and he further locates Waley's Japanese translations within the political contexts of the japonism movement, British socialism and imperialism, and the development of Japanese studies in England. How a "cult of things Japanese" in the early modern period in Britain led to the emergence of one of the twentieth century's most important translators is a fascinating story in itself.

About the Author
John W. de Gruchy is associate professor of English language and literature at Kagoshima Immaculate Heart College.




Orienting Arthur Waley: Japonism, Orientalism, and the Creation of Japanese Literature in English

SYNOPSIS

A younger and less well known affiliate of the Bloomsbury Group, Waley (1889-1966) is usually thought merely to have followed Ezra Pound's example in translating Asian literature. But de Gruchy (English language and literature, Kagoshima Immaculate Heart College) argues that in fact he followed a distinctly Anglo- European tradition of orientalism, paid much less attention to Pound than Pound liked to believe, and was a key figure in the English modernist tradition of Japanese culture. Annotation ©2003 Book News, Inc., Portland, OR

     



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