From Publishers Weekly
Lavishly produced (with 122 color plates, 300 drawings and 50 black-and-white illustrations), this book, designed to accompany a traveling exhibition, is narrowly focused on the opulent lifestyle and ideology of the Maya ruling elite. Maya history is presented mainly in terms of the sumptuary art, dynastic succession and peculiar (sadomasochistic) courtly rituals of these aristocrats. Schele and Miller see as the keys to this civilization an underworld myth (the Popol Vuh) and grisly blood-letting and -taking ceremonies conducted in royal precincts, parade grounds, ball courts and battlefields, which are pictured on relief carvings and paintings. This interpretation is based on a new phonetic reading of Maya hieroglyphics that has gained ground since the 1960s, to which Schele has contributed heavily. She has come up with eyecatching decipherments of glyphs on monuments that identify the names, dates and some major eventsbirth, death, marriage, accession, the capture of enemiesin the lives of individual Maya kings. Much of this intriguing explication is clearly laid out in the text, captions and notes. Copyright 1986 Reed Business Information, Inc.


From Library Journal
Though Maya script, symbolism, and mythology are not yet fully understood, research from the last 25 years is showing that the Maya, once seen as "simple" peaceful people, are now thought to have lived in rival city-states waging war to capture prisoners who were often sacrificed to enhance the power of rulers. This exhibition catalog is organized along eight themes that recur in Maya art. The 123 spectacular color plates, along with black-and-white photographs and 200 drawings, are intimately bound to the text: they are the pictorial representations of the sacred objects and places that imbued Maya political and religious life with meaning. The authors have built on important recent research to shed new light on the Maya code and symbolism; this is an important contribution to our understanding of the Classic Maya. Winfred Lambrecht, Anthropology Dept., Brown Univ.Copyright 1986 Reed Business Information, Inc.


Octavio Paz,The New York Review of Books
[A] work as remarkable for its text as for the photographs and drawings that illustrate it.

ANNOTATION

A comprehensive guide to the Maya which reveals kingship rites, ritual warfare, with a vast array of color plates and drawings.

FROM THE CRITICS

Publishers Weekly

Lavishly produced (with 122 color plates, 300 drawings and 50 black-and-white illustrations), this book, designed to accompany a traveling exhibition, is narrowly focused on the opulent lifestyle and ideology of the Maya ruling elite. Maya history is presented mainly in terms of the sumptuary art, dynastic succession and peculiar (sadomasochistic) courtly rituals of these aristocrats. Schele and Miller see as the keys to this civilization an underworld myth (the Popol Vuh) and grisly blood-letting and -taking ceremonies conducted in royal precincts, parade grounds, ball courts and battlefields, which are pictured on relief carvings and paintings. This interpretation is based on a new phonetic reading of Maya hieroglyphics that has gained ground since the 1960s, to which Schele has contributed heavily. She has come up with eyecatching decipherments of glyphs on monuments that identify the names, dates and some major eventsbirth, death, marriage, accession, the capture of enemiesin the lives of individual Maya kings. Much of this intriguing explication is clearly laid out in the text, captions and notes. (July 31)

Library Journal