From Publishers Weekly
Starred Review. One of Peterson's early books, long before his blockbuster Bible paraphrase The Message, was titled A Long Obedience in the Same Direction. This pastor, professor and writer has lived up to the promise of that title, consistently producing books of uncommon eloquence that explore the Christian life through the lens of scripture. In this volume, the first of a projected five, Peterson lays the foundation for "spiritual theology." Following the biblical languages, he asks readers to consider "how our perceptions would change if we eliminated the word 'spirit' from our language and used only 'wind' and 'breath.' Spirit was not 'spiritual' for our ancestors; it was sensual." Beginning with an account of Gerard Manley Hopkins's vivid poem "As Kingfishers Catch Fire," Peterson goes on to employ his own considerable gifts as a writer to uncover the sensual, concrete realities behind biblical texts from Genesis to Revelation. These nuanced and convincing readings help frame the three areas where Peterson sees Christ at "play": the beauty of creation, the tragedy of history and the beloved, bewildering community of the church. "The single most important thing to understand in spiritual theology is that it is not about theology... it is a cultivated disposition to live theology." Rich, generous and wise, Peterson's "conversation" will help readers at every stage of faith to live their faith more deeply. (Mar.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.


From Booklist
In this first and foundational volume of a five-volume series, Peterson rescues spirituality from both its ancient connotations of cloistered monasticism and its modern contamination with self-help boosterism and neopagan recreation. No dogmatic catechist, Peterson invites his readers into a true dialogue--speaking and listening in turn--that opens up Christian spirituality as a lived reality. Though grounded in scripture and in Trinitarian doctrine, the spirituality Peterson would foster is deeply experiential, intensely felt as a growing awareness of both transcendent miracles and intimate connections. That growth comes not through personal achievement but rather through selfless submission to the divine presence, memorably described in the Gerard Manley Hopkins poem from which Peterson takes his title. Allowing the Lord to play in us, Peterson promises, will nurture receptivity to the wonders of creation as we recognize in Christ's birth the revelatory key to the universe and as we reverence the Sabbath as a weekly day of renewal. Richly ecumenical, Peterson's reflections will attract Christians from diverse affiliations. Bryce Christensen
Copyright © American Library Association. All rights reserved


Book Description
Christ Plays in Ten Thousand Places reunites spirituality and theology in a cultural context where these two vital facets of Christian faith have been rent asunder. Lamenting the vacuous, often pagan nature of contemporary American spirituality, Eugene Peterson here firmly grounds spirituality once more in Trinitarian theology and offers a clear, practical statement of what it means to actually live out the Christian life. Writing in the conversational style that he is well known for, Peterson boldly sweeps out the misunderstandings that clutter conversations on spiritual theology and refurnishes the subject only with what is essential. As Peterson shows, spiritual theology, in order to be at once biblical and meaningful, must remain sensitive to ordinary life, present the Christian gospel, follow the narrative of Scripture, and be rooted in the "fear of the Lord" — in short, spiritual theology must be about God and not about us. The foundational book in a five-volume series on spiritual theology emerging from Peterson’s pen, Christ Plays in Ten Thousand Places provides the conceptual and directional help we all need to live the Christian gospel well and maturely in the conditions that prevail in the church and world today.


About the Author
Eugene H. Peterson, author of the best-selling contemporary translation of the Bible titled The Message, is professor emeritus of spiritual theology at Regent College, Vancouver, British Columbia. His other books include The Contemplative Pastor, Five Smooth Stones for Pastoral Work, Subversive Spirituality, Take and Read, Under the Unpredictable Plant, The Unnecessary Pastor, and Working the Angles (all Eerdmans).

FROM THE PUBLISHER

Christ Plays in Ten Thousand Places reunites spirituality and theology in a cultural context where these two vital facets of Christian faith have been rent asunder. Lamenting the vacuous, often pagan nature of contemporary American spirituality, Eugene Peterson here firmly grounds spirituality once more in Trinitarian theology and offers a clear, practical statement of what it means to actually live out the Christian life.

Writing in the conversational style that he is well known for, Peterson boldly sweeps out the misunderstandings that clutter conversations on spiritual theology and refurnishes the subject only with what is essential. As Peterson shows, spiritual theology, in order to be at once biblical and meaningful, must remain sensitive to ordinary life, present the Christian gospel, follow the narrative of Scripture, and be rooted in the "fear of the Lord"—in short, spiritual theology must be about God and not about us.

The foundational book in a five-volume series on spiritual theology emerging from Peterson's pen, Christ Plays in Ten Thousand Places provides the conceptual and directional help we all need to live the Christian gospel well and maturely in the conditions that prevail in the church and world today.

FROM THE CRITICS

Publishers Weekly