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   Book Info

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Faith Fox  
Author: Jane Gardam
ISBN: 078671221X
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review


From Publishers Weekly
A motherless baby named Faith is the linchpin of this delightfully eccentric comedy of manners and miracles by Gardam, a two-time winner of the Whitbread Prize (The Hollow Land; The Queen of the Tambourine). First published in Great Britain in 1996 and set in the early 1990s in the moody Yorkshire moors and the gentrified climes of Surrey and London, the novel features a highly entertaining cast of dotty characters whose class, ethnic and religious differences are wonderfully deconstructed by Gardam's sharp, dark wit. Jolly Holly Fox ("an extraordinarily nice girl") is the last person her devoted mother, the widowed and wealthy Thomasina, expects to die in childbirth. Unable to even look at the surviving baby, she runs away with a retired general. Andrew Braithwaite, Holly's physician husband, is equally unable to cope ("he disliked children altogether, really") and gives Faith to his brother, Jack, a devout but nontraditional Christian minister and Jack's Indian, ex-hippie wife, Jocasta, who live at a Yorkshire commune headed by Jack. Assorted relatives and friends wring their hands over Faith's fate, including her anxious paternal grandparents, the affable Toots and Dolly; ancient Pema, one of the mysterious Tibetan exiles staying at Jack's commune; Nick and Ernie, two ex-burglars working for Jack; and Jocasta's 11-year-old Indian son, Philip, whose loyalty to little Faith never wavers. Gardam's voice is dead-on as she crafts a tale with a lovely surprise ending that reaffirms the importance of faith, making this a royal treat for the holidays.Copyright 2003 Reed Business Information, Inc.


From Booklist
From the moment of Faith Fox's birth, she is at a loss--her mother dies in childbirth, her father emotionally disconnects, and, therefore, she has no sense of family and security. Yet this is, cleverly enough, not a novel about Faith Fox, except for how her very existence causes other characters to look within themselves and learn who they are in relation to one innocent baby. Gardam builds on the classic English novel approach of intimately examining a small community of people in light of their class differences and dialects, reactions and religious beliefs, secrets and indiscretions. Although her characters tend toward the stereotypical (emotionally cold male, dotty matron, snobbish grande dame), Gardam does make them convincingly three-dimensional by offering numerous and engaging details, and portraying their peculiarities, thereby also exposing the idiosyncrasies of the English. Gardam clearly knows the mantra of many writers: Through the particulars we reveal the universal. Janet St. John
Copyright © American Library Association. All rights reserved


Book Description
Faith Fox is a sparkling novel of comedy and conversation, birth and death, and the differences between England’s well-born and plain people from a two-time winner of the Whitbread Prize and Booker Prize finalist. This comedy of manners set in early ’90s Britain centers around newborn Faith Fox, the daughter of the sweet, healthy, and hearty pearl of her Surrey village, Holly Fox, who inexplicably dies in childbirth. Faith’s beanpole father can’t and won’t look after her. Holly’s mother—a matron from Surrey’s gin-and-tonic belt who is ostensibly full of good nature, good sense, and sociability—refuses to acknowledge the baby whose birth killed the daughter she loved. And so an extraordinary group of family, friends, and strangers converge to make sure that Faith Fox ends up raised well in the right hands. The concerned parties include an ascetic priest of an uncle in Northern England who runs a commune with his unfaithful ex-hippie wife and her precocious, lonely son; the Tibetan refugees staying there; and the splendidly bickering and ancient paternal grandparents. As Faith’s future unravels amidst the shifting scenes of high society and low, the old and the young, Jane Gardam explores the English heart in all its eccentric variety.




Faith Fox

FROM THE PUBLISHER

"This comedy of manners set in early '90s Britain centers upon newborn Faith Fox, the daughter of the sweet, healthy, and hearty pearl of her Surrey village, Holly Fox, who inexplicably dies in childbirth. Faith's beanpole father can't and won't look after her. Holly's mother - a matron from Surrey's gin-and-tonic belt who is ostensibly full of good nature, good sense, and sociability - refuses to acknowledge the baby whose birth killed the daughter she loved with such a frightening obsession. And so an extraordinary group of family, friends, neighbors, and strangers converges to make sure that the rearing of Faith Fox ends up in the right hands." "Among the concerned parties are Faith's uncle, an ascetic priest who runs a commune in northern England; his unfaithful ex-hippie wife and her precocious, lonely son; the Tibetan refugees who have hunkered down with them; and the splendidly bickering and ancient paternal grandparents, Toots and Dolly." As Faith's future unfolds amidst the shifting scenes of high society and low, variously in the company of the old and young, awardwinning novelist Jane Gardam explores the wonder of the English heart in all its thunderous eccentricity.

FROM THE CRITICS

Publishers Weekly

A motherless baby named Faith is the linchpin of this delightfully eccentric comedy of manners and miracles by Gardam, a two-time winner of the Whitbread Prize (The Hollow Land; The Queen of the Tambourine). First published in Great Britain in 1996 and set in the early 1990s in the moody Yorkshire moors and the gentrified climes of Surrey and London, the novel features a highly entertaining cast of dotty characters whose class, ethnic and religious differences are wonderfully deconstructed by Gardam's sharp, dark wit. Jolly Holly Fox ("an extraordinarily nice girl") is the last person her devoted mother, the widowed and wealthy Thomasina, expects to die in childbirth. Unable to even look at the surviving baby, she runs away with a retired general. Andrew Braithwaite, Holly's physician husband, is equally unable to cope ("he disliked children altogether, really") and gives Faith to his brother, Jack, a devout but nontraditional Christian minister and Jack's Indian, ex-hippie wife, Jocasta, who live at a Yorkshire commune headed by Jack. Assorted relatives and friends wring their hands over Faith's fate, including her anxious paternal grandparents, the affable Toots and Dolly; ancient Pema, one of the mysterious Tibetan exiles staying at Jack's commune; Nick and Ernie, two ex-burglars working for Jack; and Jocasta's 11-year-old Indian son, Philip, whose loyalty to little Faith never wavers. Gardam's voice is dead-on as she crafts a tale with a lovely surprise ending that reaffirms the importance of faith, making this a royal treat for the holidays. (Dec.) Forecast: Gardam's most recent book to be published in the U.S.-The Flight of the Maidens, a New York Times Notable Book in 2001-helped raised the author's profile in this country, and should ensure wide review coverage of her latest. Copyright 2003 Reed Business Information.

Library Journal

When his wife, Holly, dies during childbirth, Andrew, an emotionally distant doctor, has no interest in the baby girl. Holly's mother scandalizes her well-bred Surrey set by refusing to acknowledge her either-and running off to Egypt with a 72-year-old general instead. Andrew's parents, Toots and Dolly, are old and infirm, so he packs off newborn Faith to live with his brother, Jack, who ministers to a dilapidated commune in northern England. Jack is so absentminded that he can't even be trusted to drive; his brooding wife, Jocasta (Andrew's former lover), largely ignores her own adolescent son, Philip, who may be the only one besides a large Tibetan woman who shows any concern for the tiny infant. The narrative jumps from one obliviously self-absorbed character to another, leaving the reader wanting to scream, "Think of the baby!" Extreme Anglophiles and readers who adore dark satire may well find Faith Fox, first released in the U.K. in 1996, to be a gem. For larger collections where patrons appreciate work by two-time Whitbread Prize winner Gardam (The Hollow Land; The Queen of the Tambourine).-Christine Perkins, Burlington P.L., WA Copyright 2003 Reed Business Information.

Kirkus Reviews

A young woman dies giving birth, and the consequences are profound, as the Whitbread-winning English author shows in this endearing, funny/sad, sui generis work. Radiant Holly Fox is dead from a blood clot. Popular Holly, so extravagantly loved by her mother Thomasina; dynamic Holly the nurse, who snared a trophy husband in young doctor Andrew Braithwaite. The Foxes are from the South, Andrew from the North, and England's festering North/South divide is a major theme here. Andrew has little love left for the North, his doddering parents (Dolly and Toots) or his much older brother Jack, an unworldly priest who runs a bleak "experimental community" on the moors. Still, he must take the new infant north, for his own long hours make parenting impossible, and Thomasina has scandalized her upper-class, bridge-playing friends by skipping Holly's funeral and gallivanting off to Egypt with retired general Giles, an admirer and soon-to-be lover. Andrew has no interest in the infant either, dumping it on his brother, but he has a suddenly reignited interest in Jack's sensual, dark-skinned, ex-hippie wife Jocasta, who has bewitched both brothers. And the infant itself? Quiet little Faith serves as a Rorschach test for all and sundry, even as she finds herself appropriated by Pema, an ancient Tibetan woman, one of Jack's residents: contingency rules. Grandparents Dolly and Toots pine for her without making contact (a comedy of errors). For the others she flickers like a will-o'-the-wisp in their consciousness; the exception is Philip, Jocasta's lonely, 11-year-old son by a long-abandoned hippie, who steadfastly cherishes his "sister" in his fantasies (Philip is a treasure). Gardam (The Flight of theMaidens, 2001, etc.) gives her characters equal time, playing them off against each other through creative tension; this works, mostly, though the southern ladies could have been trimmed back. Love is all its guises is the driving force: sensual love, spiritual love, conjugal love; love as a salve, love as an anchor. Gardam's feisty characters deliver a tale that crackles with charm and energy. Agent: Phyllis Westberg/Harold Ober Associates

     



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