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   Book Info

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Albert Moore  
Author: Robyn Asleson (Editor)
ISBN: 071484392X
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review

Book Description
Albert Moore (1841-93) was one of the most important late Victorian artists. In a single-minded quest for aesthetic perfection, he employed the female figure to embody abstract systems of ideal beauty, and created many of the iconic and defining images of the Aesthetic Movement. Yet he has remained a shadowy figure. Based on original research and unpublished family documents, Robyn Asleson’s monograph presents a fresh view of the artist’s allegedly reclusive personality, and firmly establishes him as a major figure and a significant precursor of Modernism. This beautiful book is now issued in a paperback format that will bring the artist to a wide and appreciative audience.




Albert Moore

FROM THE PUBLISHER

"This book is the first publication on one of the largest and most important private contemporary art collections in the world today, the Rubell Family Collection." "Collectors since 1967, the Rubell family (now based in Miami, Florida) today owns some 6,000 works of art, from paintings to sculptures, photography, videos, and installations, by the most significant artists working from the 1970s to the present. The collection reads like a "Who's Who" of contemporary art, and includes works by Carl Andre, Janine Antoni, Matthew Barney, Jean-Michel Basquiat, Bernd & Hilla Becher, Christian Boltanski, Maurizio Cattelan, Francesco Clemente, Gregory Crewdson, Rineke Dijkstra, Marlene Dumas, Dan Flavin, Gilbert & George, Robert Gober, Felix Gonzalez-Torres, Peter Halley, Keith Haring, Damien Hirst, Donald Judd, Mike Kelley, William Kentridge, Anselm Kiefer, Jeff Koons, Paul McCarthy, Takashi Murakami, Chris Ofili, Raymond Pettibon, Richard Prince, Charles Ray, Thomas Ruff, Anri Sala, David Salle, Wilhelm Sasnal, Cindy Sherman, Gregor Schneider, Haim Steinbach, Thomas Struth, Sarah Sze, Rosemarie Trockel, Luc Tuymans, Andy Warhol, Christopher Wool, Lisa Yuskavage, Zhang Huan, etc." "It showcases some 300 reproductions of the most important works in the collection. It is organized neither chronologically nor alphabetically, but is rather intended to convey the experience of visiting the collection, through the successive installations of the collection since it was opened to the public in Miami in 1996." "Neither a catalogue nor an art history manual, this book is a collection of images of contemporary art at its best. It also includes an introduction by collection curator Mark Coetzee, an interview with the Rubells on the collection and the process of collecting, and a full list of plates." Originally based in New York City, the family moved to Miami in 1993 and entered the hotel industry, restoring and re-opening Art Deco hotels such as the Albion. Their collection wa

FROM THE CRITICS

Library Journal

This latest volume from Asleson, a Huntington Library Research associate and specialist in Victorian art, should generate some interest in a 19th-century British artist who is not as well known as his Pre-Raphaelite contemporaries. The first work on Albert Moore in 100 years, this book focuses on the artist's interaction with the Victorian art world as well as his formal pictorial concerns. Aselson demonstrates the art-for-art's-sake philosophy behind the artist's neoclassical maidens; the elaborately folded antique draperies, patterned decorative fabrics, and limited color schemes of Moore's paintings illustrate his belief in the primacy of beauty and style over subject matter in art. Aselon shows that stylistic influences in Moore's art included poses from Greek vases and sculpture, Liberty fabrics, and Moorish architecture. Also interesting and provocative is her discussion of the friendship between Moore and James McNeill Whistler and the inference that Whistler appropriated Moore's artistic theory as his own. In addition, the author looks at the politics of Victorian art institutions. This is an excellent book filled with gorgeous color reproductions. Recommended for general collections as well as libraries that support art programs.--Sandra Rothenberg, Framingham State Coll. Lib., MA Copyright 2000 Cahners Business Information.\

     



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