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   Book Info

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J.M.W. Turner  
Author: Sam Smiles
ISBN: 069107058X
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review


From Library Journal
The Industrial Revolution was as much a revolution of ideas as it was of practical endeavors. To the concept of the forces of nature were added the human-made energies that transformed landscapes and lives. Rodner (history, Old Dominion Univ., Virginia) here reviews Turner's industrial art in the context of the changes in both the artistic community and the world in general. The impact upon the visual and the vision?the depiction of the haze of the factories, of the shadowy bulk of ocean steamers, and of newly found power and human weakness?are discussed in this study of a small but very important segment of the artist's oeuvre. A combination of social history and aesthetic commentary, the work is an interesting addition and offers a wider vision of this compelling artist. Recommended for academic and art collections.?Paula Frosch, Metropolitan Museum of Art Lib., New YorkCopyright 1997 Reed Business Information, Inc.


Book Description
J.M.W. Turner is probably the greatest painter Britain has ever produced. Disturbingly original and astonishingly prolific, he rose from the obscurity of a barber's son to bequeath a rich and complex legacy. Paintings such as Rain, Steam and Speed have become British icons, and the phrase "Turner sky" is known to students of art around the world. Despite this fame, or perhaps because of it, Turner's work has often been misunderstood, his intentions simplified. Here, Sam Smiles investigates Turner's artistic and literary influences, his political views, and the extraordinary evolution of his approach and techniques. Examining how Turner produced effects that lay beyond the competence of other artists--dissolving form, rendering diaphanous expanses of light, and using color with the utmost subtlety and control--the author contradicts Turner's own claim that his only secret was "damned hard work." In the process, Smiles retrieves the meaning of Turner's art from critical misconstruings. He finds in Turner not a recorder of light and landscape but a fascinating artist who foreshadowed modernism and used landscape to deliver profound ruminations on society, politics, technology, and the human condition. Turner's sophisticated artistic personality emerges, rendering his art more compelling than ever.


About the Author
Sam Smiles is Principal Lecturer in Art History in the Faculty of Arts and Education at the University of Plymouth.




J.M.W. Turner

FROM THE PUBLISHER

J.M.W. Turner is probably the greatest painter Britain has ever produced. Disturbingly original and astonishingly prolific, he rose from the obscurity of a barber's son to bequeath a rich and complex legacy. Paintings such as Rain, Steam and Speed have become British icons, and the phrase "Turner sky" is known to students of art around the world.

Despite this fame, or perhaps because of it, Turner's work has often been misunderstood, his intentions simplified. Here, Sam Smiles investigates Turner's artistic and literary influences, his political views, and the extraordinary evolution of his approach and techniques. Examining how Turner produced effects that lay beyond the competence of other artists--dissolving form, rendering diaphanous expanses of light, and using color with the utmost subtlety and control--the author contradicts Turner's own claim that his only secret was "damned hard work."

In the process, Smiles retrieves the meaning of Turner's art from critical misconstruings. He finds in Turner not a recorder of light and landscape but a fascinating artist who foreshadowed modernism and used landscape to deliver profound ruminations on society, politics, technology, and the human condition. Turner's sophisticated artistic personality emerges, rendering his art more compelling than ever.

FROM THE CRITICS

KLIATT

These are small, handsome books with 50-60 plates, most in color. The books are scholarly, with good notes and indexes. For many secondary school readers, they may appear rather forbidding. Print is small, so there's a lot more text here than you'd imagine. Concomitantly, plates are generally rather disappointingly small. These are certainly useful for art history and research, less so for a first inviting browse to discover an artist. (British Artists series) KLIATT Codes: SA—Recommended for senior high school students, advanced students, and adults. 2000, Princeton Univ. Press, 80p. illus. bibliog. index. 24cm., $14.95. Ages 16 to adult. Reviewer: Daniel J. Levinson; History & English Teacher, Thayer Acad., Braintree , July 2001 (Vol. 35, No. 4)

     



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