From School Library Journal
Grade 3-8-Nelson illustrates the noted poet's "Mood Indigo," from her collection entitled A Daughter's Geography. The book begins with the opening lines of the poem set against a pale gray page: "it hasn't always been this way/ellington was not a street." Opposite, a full-page painting shows several people walking beneath a green sign that reads Ellington St. A young African-American woman carrying a red umbrella is prominently featured, and readers will soon understand that she is the child narrator, all grown up (the resemblance is striking). In the poem, Shange recalls her childhood when her family entertained many of the "-men/who changed the world," including Paul Robeson, W.E.B. DuBois, Ray Barretto, Dizzy Gillespie, "Sonny Til" Tilghman, Kwame Nkrumah, and Duke Ellington. Both the words and the rich, nostalgic illustrations are a tribute to these visionaries. Done in oils, the skillfully rendered portraits emphasize facial expressions, clothing, and physical positioning on the page, and provide unmistakable insight into the persona of each individual. Although presented in picture-book format, the poem is sophisticated, and therefore it may need to be read aloud and explained to younger readers. A biographical sketch of each man appears at the end, along with the poem reprinted on a single page.Mary N. Oluonye, Shaker Heights Public Library, OHCopyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.


From Booklist
Gr. 3-5. The text of this picture book for older children is a paean to Shange's family home and the exciting men who gathered there, everyone from W. E. B. DuBois and Paul Robeson to Dizzy Gillispie and Duke Ellington. Taken from Shange's 1983 poem "Mood Indigo," the words here recall, from a child's perspective, what it was like to listen "in the company of men / politics as necessary as collards / music even in our dreams." The evocative words are more than matched by Nelson's thrilling, oversize oil paintings, a cross between family photo album and stage set, featuring this group of extraordinary men interacting--playing cards, singing, discussing. The girl who is always watching them is, unfortunately, portrayed as very young, perhaps three or four, although she appears somewhat older on the beguiling jacket art. Preschoolers are not the audience for this, and despite the helpful notes that introduce the men mentioned in the poem, even older children will need further explanations (e.g., where are the famous women?). Depicting the narrator as a child closer in age to the target audience would have helped bridge the gap between a poem written for adults and a book for children. Still, with words and pictures that are so enticing, this will be embraced by many. Ilene Cooper
Copyright © American Library Association. All rights reserved


Book Description
In a reflective tribute to the African-American community of old, noted poet Ntozake Shange recalls her childhood home and the close-knit group of innovators that often gathered there. These men of vision, brought to life in the majestic paintings of artist Kadir Nelson, lived at a time when the color of their skin dictated where they could live, what schools they could attend, and even where they could sit on a bus or in a movie theater. Yet in the face of this tremendous adversity, these dedicated souls and others like them not only demonstrated the importance of Black culture in America, but also helped issue in a movement that "changed the world." Their lives and their works inspire us to this day, and serve as a guide to how we approach the challenges of tomorrow.


About the Author
Ntozake Shange is the author of for colored girls who have considered suicide/when the rainbow is enuf, which won the Obie Award for Best Drama and the Outer Circle Critics Award and received Tony, Grammy, and Emmy Award nominations; the picture book Float Like a Butterfly, illustrated by Edel Rodriguez; as well as numerous other plays, novels, and poetry collections. She counts among her many honors an NEA Fellowship, a Guggenheim Fellowship, the Medal of Excellence from Columbia University, the City of Philadelphia Artist's Award, and several citations from the Texas State legislature, as well as keys to the cities of Cambridge, Massachusetts; Los Angeles, California; and San Antonio and Austin, Texas. Ntozake Shange is a professor of drama and English at the University of Florida at Gainesville.

FROM THE PUBLISHER

In a reflective tribute to the African-American community of old, noted poet Ntozake Shange recalls her childhood home and the close-knit group of innovators that often gathered there. These men of vision, brought to life in the majestic paintings of artist Kadir Nelson, lived at a time when the color of their skin dictated where they could live, what schools they could attend, and even where they could sit on a bus or in a movie theater.

Yet in the face of this tremendous adversity, these dedicated souls and others like them not only demonstrated the importance of Black culture in America, but also helped issue in a movement that "changed the world." Their lives and their works inspire us to this day, and serve as a guide to how we approach the challenges of tomorrow.

FROM THE CRITICS

The Washington Post

Both the poem and Nelson's magnificent double-spread paintings give life to an era and a movement that today's kids may dismiss as "old people's stuff," frozen in textbooks, monuments and street signs. — Elizabeth Ward

Publishers Weekly

At once personal and universal, Shange's poem, "Mood Indigo" (published in her 1983 poetry collection, A Daughter's Geography), serves as the narrative for this elegiac tribute to a select group of African-American men who made important contributions to 20th-century culture. Nelson (Big Jabe) ingeniously sets the events in the home of the narrator, depicted as a curious, winning girl in oil paintings that strongly evoke the period and mood as the renowned visitors start to gather in her convivial, well-appointed house. Presented without punctuation, apostrophes or capital letters, the affectingly wistful verse flows freely and lyrically: "it hasnt always been this way/ ellington was not a street," it begins. Paul Robeson hangs his hat on a coat rack, emphasizing the man's larger-than-life presence and tall, athletic stature ("robeson no mere memory") while "du bois walked up my father's stairs" with the aid of a cane. Nelson conveys the learned man's advancing years but, once seated on the couch, Du Bois exudes wisdom and dignity. The volume culminates in a group portrait of Duke Ellington, percussionist Ray Barretto, jazz great Dizzy Gillespie and Dr. Kwame Nkrumah, former president of Ghana, among others; this collective image drives home the point that these legendary figures were contemporaries who defined an era. Brief concluding biographical sketches tell readers more about these engaging personalities and may well lead to further reading. This is truly a book for all ages, lovely to behold and designed to be revisited. All ages. (Jan.) Copyright 2003 Reed Business Information.

Children's Literature - Ken Marantz and Sylvia Marantz

The text of Shange's emotion-packed free verse is spread, a line or two, across the tall double pages. It is rich with the memories of a Harlem childhood, warm with family love, and filled with encounters with men of vision "who changed the world," such as Paul Robeson, W.E.B.Dubois, "Dizzy" Gillespie, and Duke Ellington. All those mentioned appear at the end with small portraits and descriptions of who they were. Naturalistic oil paintings, almost like a family album of color photographs, record the details of rooms and the people in them; a posed group shot of 30 friendly people adds specific vitality to the text's more general memories. The final full-length portrait of Ellington is stunning in its elegant directness, illuminating the man's gentle spirituality. 2004 (orig. 1983), Simon & Schuister Books for Young Readers, Ages 8 up.

School Library Journal

Gr 3-8-Nelson illustrates the noted poet's "Mood Indigo," from her collection entitled A Daughter's Geography. The book begins with the opening lines of the poem set against a pale gray page: "it hasn't always been this way/ellington was not a street." Opposite, a full-page painting shows several people walking beneath a green sign that reads Ellington St. A young African-American woman carrying a red umbrella is prominently featured, and readers will soon understand that she is the child narrator, all grown up (the resemblance is striking). In the poem, Shange recalls her childhood when her family entertained many of the "-men/who changed the world," including Paul Robeson, W.E.B. DuBois, Ray Barretto, Dizzy Gillespie, "Sonny Til" Tilghman, Kwame Nkrumah, and Duke Ellington. Both the words and the rich, nostalgic illustrations are a tribute to these visionaries. Done in oils, the skillfully rendered portraits emphasize facial expressions, clothing, and physical positioning on the page, and provide unmistakable insight into the persona of each individual. Although presented in picture-book format, the poem is sophisticated, and therefore it may need to be read aloud and explained to younger readers. A biographical sketch of each man appears at the end, along with the poem reprinted on a single page.-Mary N. Oluonye, Shaker Heights Public Library, OH Copyright 2003 Reed Business Information.

Kirkus Reviews