From Library Journal
Thanks to British narrator Frederick Davidson's performance, it is safe to say that there will not be a better recording of Tolstoy's masterpiece for some time. The heart of this drama is the metamorphosis of five familiesAsome peasant, some aristocraticAamid the backdrop of the Napoleonic Wars. Each individual is immersed in experiences and conversations elucidating Tolstoy's themes of self-sacrifice and self-indulgence, anguish and ecstasy, diplomacy and deception, and religion and perdition. The complexities of character and plot are sometimes enigmatic, and names are often exhausting to recollect, but the genius of this book is everlasting. The impressive dialog sparkles with humor and wit, and the vivid scenes of battle are riveting. An entire universe is created by one of the foremost thinkers of the 19th century, and Davidson's exquisite narration heightens the perfection of this novel, regarded as one of the greatest in literature. Highly recommended for all collections.ABarbara Mann, Adelphi Univ., Garden City, NYCopyright 1998 Reed Business Information, Inc.
Review
“There remains the greatest of all novelists—for what else can we call the author of War and Peace?” —Virginia Woolf
From the Trade Paperback edition.
Review
?There remains the greatest of all novelists?for what else can we call the author of War and Peace?? ?Virginia Woolf
From the Trade Paperback edition.
Language Notes
Text: English (translation)
Original Language: Russian
Language Notes
Text: English (translation)
Original Language: Russian
Download Description
Tolstoy's classic, complete and unabridged.
The Merriam-Webster Encyclopedia of Literature
Epic historical novel by Leo Tolstoy, originally published as Voyna i mir in 1865-69. This panoramic study of early 19th-century Russian society, noted for its mastery of realistic detail and variety of psychological analysis, is generally regarded as one of the world's greatest novels. War and Peace is primarily concerned with the histories of five aristocratic families--particularly the Bezukhovs, the Bolkonskys, and the Rostovs--the members of which are portrayed against a vivid background of Russian social life during the war against Napoleon (1805-14). The theme of war, however, is subordinate to the story of family existence, which involves Tolstoy's optimistic belief in the life-asserting pattern of human existence. The heroine, Natasha Rostova, for example, reaches her greatest fulfillment through her marriage to Pierre Bezukhov and her motherhood. The novel also sets forth a theory of history, concluding that there is a minimum of free choice; all is ruled by an inexorable historical determinism.
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From the Back Cover
“There remains the greatest of all novelists—for what else can we call the author of War and Peace?” —Virginia Woolf
From the Hardcover edition.
About the Author
A. N. Wilson is an award-winning novelist, biographer, and journalist, and the author of God’s Funeral and the biographies C. S. Lewis, Paul, and Jesus. He lives in London.
From the Trade Paperback edition.
Excerpt. © Reprinted by permission. All rights reserved.
WELL, PRINCE, Genoa and Lucca are now no more than private estates of the Bonaparte family. No, I warn you, that if you do not tell me we are at war, if you again allow yourself to palliate all the infamies and atrocities of this Antichrist (upon my word, I believe he is), I don’t know you in future, you are no longer my friend, no longer my faithful slave, as you say. There, how do you do, how do you do? I see I’m scaring you, sit down and talk to me.”
These words were uttered in July 1805 by Anna Pavlovna Scherer, a distinguished lady of the court, and confidential maid-of-honour to the Empress Marya Fyodorovna. It was her greeting to Prince Vassily, a man high in rank and office, who was the first to arrive at her soirée. Anna Pavlovna had been coughing for the last few days; she had an attack of la grippe, as she said—grippe was then a new word only used by a few people. In the notes she had sent round in the morning by a footman in red livery, she had written to all indiscriminately:
“If you have nothing better to do, count (or prince), and if the prospect of spending an evening with a poor invalid is not too alarming to you, I shall be charmed to see you at my house between 7 and 10. Annette Scherer.”
“Heavens! what a violent outburst!” the prince responded, not in the least disconcerted at such a reception. He was wearing an embroidered court uniform, stockings and slippers, and had stars on his breast, and a bright smile on his flat face.
He spoke in that elaborately choice French, in which our forefathers not only spoke but thought, and with those slow, patronising intonations peculiar to a man of importance who has grown old in court society. He went up to Anna Pavlovna, kissed her hand, presenting her with a view of his perfumed, shining bald head, and complacently settled himself on the sofa.
“First of all, tell me how you are, dear friend. Relieve a friend’s anxiety,” he said, with no change of his voice and tone, in which indifference, and even irony, was perceptible through the veil of courtesy and sympathy.
“How can one be well when one is in moral suffering? How can one help being worried in these times, if one has any feeling?” said Anna Pavlovna. “You’ll spend the whole evening with me, I hope?”
“And the fête at the English ambassador’s? To-day is Wednesday. I must put in an appearance there,” said the prince. “My daughter is coming to fetch me and take me there.”
“I thought to-day’s fête had been put off. I confess that all these festivities and fireworks are beginning to pall.”
“If they had known that it was your wish, the fête would have been put off,” said the prince, from habit, like a wound-up clock, saying things he did not even wish to be believed.
“Don’t tease me. Well, what has been decided in regard to the Novosiltsov dispatch? You know everything.”
“What is there to tell?” said the prince in a tired, listless tone. “What has been decided? It has been decided that Bonaparte has burnt his ships, and I think that we are about to burn ours.”
Prince Vassily always spoke languidly, like an actor repeating his part in an old play. Anna Pavlovna Scherer, in spite of her forty years, was on the contrary brimming over with excitement and impulsiveness. To be enthusiastic had become her pose in society, and at times even when she had, indeed, no inclination to be so, she was enthusiastic so as not to disappoint the expectations of those who knew her. The affected smile which played continually about Anna Pavlovna’s face, out of keeping as it was with her faded looks, expressed a spoilt child’s continual consciousness of a charming failing of which she had neither the wish nor the power to correct herself, which, indeed, she saw no need to correct.
From the Trade Paperback edition.
War and Peace (Modern Library Series) FROM OUR EDITORS
A monumental work of fiction, Tolstoy's masterpiece of love and loss, tragedy and triumph is set against the panorama of the Napoleonic Wars at the dawn of the 19th century. An unforgettable story of two Russian families whose lives become intertwined amidst a collision of empires.
ANNOTATION
An epic of the Napoleonic wars, a philosophical study, and a celebration of the Russian spirit.
FROM THE PUBLISHER
'There remains the greatest of all novelists-for what else can we call the author of War And Peace? _Tolstoy's+ senses, his intellect, are acute, powerful, and well nourished...Nothing seems to escape him. Nothing glances off him unrecorded...Every twig, every feather sticks to his magnet. He notices the blue or red of a child's frock; the way a horse shifts its tail; the sound of a cough; the action of a man trying to put his hands into pockets that have been sewn up. And what his infallible eye reports of a cough or a trick of the hands his infallible brain refers to something hidden in the character, so that we know his people, not only by the way they love and their views but also by the way they sneeze and choke.
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