From Publishers Weekly
While Patterson's thriller is slightly out-of-date with its Cold War setting, it remains dramatically contemporary in its vision of a stock market thrown into chaos when a group of saboteurs blows up several Wall Street institutions. Actor Fernandez's mellow reading allows the story to unfold unhurriedly, though too slowly for the first half. Arch Carroll, head of the CIA's antiterrorist division, and Caitlin Dylan, director of enforcement for the SEC, team up professionally, and later romantically, to locate the Wall Street terrorists before they strike again. Arch travels to Paris and back (unfortunately, Fernandez, who capably reproduces other accents, has a poor grasp of French pronunciation), as he finds himself on the trail of former colonel David Hudson and his ragtag band of vengeance-seeking Vietnam veterans. Based on the Warner mass market paperback (originally published as Black Market in 1987). Copyright 2000 Reed Business Information, Inc.


From AudioFile
Rare is the performer who can juggle multiple foreign accents fluidly. Stephen Lang somehow manages to keep well over a dozen ethnically diverse characters in the air as he narrates James Patterson's fast-paced international thriller about a conspiracy to disrupt the world's financial markets. As the story opens, a militia group known as "Green Band" detonates explosives in several key buildings in New York's financial district. They have no apparent motive or demand, and their link to an unseen international terrorist is ambiguous. It is up to Federal Agent Archer Carroll to unravel the plot before it unravels the Western world. The novel--an adaptation of an earlier Patterson book--bears minor anachronisms, but listeners won't mind as Lang's relentless pace and Patterson's storytelling guide them on this terrifying ride. S.E.S. © AudioFile 2001, Portland, Maine-- Copyright © AudioFile, Portland, Maine

FROM THE PUBLISHER

The breathtaking suspense of Kiss the Girls and the authenticity of N.Y.P.D. Blue: Welcome to James Patterson's classic superthriller, Black Friday. A courageous federal agent, a powerful and resourceful woman lawyer--only they can possibly stop the unspeakable from happening. New York City is under siege by a secret militia group--and that's just the beginning of the relentless terror of Black Friday.
Repackaged from the Pocket Books 1987 Mass Market release, Black Market, also by Patterson.

FROM THE CRITICS

Publishers Weekly

While Patterson's thriller is slightly out-of-date with its Cold War setting, it remains dramatically contemporary in its vision of a stock market thrown into chaos when a group of saboteurs blows up several Wall Street institutions. Actor Fernandez's mellow reading allows the story to unfold unhurriedly, though too slowly for the first half. Arch Carroll, head of the CIA's antiterrorist division, and Caitlin Dylan, director of enforcement for the SEC, team up professionally, and later romantically, to locate the Wall Street terrorists before they strike again. Arch travels to Paris and back (unfortunately, Fernandez, who capably reproduces other accents, has a poor grasp of French pronunciation), as he finds himself on the trail of former colonel David Hudson and his ragtag band of vengeance-seeking Vietnam veterans. Based on the Warner mass market paperback (originally published as Black Market in 1987). (Apr.) Copyright 2000 Cahners Business Information.|

Library Journal

In this "wheels within wheels" thriller, a group of Vietnam veterans have formed a terrorist organization called Greenband. They warn the FBI that they plan to blow up random Wall Street buildings and demand that the area be evacuated. The government waits for ultimatums, but none is forthcoming. Later that day, many buildings on Wall Street are destroyed. New York Police Detective Archer Carroll is called in to work on the investigation, along with Caitlin Dillon, SEC enforcer and financial wizard. When huge numbers of stolen securities start to turn up on the worldwide black market, the motive for the bombings becomes apparent. Dillon works to stave off a collapse of the stock market while Carroll tries to track down the terrorists. The final confrontation reveals all the deception and manipulation, unraveling conspiracy of the highest order. Read with energy and mastery by Peter Jay Fernandez, the story is fast paced and seems to be based on solid research. Violence and foul language abound. Recommended for large collections.--Joanna Burkhardt, Univ. of Rhode Island, Coll. of Continuing Education Lib., Providence Copyright 2000 Cahners Business Information.

AudioFile

Rare is the performer who can juggle multiple foreign accents fluidly. Stephen Lang somehow manages to keep well over a dozen ethnically diverse characters in the air as he narrates James Patterson's fast-paced international thriller about a conspiracy to disrupt the world's financial markets. As the story opens, a militia group known as "Green Band" detonates explosives in several key buildings in New York's financial district. They have no apparent motive or demand, and their link to an unseen international terrorist is ambiguous. It is up to Federal Agent Archer Carroll to unravel the plot before it unravels the Western world. The novel—an adaptation of an earlier Patterson book—bears minor anachronisms, but listeners won't mind as Lang's relentless pace and Patterson's storytelling guide them on this terrifying ride. S.E.S. © AudioFile 2001, Portland, Maine

AudioFile - AudioFile Review

Initially Fernandez's uneven reading is no match for this exciting thriller, which begins with an explosion that all but immolates Wall Street. As the story rapidly unfolds, however, the veteran stage actor gets a grip and by the story's end does justice to the complex plot. Fernandez's voice is always pleasant and clear, but at the beginning his pacing is uneven. His narration runs characters and scenes together. As he becomes more comfortable, his accents become better, and the plot, about a conspiracy to manipulate Vietnam veterans to take over the government, flows more naturally. By the end, the listener is so satisfied with Fernandez's recovery that the uneven beginning is long forgotten. A.L.H. ￯﾿ﾽ AudioFile 2000, Portland, Maine

Read by Peter Jay Fernandez

WHAT PEOPLE ARE SAYING

From the Author:

love to lose myself in a thriller--especially the rare one that moves along like an out-of-control freight train. The thriller that actually got me started writing was The Day of the Jackal.