Minneapolis has more than its share of interesting cops (Lucas Davenport of the John Sandford thrillers, for one), and Tami Hoag's homicide dicks, Sam Kovac and Nikki Liska, join the club in this thoughtful and surprisingly moving novel of dirty cops and cover-ups. Internal Affairs investigator Andy Fallon is a suicide--or is he? The word around the department is that Andy, son of Iron Mike Fallon, an old hero of Sam's, killed himself because Mike turned his back on him when Andy told him he was gay. Or maybe it was because a lover dumped him, or even (snicker, snicker) a perverted sexual practice gone wrong. That's the gossip, but Sam feels he owes it to Mike to investigate.

Sam is a familiar type in this genre, and his self-awareness is almost painful at times. "You're a stereotype. The tragic hero," he's told by Amanda Savard, the strong-but-vulnerable Internal Affairs lieutenant whose determination to keep the Fallon case closed foreshadows her personal history. "The twice-divorced, smoking, drinking workaholic," Sam agrees. "I don't know what's heroic about that. It reeks of failure to me, but maybe I have unrealistic standards." But Sam's droll sense of humor is matched by his deeply ingrained crap detector. When Iron Mike apparently kills himself too, you can almost feel its needle vibrate. Then Sam and Nikki open another closed case, this one almost two decades old, and find the connections that threaten to unravel past crimes and future promises. Hoag is a writer very much in command of her craft: the pacing excels, the characters are complex and interesting, and the details well worked out. Readers will look forward to another Kovac and Liska adventure. --Jane Adams


From Library Journal
Andy Fallon, a gay Minneapolis police officer, hangs dead in his bedroom. A week later Iron Mike Fallon, a former cop and Andy's father, shoots himself with his service revolver. Detectives Nikki Liska and Sam Kovac are not happy with the suspicious circumstances and the too-swift closing of both cases. They continue to nose around, causing unexpected people to react to their search with panic, threats, and attempted murder. What is the secret behind these deaths, and how are all the people connected? Hoag's story is well told; revelations come slowly and tantalizingly, and the characters are well drawn. Toward the end of the tale, explanation and detail are ignored to some extent in favor of suspense and action, but this does not detract from the overall quality of the book. Nick Sullivan reads with versatility and feeling. Recommended for all collections. Joanna M. Burkhardt, Univ. of Rhode Island Coll. of Continuing Education Lib., Providence Copyright 2001 Reed Business Information, Inc.


USA Today
[A] true turn-of-the-century tale.... The story is compelling and expertly told. Plot lines smolder and ignite as the suspense builds.


Review
“Tami Hoag is the queen of the crime story.”
–New York Post

“[Tami Hoag] demonstrates just why she has become one of the hottest names in the suspense game....Bottom line: Leaves competition in the dust.”
–People


Review
?Tami Hoag is the queen of the crime story.?
?New York Post

?[Tami Hoag] demonstrates just why she has become one of the hottest names in the suspense game....Bottom line: Leaves competition in the dust.?
?People


Book Description
Sorry. The single word was written on a mirror. In front of it hung the Minneapolis Internal Affairs cop. Was it suicide? Or a kinky act turned tragic?

Either way, it wasn’t murder. At least not according to the powers that be. But veteran homicide detective Sam Kovac and his wisecracking, ambitious partner Nikki Liska think differently. Together they begin to dig at the too-neat edges of the young cop’s death, uncovering one motive and one suspect after another. The shadows of suspicion fall not only on the city’s elite, but into the very heart of the police department.

Someone wants the case closed–quickly and forever. But neither Kovac nor Liska will give up. Now both their careers and their lives are on the line. From a murder case two months old to another case closed for twenty years, Kovac and Liska must unearth a connection the killer wants dead and buried. A killer who will stop at absolutely nothing to keep a dark and shattering secret . . .


From the Inside Flap
Sorry. The single word was written on a mirror. In front of it hung the Minneapolis Internal Affairs cop. Was it suicide? Or a kinky act turned tragic?

Either way, it wasn’t murder. At least not according to the powers that be. But veteran homicide detective Sam Kovac and his wisecracking, ambitious partner Nikki Liska think differently. Together they begin to dig at the too-neat edges of the young cop’s death, uncovering one motive and one suspect after another. The shadows of suspicion fall not only on the city’s elite, but into the very heart of the police department.

Someone wants the case closed–quickly and forever. But neither Kovac nor Liska will give up. Now both their careers and their lives are on the line. From a murder case two months old to another case closed for twenty years, Kovac and Liska must unearth a connection the killer wants dead and buried. A killer who will stop at absolutely nothing to keep a dark and shattering secret . . .


From the Back Cover
“Tami Hoag is the queen of the crime story.”
–New York Post

“[Tami Hoag] demonstrates just why she has become one of the hottest names in the suspense game....Bottom line: Leaves competition in the dust.”
–People


About the Author
Tami Hoag has been called "without a doubt ... one of the most intense suspense writers around." (Chicago Tribune) Her novels have appeared regularly on national bestseller lists since the publication of her first book in 1988. She lives in California.


Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1

"They oughta hang the son of a bitch came up with this shit," Sam Kovac groused, digging a piece of nicotine gum out of a crumpled foil pack.

"The gum or the wrapper?"

"Both. I can't open the damn package and I'd rather chew on a cat turd."

"And that would taste different from a cigarette how?" Nikki Liska asked.

They moved through a small throng of people in the wide white hall. Cops heading out onto the steps of the Minneapolis city hall for a cigarette, cops coming back in from having a cigarette, and the odd citizen looking for something for their tax dollar.

Kovac scowled down at her from the corner of one eye. Liska made five-five by sheer dint of will. He always figured God made her short because if she had the size of Janet Reno she'd take over the world. She had that kind of energy--and attitude out the wazoo.

"What do you know about it?" he challenged.

"My ex smoked. Lick an ashtray sometime. That's why we got divorced, you know. I wouldn't stick my tongue in his mouth."

"Jesus, Tinks, like I wanted to know that."

He'd given her the nickname--Tinker Bell on Steroids. Nordic blond hair cut in a shaggy Peter Pan style, eyes as blue as a lake on a sunny day. Feminine but unmistakably athletic. She'd kicked more ass in her years on the force than half the guys he knew. She'd come onto homicide--Christ, what was it now?--five or six years ago? He lost track. He'd been there himself almost longer than he could remember. All of his forty-four years, it seemed. The better part of a twenty-three-year career, for certain. Seven to go. He'd get his thirty and take the pension. Catch up on his sleep for the next ten years. He sometimes wondered why he hadn't taken his twenty and moved on. But he didn't have anything to move on to, so he stayed.

Liska slipped between a pair of nervous-looking uniforms blocking the way in front of the door to Room 126--Internal Affairs.

"Hey, that was the least of it," she said. "I was more upset about where he wanted to put his dick."

Kovac made a sound of pain and disgust, his face twisting.

Liska grinned, mischievous and triumphant. "Her name was Brandi."

The Criminal Investigative Division offices had been newly refurbished. The walls were the color of dried blood. Kovac wondered if that had been intentional or just trendy. Probably the latter. Nothing else in the place had been designed with cops in mind. The narrow, gray, two-person cubicles could just as well have housed a bunch of accountants.

He preferred the temporary digs they'd had during the remodeling: a dirty, beat-up room full of dirty, beat-up desks, and beat-up cops getting migraines under harsh white fluorescent lights. Homicide crammed into one room, robbery down the way, half the sex crimes guys wedged into a broom closet. That was atmosphere.

"What's the status on the Nixon assault?"

The voice stopped Kovac in his tracks as effectively as a hook to the collar. He bit a little harder on the Nicorette. Liska kept moving.

New offices, new lieutenant, new pain in the ass. The homicide lieutenant's office had a figurative revolving door. It was a stop on the way for upwardly mobile management types. At least this new one--Leonard--had them back working partners instead of like the last guy, who'd tortured them with some bullshit high-concept team crap with rotating sleep-deprivation schedules.

Of course, that didn't mean he wasn't an asshole.

"We'll see," Kovac said. "Elwood just brought in a guy he thinks is good for the Truman murder."

Leonard flushed pink. He had that kind of complexion, and short, white-gray hair like duck fuzz all over his head. "What the hell are you doing working the Truman murder? That's what? A week ago? You're up to your ass in assaults since then."

Liska came back then, wearing her cop face. "We think this guy's a two-fer, Lou. He was maybe in on Nixon and Truman. I guess the Nation wants to start calling the Bloods the Dead Presidents."

Kovac laughed at that--a cross between a bark and a snort. "Like these dickheads would know a president if he pissed on them."

Liska looked up at him. "Elwood's got him in the guest room. Let's go before he uses the L word."

Leonard stepped back, frowning. He had no lips, and ears that stuck out perpendicular to his head like a chimpanzee's. Kovac had nicknamed him the Brass Monkey. He was looking as if solving a murder would ruin his day.

"Don't worry," Kovac said. "There's more assaults where that one came from."

He turned away before Leonard could react, and headed for the interview room with Liska.

"So this guy was in on Nixon too?"

"Beats me. Leonard liked it."

"Brass asshole," Kovac grumbled. "Someone should take him out and show him the fucking sign on the door. It still says 'Homicide,' doesn't it?"

"Last I looked."

"All he wants is to clear assaults."

"Assaults are the homicides of tomorrow."

"Yeah, that'd make a great tattoo. I know just where he can put it."

"But you'd need a miner's hat to read it. I'll get you one for Christmas. Give you something to hope for."

Liska opened the door and Kovac preceded her into the room, which was about the size of a spacious coat closet. The architect would have described it as "intimate." In keeping with the latest theories on how to interview scumbags, the table was small and round. No dominant side. Everybody equal. Pals. Confidants.

No one was sitting at it.

Elwood Knutson stood in the near corner, looking like a Disney cartoon bear in a black felt bowler. Jamal Jackson had the opposite corner, near the totally useless and empty built-in bookcase, and beneath the wall-mounted video camera, which was required by Minnesota law to prove they weren't beating confessions out of suspects.

Jackson's attitude hung on him as badly as his clothes. Jeans that would have fit Elwood were slipping off his skinny ass. A huge down coat in Nation black and red colors puffed up around his upper body. He had a lower lip as thick as a garden hose, and he stuck it out at Kovac.

"Man, this is bogus. I din' off no-body."

Kovac lifted his brows. "No? Gee, there must be some mistake." He turned to Elwood and spread his hands. "I thought you said he was the guy, Elwood. He says he's not the guy."

"I must have been mistaken," Elwood said. "My profuse apologies, Mr. Jackson."

"We'll have a radio car take you back home," Kovac said. "Maybe have them announce over the bullhorn to your 'hood that we didn't mean to bring you in. That it was all a big mistake."

Jackson stared at him, the lip moving up and down.

"We can have them announce specifically that we know you weren't really involved in the murder of Deon Truman. Just so there's no mistake what we had you in for. We don't want a lot of bad rumors going around about you on account of us."

"Fuck you, man!" Jackson shouted, his voice jumping an octave. "You trying to get me killed?"

Kovac laughed. "Hey. You said you didn't do it. Fine. I'll send you home."

"An' the brothers think I talk to you. Next thing, my ass is horizontal. Fuck that!"

Jackson paced a little, pulling at the short braids that stuck up in all directions on his head. His hands were cuffed together in front of him. He gave Kovac the eye.

"You put me in jail, motherfucker."

"Can't do it. And here you asked so nice. Sorry."

"I am under arrest," Jamal insisted.

"Not if you didn't do anything."

"I done plenty."

"So now you're confessing?" Liska said.

Jackson looked at her, incredulous. "Who the hell is she? Your girlfriend?"

"Don't insult the lady," Kovac said. "You're telling us you capped Deon Truman."

"The fuck I am."

"Then who did?"

"Fuck you, man. I ain't telling you jack."

"Elwood, see that the man gets home in style."

"But I'm under arrest!" Jackson wailed. "Put me in jail!"

"Fuck you," Kovac said. "Jail's overcrowded. It's not a goddamn hotel. What'd you pick him up on, Elwood?"

"I believe it was loitering."

"Petty misdemeanor."

"The fuck!" Jackson shouted, outraged. He pointed at Elwood with both index fingers. "You saw me selling crack! Right there on the corner of Chicago and Twenty-sixth."

"He have crack on him when you arrested him?" Kovac asked.

"No, sir. He did have a pipe."

"I ditched the goods!"

"Possession of drug paraphernalia," Liska said, unimpressed. "Big deal. Cut him loose. He's not worth our time."

"Fuck you, bitch!" Jamal said, swaggering toward her. "I wouldn't let you suck my cock."

"I'd rather gouge my eyes out with a rusty nail." Liska advanced on him, blue glare boring into him like a pair of cold lasers. "Keep it in your pants, Jamal. If you live long enough, maybe you'll find some nice guy in prison to do it for you."

"He's not going to prison today," Kovac announced impatiently. "Let's wrap this up. I got a party to go to."

Jackson made his move as Kovac started to turn for the door. He pulled one of the loose shelves out of the bookcase and rushed Kovac from behind. Caught back on his heels, Elwood shouted an obscenity and jumped too late. Kovac swung around in time to catch the corner of the shelf, the board slicing a gash above his left eyebrow.

"Shit!"

"Dammit!"

Kovac went down on his knees, his vision lacy with a spiderweb of black. The floor felt like rubber beneath him.

Elwood grabbed Jackson's wrists and jammed his arms upward, and the board went flying, a corner of it gouging the new wall.

Then Jackson screamed and went down suddenly, his left knee buckling beneath him. Halfway down he screamed again, back arching. Elwood jumped back, wide-eyed.

Liska rode Jackson down from behind, her knee in the middle of his back as his face hit the floor.

The door opened and half a dozen detectives stood with guns drawn. Liska raised a short black ASP tactical baton, looking surprised and innocent.

"Gosh, look what I found in my coat pocket!"

She leaned down over Jamal Jackson's ear and murmured seductively, "Looks like I'll get to fulfill one of your wishes, Jamal. You're under arrest."

"Looks kind of faggy."

"Is that the voice of authority, Tippen?"

"Fuck you, Tinks."

"Is that a no or wishful thinking?"

Laughter erupted around the table, the kind of raw, hard laughter that came from people who saw too much ugliness on a day-to-day basis. Cop humor was rude and biting because the world they lived in was a crude and savage place. They had no time or patience for Noel Coward repartee.

The group had snagged a coveted corner table at Patrick's, an Irish-named bar owned and run by Swedes. On an ordinary day the pub--strategically located equidistant between the Minneapolis Police Department and the Hennepin County Sheriff's Office--was packed belly to butt with cops this time of day. Day-shift cops gearing down and loading up for life off the job. Retired cops who'd found they couldn't socialize with regular humans once they'd left the job. Dog-watch guys grabbing dinner and camaraderie, killing time before they were up for their tour.

This was not an ordinary day. The usual crowd had been augmented by PD brass, city politicos, and newsies. Unwelcome additions that put an extra layer of tension in the air that was already blue with smoke and language. A news crew from one of the local stations was setting up near the front window.

"You should've insisted on real stitches. The old-fashioned kind," Tippen went on.

He tapped the ash off his cigarette and raised it to his lips for a long drag, his attention narrowed on the camera crew. He had a face like an Irish wolfhound: long and homely with a bristly gray mustache and fiercely intelligent dark eyes. A detective with the Sheriff's Office, he had been a member of the task force that had worked the Cremator murders a little more than a year before. Some of the task force members had become the kind of friends who did this--met in a bar to drink and talk shop and insult one another.

"Then he ends up with a big ugly Frankenstein scar," Liska said. "With the butterfly clamp, he gets a neat, thin scar--the kind women find sexy."

"Sadistic women," Elwood commented.

Tippen curled his lip. "Is there another kind?"

"Sure. The kind who go out with you," Liska said. "Masochists."

Tippen flicked a corn chip at her.

Kovac regarded himself critically in the mirror of Liska's compact. The split in his forehead had been cleaned and patched by an overworked resident in the Hennepin County Medical Center ER, where gangbangers were regularly patched up or zipped into body bags. He'd been embarrassed to go there with anything less than a gunshot wound, and the young woman had given him the attitude that treating anything less was beneath her. Sexual attraction hadn't been a part of the picture.

He assessed the damage with a critical eye. His face was a quadrangle punctuated with stress lines, a couple of scars, and a hawkish, crooked nose that made a nice accompaniment to the crooked, sardonic mouth lurking beneath the requisite cop mustache. The hair was more gray than brown. Once a month he paid an old Norwegian barber ten bucks to cut it, which probably accounted for the fact that it tended to stand up.

He'd never been handsome in the GQ sense of the word, but he'd never sent women running either--at least not because of his looks. One more scar wasn't going to matter.

Liska studied him as she sipped her beer. "It gives you character, Sam."

"It gives me a headache," he groused, handing the compact back to her. "I already had all the character I needed."

"Well, I'd kiss it and make it better for you. But I already kneecapped the guy who did it. I think I've done my part."

"And you wonder why you're single," Tippen remarked.

Liska blew him a kiss. "Hey, love me, love my ASP. Or in your case, Tip, kiss my ASP."

The front door swung open and a gust of cold air swept in, along with a new pack of patrons. Every cop's eye in the place went instantly flat, and the tension level cranked a notch. The cop collective guarding against outsiders.

"The man of the hour," Elwood said, as recognition rippled through the crowd and a cheer went up. "Come to hobnob with the unwashed masses before his ascension."

FROM OUR EDITORS

Our Review
Good Cops, Bad Cops
Bestselling author Tami Hoag brings us an intense blend of character study and pure, page-turning suspense in her tenth book, Dust to Dust. Here, Hoag returns to the setting of her previous novel, Ashes to Ashes, and brings all her skills for creating compelling plots to the fore, fusing them into a fast-paced thriller that will both fascinate and horrify readers. Dust to Dust manages to transcend the mystery, police procedural, and serial killer genres, taking the best from those fields and surpassing them.

When young, gay Internal Affairs officer Andy Fallon is found hanged with the single word "Sorry" scrawled across a mirror, Minneapolis detective Sam Kovac and his partner, Nikki Liska, are assigned to investigate the high-profile incident. However, they soon learn that the brass wants the case closed immediately and tagged as a suicide. Of course, this does nothing but fire up the duo's suspicions, and no matter who they have to go against, even inside their own department, they intend to hunt down the truth.

Kovac and Liska soon learn that Fallon was not only about to come out of the closet but was also investigating the murder of another gay police officer. Kovac and Liska receive threats to lay off the case, which only fuels their resolution further. To complicate matters even more, Andy's father, legendary cop Iron Mike Fallon, is also found dead; official cause of death: suicide. Even though Iron Mike wound up living his last years as a drunk and a cripple, Kovac idolized the man and knows that Mike never would've taken his own life. Now Kovac's out to bulldoze his way through the blue wall of silence and take down whoever he has to in order to even the score.

Known mostly for her romantic novels, Hoag displays her complete understanding of police procedural plotlines; the story is turned on its end several times as the detectives weave through a case involving several of their own. It's to Hoag's credit that she allows her tale to unfold slowly, introducing us to all the main characters, and giving us time to learn something about them and their private circumstances. Readers enter the lives of all involved, seeing how they interact as the complexities of the plot coil together. Hoag's prose is sleek and fluid, generating high amounts of tension as Kovac and Liska face one frustrating barrier after another. The exposition is kept to a minimum as we're drawn into the entwined history of our protagonists and villains.

Dust to Dust is a provocative and commanding novel; an impressive mix of action, psychological suspense, and investigative details keeps the narrative moving along briskly. The characters are so fully fleshed that we come to care for them in all their crisis situations and heartache. Writing with great emotional vividness, Hoag carries the reader along through poignancy, terror, and fortitude. We learn what it means to be a clean cop and what it means to be a so-called dirty one, the two sides of a snarled fraternal order that society can't do without. Dust to Dust is a significant novel that doesn't shy from the ugliness of personal and cultural corruption, with the precise amount of audacity that breaks the mold and creates a fresh style of penetrating storytelling.

--Tom Piccirilli

FROM THE PUBLISHER

Sorry. The single word was written on a mirror. In front of it hung the Minneapolis Internal Affairs cop. Was it suicide? Or a kinky act turned tragic?

Either way, it wasn’t murder. At least not according to the powers that be. But veteran homicide detective Sam Kovac and his wisecracking, ambitious partner Nikki Liska think differently. Together they begin to dig at the too-neat edges of the young cop’s death, uncovering one motive and one suspect after another. The shadows of suspicion fall not only on the city’s elite, but into the very heart of the police department.

Someone wants the case closed–quickly and forever. But neither Kovac nor Liska will give up. Now both their careers and their lives are on the line. From a murder case two months old to another case closed for twenty years, Kovac and Liska must unearth a connection the killer wants dead and buried. A killer who will stop at absolutely nothing to keep a dark and shattering secret . . .

FROM THE CRITICS

Susan Haas - USA Today

Dust to Dust is a true turn-of-the-century tale. Gay-bashing and true crime television. Powerful women and political correctness. References to Minnesota's wrestler turned-governor, cracks about Dateline and South Park, designer coffee, Rohypnol and drag queens. In the end, it comes down to whether Fallon was killed despite the fact that his father was a hero, or because of it. The story is compelling an expertly told. Plot lines smoker and ignite as the suspense builds.

And at the end, Hoag's rapid-fire scene switches tease you with bits of the answer at one end before flashing to the other end and different resolutions. The result leaves Kovac, Liska and the reader scorched.

Publishers Weekly

Though she began as a romance writer, Hoag (A Thin Dark Line; Guilty As Sin; etc.) has found commercial success in several crime subgenres. Here she tries her hand at the police procedural, and though her story and characters are mostly the stock-in-trade of cop-house fiction, Hoag's verve lets her pull something fresh from the musty old squad room. The nude body of Andy Fallon, a gay Internal Affairs officer with the Minneapolis Police Department, is found hanging from a beam in his bedroom. It looks like a simple suicide, but detectives Sam Kovac and Nikki Liska have doubts, fueled in part by the desire of police brass to forget about the death as quickly as possible. Fallon is the son of department hero Iron Mike Fallon, a paraplegic since his shoot-out with a cop killer 20 years ago. On the day of his son's funeral, Iron Mike kills himself; at least that's how it looks. But as Kovac and Liska begin to realize, it's likely that someone killed the Fallon men--someone willing to eliminate anyone else brave enough to pursue the case. As the tough-talking detectives approach the killer, Hoag lays out a juicy assortment of suspects and subplots. There's Andy Fallon's closeted longtime lover; his seedy brother; a sexy disturbed teen; the Hennepin County prosecutors' office; a cadre of gay-bashing cops; the sultry, haunted female head of Internal Affairs; and a publicity-hungry police captain with his own TV show. Hoag does a fine job of hiding the keys until just the right moment, when all the mysteries come neatly together. The weary Kovac and the ball-busting Liska are all-too-familiar types, yet Hoag renders them so crisply they're not only tolerable but engaging. Both detectives had secondary roles in Hoag's 1999 Ashes to Ashes; they play well on center stage. (Aug.) Copyright 2000 Cahners Business Information.|

Library Journal

Andy Fallon, a gay Minneapolis police officer, hangs dead in his bedroom. A week later Iron Mike Fallon, a former cop and Andy's father, shoots himself with his service revolver. Detectives Nikki Liska and Sam Kovac are not happy with the suspicious circumstances and the too-swift closing of both cases. They continue to nose around, causing unexpected people to react to their search with panic, threats, and attempted murder. What is the secret behind these deaths, and how are all the people connected? Hoag's story is well told; revelations come slowly and tantalizingly, and the characters are well drawn. Toward the end of the tale, explanation and detail are ignored to some extent in favor of suspense and action, but this does not detract from the overall quality of the book. Nick Sullivan reads with versatility and feeling. Recommended for all collections. Joanna M. Burkhardt, Univ. of Rhode Island Coll. of Continuing Education Lib., Providence Copyright 2001 Cahners Business Information.

Pam Lambert - People Magazine

With the same sleight of hand displayed in last year's Ashes to Ashes, Hoag sets her sharply drawn characters on a harrowing journey...her wintry tale of crime and punishment packs a powerful punch...killer suspense.

Kirkus Reviews

A gay cop is found hanged. Was it suicide, murder, or kinky sex gone wrong? Street-smart Minneapolis police detectives Sam Kovac and Nikki Liska, back on the beat after Ashes to Ashes (1999), learn a lot about autoerotic asphyxiation while trying to crack the case. Sam and Nikki remain tough but likable protagonists as they investigate a long list of possible suspects: the victim's alcoholic father, a partially paralyzed cop; a jealous older brother with a taste for violence; a mysterious blond socialite of amazing strength; a hero cop turned crime-show host; and so on. But the detectives also view a home video unwittingly left to posterity by a hapless devotee of self-stimulation through suffocation that suggests the possibility of accidental death. (The author points out, somewhat in the style of a public-service announcement, that many teenage suicides by hanging may well be experimentation of this kind gone tragically wrong.) Unlike the sadistic sexual practices on display in Ashes to Ashes, this particular perversion is more pathetic than titillating, although Hoag tries hard to crank up the suspense. Energetic, down-to-earth prose and realistically gritty dialogue help push the workmanlike plot to its complex conclusion, but a notepad and pencil may come in handy to remember who shot whom, when, and why. Unfortunately, the author has chosen to write about a milieu with which she is clearly unfamiliar: urban gay life (here, exclusively male). Not wanting to offend or get too far into the seamier side of gay culture, Hoag settles for bland political correctness and a balanced ratio of 50 percent good gay guys to 50 percent bad gay guys. In dramatic terms, they cancel eachotherout, and none of them is particularly believable. For all the double-crosses, dire threats, and crashing around with guns, the story just isn't thrilling or chilling. But it does move—and fast. Clear directions, but don't try the rope trick at home.