From Publishers Weekly
Set in a pastoral Minnesota small town, Hoag's thriller has an ill-matched pair of detectives trying to trace a sadistic kidnapper. Copyright 1995 Reed Business Information, Inc.


From Library Journal
This well-crafted romantic suspense novel by the author of Lucky's Lady (Bantam, 1992) is a tautly written account of life in a small Minnesota town. Megan O'Malley, the first female field officer of the state's criminal investigation bureau, is forced into a close working relationship with Mitch Holt, the town's police chief, when a child goes missing. Against the background of a multijurisdictional criminal investigation, dialog and plot flow smoothly, and elements of romantic tension that serve to define the characters further are seamlessly inserted into the basic mystery/suspense theme. Current news topics, such as the presence of known pedophiles in a community and the problems of childcare in homes with two working parents, help fuel important subplots. The investigatory techniques are all presented intelligently and provide a strong framework for this gripping suspense tale. Highly recommended for current fiction collections.Erna Chamberlain, SUNY at BinghamtonCopyright 1995 Reed Business Information, Inc.


From Booklist
Just the stuff that fuels made-for-TV movies: perfect small town; abducted child; supermom at emotional saturation point; angry, vengeful father; tough male cop; even tougher female investigator. What does it all amount to? A predictable but well-written novel already licensed to CBS as a miniseries. And like a good miniseries, you can't help but care about the characters, in spite of their clich{‚}es. Here the leads all have sordid pasts--Mitch, the cop, a single father after his wife and one of his children are killed; Megan, the investigator, haunted by her mother's mistreatment of the family and determined to hide her vulnerability; and Hannah, the mom, more devoted to her job as doctor than to her husband. The only one happy and innocent is eight-year-old Josh, until he is abducted one night after hockey practice. As the whole town comes together in an effort to find him, the abductors turn out to be part of the community and are even "helping" with the search. Of course, there's romance here as well, which actually gives the whole story some cohesion. Public libraries will want to keep a healthy stock of this competent whodunit. Mary Frances Wilkens


Review
"Night Sins is nerve-shattering, explosive entertainment. This is suspense at the highest level."
--Michael Palmer, author of Critical Judgment

"Lock the doors and turn on all the lights--Hoag has crafted a knuckle-whitening, spine-chilling thriller."
--New Woman

"This is a book best read in a well-lit room, with the certain knowledge that all locks are securely bolted and all closets uninhabited. We are all afraid of something and Tami Hoag has a good handle on what it is."
--Mostly Murder


Review
"Night Sins is nerve-shattering, explosive entertainment. This is suspense at the highest level."
--Michael Palmer, author of Critical Judgment

"Lock the doors and turn on all the lights--Hoag has crafted a knuckle-whitening, spine-chilling thriller."
--New Woman

"This is a book best read in a well-lit room, with the certain knowledge that all locks are securely bolted and all closets uninhabited. We are all afraid of something and Tami Hoag has a good handle on what it is."
--Mostly Murder


Book Description
A sensational New York Times bestseller that was made into a CBS-TV miniseries, Night Sins has confirmed Tami Hoag's reputation as the new modern master of suspense.This gripping tale unfolds in a peaceful Minnesota town, where crime is something that just doesn't happen. But when a young boy disappears, it marks the beginning of a unspeakable nightmare. There are no witnesses, no clues--only a note, cleverly taunting, casually cruel. Has a cold-blooded kidnapper struck? Or is this the reawakening of a long-quiet serial killer?Now, a tough-minded investigator on her first make-or-break case, and a local cop who fears that big city evils have invaded his small town, are hunting for a madman. Together, they must outsmart a killer who knows no bounds...and protect a town that may never feel safe again.


From the Publisher
"Night Sins is nerve-shattering, explosive entertainment. This is suspense at the highest level."
--Michael Palmer, author of Critical Judgment"Lock the doors and turn on all the lights--Hoag has crafted a knuckle-whitening, spine-chilling thriller."
"This is a book best read in a well-lit room, with the certain knowledge that all locks are securely bolted and all closets uninhabited. We are all afraid of something and Tami Hoag has a good handle on what it is."



From the Inside Flap
A sensational New York Times bestseller that was made into a CBS-TV miniseries, Night Sins has confirmed Tami Hoag's reputation as the new modern master of suspense.

This gripping tale unfolds in a peaceful Minnesota town, where crime is something that just doesn't happen. But when a young boy disappears, it marks the beginning of a unspeakable nightmare. There are no witnesses, no clues--only a note, cleverly taunting, casually cruel. Has a cold-blooded kidnapper struck? Or is this the reawakening of a long-quiet serial killer?

Now, a tough-minded investigator on her first make-or-break case, and a local cop who fears that big city evils have invaded his small town, are hunting for a madman. Together, they must outsmart a killer who knows no bounds...and protect a town that may never feel safe again.


From the Back Cover
"Night Sins is nerve-shattering, explosive entertainment. This is suspense at the highest level."
--Michael Palmer, author of Critical Judgment"Lock the doors and turn on all the lights--Hoag has crafted a knuckle-whitening, spine-chilling thriller."
--New Woman"This is a book best read in a well-lit room, with the certain knowledge that all locks are securely bolted and all closets uninhabited. We are all afraid of something and Tami Hoag has a good handle on what it is."
--Mostly Murder


Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1

January 12, 1994. Day 1

5:26 p.m. 22¡

Josh Kirkwood and his two best buddies burst out of the locker room, flying into the cold, dark late afternoon, hollering at the tops of their lungs. Their breath billowed out in rolling clouds of steam. They flung themselves off the steps like mountain goat kids leaping from ledge to ledge and landed hip-deep in the snow on the side of the hill. Hockey sticks skittered down, gear bags sliding after. Then came the Three Amigos, squealing and giggling, tucked into balls of wild-colored ski jackets and bright stocking caps.

The Three Amigos. That was what Brian's dad called them. Brian's family had moved to Deer Lake, Minnesota, from Denver, Colorado, and his dad was still a big Broncos fan. He said the Broncos used to have some wide receivers called the Three Amigos and they were really good. Josh was a Vikings fan. As far as he was concerned, every other team was just a bunch of wusses, except maybe the Raiders, 'cause their uniforms were cool. He didn't like the Broncos, but he liked the nickname--the Three Amigos.

"We are the Three Amigos!" Matt yelled as they landed in a heap at the bottom of the hill. He threw back his head and howled like a wolf. Brian and Josh joined in, and the racket was so terrible it made Josh's ears ring.

Brian fell into a fit of uncontrollable giggles. Matt flopped onto his back and started making a snow angel, swinging his arms and legs in wide arcs, looking as if he were trying to swim back up the hill. Josh pushed himself to his feet and shook like a dog as Coach Olsen came out of the ice arena.

Coach was old--at least forty-five--kind of fat and mostly bald, but he was a good coach. He yelled a lot, but he laughed a lot, too. He told them at the beginning of hockey season that if he got too cranky they were to remind him they were only eight years old. The team had picked Josh for that job. He was one of the co-captains, a responsibility that pleased him a lot even though he would never say so. Nobody liked a bragger, Mom said. If you did your job well, there wasn't any reason to brag. A good job would speak for itself.

Coach Olsen started down the steps, tugging down the earflaps of his hunting cap. The end of his nose was red from the cold. His breath came out of his mouth and went up around his head like smoke from a chimney. "You guys have rides home tonight?"

They answered all at once, vying for the coach's attention by being loud and silly. He laughed and held his gloved hands up in surrender. "All right, all right! The rink's open if you get cold waiting. Olie's inside if you need to use the phone."

Then Coach jumped into his girlfriend's car, the way he did every Wednesday, and off they went to have dinner at Grandma's Attic downtown. Wednesday was Grandma's famous meat loaf night. All-U-Can-Eat, it said on the menu. Josh imagined Coach Olsen could eat a lot.

Cars rumbled around the circular drive in front of the Gordie Knutson Memorial Arena, a parade of minivans and station wagons, doors banging, exhaust pipes coughing. Kids from the various Squirt League teams chucked their sticks and equipment in trunks and hatches and climbed into the cars with their moms or dads, talking a mile a minute about the plays and drills they had worked on in practice.

Matt's mom pulled up in their new Transport, a wedge-shaped thing that to Josh looked like something from Star Trek. Matt scrambled for his gear and dashed across the sidewalk, calling a good-bye over his shoulder. His mother, wearing a bright red stocking cap, buzzed down the passenger window.

"Josh, Brian--you guys have rides?"

"My mom's coming," Josh answered, suddenly feeling eager to see her. She would pick him up on her way home from the hospital and they would stop at the Leaning Tower of Pizza to get supper and she would want to hear all about practice. Really want to hear. Not like Dad. Lately, Dad just pretended to listen. Sometimes he even snapped at Josh to be quiet. He always apologized later, but it still made Josh feel bad.

"My sister's coming," Brian called. "My sister, Beth Butt-head," he added under his breath as Mrs. Connor drove away.

"You're the butt-head," Josh teased, shoving him.

Brian shoved back, laughing, three big gaps showing in his mouth where teeth had been. "Butt-head!"

"Butt-breath!"

"Butt-face!"

Brian scooped up a mitten full of snow and tossed it in Josh's face, then turned and ran up the snow-packed sidewalk, bounded up the steps, and dashed around the side of the brick building. Josh let out a war whoop and bolted after him. Immediately they were so involved in their game of Attack, the rest of the world ceased to exist. One boy hunted the other to deliver a snowball up close in the face, in the back, down the neck of the jacket. After a successful attack the roles reversed and the hunter became the hunted. If the hunter couldn't find the hunted in a count of a hundred, the hunted scored a point.

Josh was good at hiding. He was small for his age and he was smart, a combination that served him well in games like Attack. He smashed Brian in the back of the head with a snowball, whirled and ran. Before Brian had shaken the snow off his coat, Josh was safely tucked behind the air-conditioning units that squatted beside the building. The cylinders were covered with canvas for the winter months and blocked the wind. They sat well back along the side of the building, where the streetlights didn't quite reach. Josh watched as Brian ventured cautiously around a Dumpster, snowball in hand, pouncing at a shadow, then drawing back. Josh smiled to himself. He had found the all-time best hiding place. He licked the tip of a gloved forefinger and drew himself a point in the air.

Brian homed in on one of the overgrown bushes that lined the edge of the parking lot and separated the ice rink grounds from the fairgrounds. Tongue sticking out the side of his mouth, he crept toward it. He hoped Josh hadn't gone farther than the hedges. The fairgrounds was the creepiest place in the world this time of year, when all the old buildings stood dark and empty and the wind howled around them.

A car horn blared and Brian swung around, heart pounding. He groaned in disappointment as his sister's Rabbit pulled up around the curve.

"Come on, hurry up, Brian! I've got pageant practice tonight!"

"But--"

"But nothing, twerp!" Beth Hiatt snapped. The wind whipped a strand of long blond hair across her face and she snagged it back behind her ear with a bare hand white with cold. "Get your little butt in the car!"

Brian heaved a sigh and dropped his snowball, then trudged toward his gear bag and hockey stick. Beth the Bitch raced the Rabbit's motor, put the car in gear, and let it lurch ahead on the drive, as if she might just leave him behind. She had done that once before and they had both gotten hollered at, but Brian had gotten the worst of it because Beth blamed him for getting her in trouble and spent four days tormenting him for it. Instantly forgetting his game and the remaining amigo, he grabbed his stuff and ran for the car, already plotting ways to get his sister back for being such a snot.

Behind the air-conditioning units, Josh heard Beth Hiatt's voice. He heard the car doors slam and he heard the Rabbit roar around the circle drive. So much for the game.

He crawled out of his hiding spot and went back around the front of the building. The parking lot was empty except for Olie's old rusted-out Chevy van. The next practice didn't start for an hour. The circular drive was empty. Packed over the asphalt by countless tires, the snow gleamed in the glow of the streetlights, as hard and shiny as milky-white marble. Josh tugged off his left glove and shoved up the sleeve of his ski jacket to peer at the watch Uncle Tim had sent him for Christmas. Big and black with lots of dials and buttons, it looked like something a scuba diver might wear--or a commando. Sometimes Josh pretended that he was a commando, a man on a mission, waiting to meet with the world's most dangerous spy. The numbers on the watch face glowed green in the dark: 5:45.

Josh looked down the street, expecting to see headlights, expecting to see the minivan with his mom at the wheel. But the street was dark. The only lights glowed dimly out the windows of houses that lined the block. Inside those houses, people were having supper and watching the news and talking about their day. Outside, the only sound was the buzz of the street lamps and the cold wind rattling the dry, bare branches of winter-dead trees. The sky was black.

He was alone.



5:17 p.m. 22¡



She nearly escaped. She had her coat halfway on, purse slung over her shoulder, gloves and car keys clutched in one hand. She hurried down the hall toward the west side door of the hospital, staring straight ahead, telling herself if she didn't make eye contact, she wouldn't be caught, she would be invisible, she would escape.

I sound like Josh. That's the kind of game he likes--what if we could make ourselves invisible?

A smile curved Hannah's lips. Josh and his imagination. Last night she'd found him in Lily's room, telling his sister an adventure story about Zeek the Meek and Super Duper, characters Hannah had made up in stories for Josh when he was a toddler. He was passing on the tradition, telling the tale with great enthusiasm while Lily sat in her crib and sucked her thumb, her blue eyes wide with astonishment, hanging on her brother's every word.

I've got two great kids. Two for the plus column. I'll take what I can get these days.

The smile faded and tension tightened in Hannah's stomach. She blinked hard and realized she was just standing there at the end of the hall with her coat half on. Rand Bekker, head of maintenance, shouldered his way through the door, letting in a blast of crisp air. A burly man with a full red beard, he pulled off a flame-orange hunting cap and shook himself like a big wet ox, as if he could shake off the chill.

"Hiya, Dr. Garrison. Decent night out there."

"Is it?" She smiled automatically, blankly, as if she were speaking with a stranger. But there were no strangers at Deer Lake Community Hospital. Everyone knew everyone.

"You bet. It's looking good for Snowdaze."

Rand grinned, his anticipation for the festival as plain as a child's eagerness for Christmas morning. Snowdaze was big doings in a town the size of Deer Lake, an excuse for the fifteen thousand residents to break the monotony of Minnesota's long winter. Hannah tried to find some enthusiasm. She knew Josh was looking forward to Snowdaze, especially the torchlight parade. But it was difficult for her to feel festive these days.

For the most part, she felt tired, drained, dispirited. And stretched over it all was a thin film of desperation, like plastic wrap, because she couldn't let any of those feelings show. People depended on her, looked up to her, thought of her as a model for working women. Hannah Garrison: doctor, wife, mother, woman of the year; juggling all the demanding roles with skill and ease and a beauty queen smile. Lately the titles had felt as heavy as bowling balls and her arms were growing weary.

"Rough day?"

"What?" She jerked her attention back to Rand. "I'm sorry, Rand. Yeah, it's been one of those days."

"I better let you go, then. I got a hot date with a boiler."

Hannah murmured good-bye as Bekker pulled open a door marked Maintenance Staff Only and disappeared through it, leaving her alone in the hall. Her inner voice, the voice of the little goblin that kept the cling wrap pulled tight over her emotions, gave a shout.

Go! Go now! Escape while you can! Get away!

She had to pick up Josh. They would stop and get a pizza, then go on to the sitter's for Lily. After supper she had to drive Josh to religion class. . . . But her body refused to bolt in response. Then the great escape was lost.

"Dr. Garrison to ER. Dr. Garrison to ER."

That selfish part of her prodded once more, telling her she could still get away. She wasn't on call tonight, had no patients in the hundred-bed facility who were in critical need of her personal attention. There was no one here to see her escape. She could leave the work to the doctor on duty, Craig Lomax, who believed he had been set on earth to rush to the aid of mere mortals and comfort them with his cover-boy looks. Hannah wasn't even the backup tonight. But guilt came directly on the heels of those thoughts. She had taken an oath to serve. It didn't matter that she'd seen enough sore throats and bruised bodies to last her one day. She had a duty--a bigger one now that the hospital board had named her director of the ER. The people of Deer Lake depended on her.

The page sounded again. Hannah heaved a sigh and felt tears warm the backs of her eyes. She was exhausted--physically, emotionally. She needed this night off, a night with just herself and the kids; with Paul working late, keeping his moods and his sarcasm in his office instead of inflicting them on the family.

A wavy strand of honey-blond hair escaped her loose ponytail and fell limply against her cheek. She sighed and brushed it back behind her ear as she stared out the door to the parking lot that looked sepia-toned beneath the halogen lights.

"Dr. Garrison to ER. Dr. Garrison to ER."

She slipped her coat off and folded it over her arm.

"God, there you are!" Kathleen Casey blurted out as she skidded around the corner and hustled down the hall, the tails of her white lab coat sailing behind her. The thick, cushioned soles of her running shoes made almost no sound on the polished floor. Not a fraction of an inch over five feet, the nurse had a leprechaun's features, a shock of thick red hair, and the tenacity of a pit bull. Her uniform consisted of surgical scrubs and a pin that proclaimed No Whining. She drew a bead on Hannah that had all the power of a tractor beam.

Hannah tried to muster a wry smile. "Sorry. God may be a woman, but she's not this woman."

Kathleen gave a snort as she curled a hand around Hannah's upper arm. "You'll do."

"Can't Craig handle it?"

"Maybe, but we'd rather have a higher life form with opposable thumbs."

"I'm not even on call tonight. I have to pick up Josh from hockey. Call Dr. Baskir--"

FROM THE PUBLISHER

Every once in a while a thriller comes along that stretches the limits of the genre and takes readers places they have never been before. There are the fears we hide deep inside where the real world isn't supposed to touch us. In the night - any night - these fears, terrors, and emotions can drive us to commit the darkest sins. Now there is an author who knows these secrets and has woven them into a relentlessly compelling thriller, a book of such page-turning power that it is time to declare there is a new modern master of suspense - and her name is Tami Hoag. Deer Lake is a small Minnesota town where people know their neighbors and crime is something that happens on the evening news. But the illusion of safety is shattered when eight-year-old Josh Kirkwood disappears from a hockey rink as he waits for his mother to pick him up after practice. The only thing the police find is his duffel bag with a note stuffed inside: ignorance is not innocence but SIN. With each passing hour the search for Josh takes on a more ominous intensity. For Megan O'Malley, the new regional officer of the state criminal investigative unit, it is the first test of whether she can cut it in the all-male world of local cops. For police chief Mitch Holt, it is a frightening reminder of the big city crime that devastated his life before he fled to Deer Lake. All the while someone watches, preparing the next move in a deadly game to which only he knows the rules, a game of terrifying clues leading to one final twist of the trail - and a snare set by a warped mind as black as death, as guilty as sin....

FROM THE CRITICS

Publishers Weekly

Set in a pastoral Minnesota small town, Hoag's thriller has an ill-matched pair of detectives trying to trace a sadistic kidnapper. (Jan.)

Library Journal

An eight-year-old boy disappears from a small town in Minnesota. The same day, Megan O'Malley begins her new job in town as the first woman field agent for the Bureau of Criminal Apprehension. She feels the pressure to perform with distinction. The chief of police is fairly open-minded, but the county sheriff, the local news reporter, and the father of the missing boy are somewhat less than liberated. Old personal business and new personal relationships play out against the race to find the boy and his kidnapper. Hoag's story follows a fairly predictable formula: the characters are clearly good or bad; good triumphs over evil. Read by Joyce Bean, this is an enjoyable potboiler; recommended for fiction collections.-Joanna M. Burkhardt, Coll. of Continuing Education Lib., Univ. of Rhode Island, Providence Copyright 2002 Cahners Business Information.

Library Journal

This well-crafted romantic suspense novel by the author of Lucky's Lady (Bantam, 1992) is a tautly written account of life in a small Minnesota town. Megan O'Malley, the first female field officer of the state's criminal investigation bureau, is forced into a close working relationship with Mitch Holt, the town's police chief, when a child goes missing. Against the background of a multijurisdictional criminal investigation, dialog and plot flow smoothly, and elements of romantic tension that serve to define the characters further are seamlessly inserted into the basic mystery/suspense theme. Current news topics, such as the presence of known pedophiles in a community and the problems of childcare in homes with two working parents, help fuel important subplots. The investigatory techniques are all presented intelligently and provide a strong framework for this gripping suspense tale. Highly recommended for current fiction collections.-Erna Chamberlain, SUNY at Binghamton

BookList - Mary Frances Wilkens