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   Book Info

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Sir Joshua Reynolds: The Subject Pictures  
Author: Martin Joseph Postle
ISBN: 0521420660
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review

Review
"The author has conducted exhaustive research in a wide range of historical and literary sources, and he makes particularly good use of the numerous contemporary reviews and commentaries in the public press....Postle's book is a significant addition to Reynold's scholarship....Postle deserves credit for the clarity of his jargon-free prose and the thoroughness of his research which will serve to provides the groundwork for any future study of the development of history painting in Britain." Albion

Book Description
Sir Joshua Reynolds' reputation today rests principally on his portraits, his theoretical writings on art and his role as President of the Royal Academy. Yet in his own day Reynolds' subject pictures were among the most widely discussed British paintings of the century. This is the first book to concentrate on this important aspect of Reynolds' work. Covering the period from 1760 to 1830, it shows the way in which these pictures were inextricably linked to Reynolds' aims and practices as a painter, and to the way in which he was perceived by his peers.




Sir Joshua Reynolds: The Subject Pictures

FROM THE PUBLISHER

Sir Joshua Reynolds's subject pictures were among the most widely discussed British paintings of the eighteenth century. Today Reynolds's reputation rests principally on his portraits, his theoretical writings on art and his role as president of the Royal Academy. But while he could complete the face of a portrait sitter in a matter of hours, his subject paintings often occupied him for months or even years, and it is clear from Reynolds's own preoccupation with them, and the critical coverage they received during his day, that the subject pictures lay at the very heart of Reynolds's practice as a painter. In this, the first book to be devoted to this aspect of Reynolds's work, the subject pictures are shown as playing a vital role in shaping attitudes to high art during the major transitions in British culture of the late eighteenth and early nineteenth centuries.

     



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