Home | Best Seller | FAQ | Contact Us
Browse
Art & Photography
Biographies & Autobiography
Body,Mind & Health
Business & Economics
Children's Book
Computers & Internet
Cooking
Crafts,Hobbies & Gardening
Entertainment
Family & Parenting
History
Horror
Literature & Fiction
Mystery & Detective
Nonfiction
Professional & Technology
Reference
Religion
Romance
Science
Science Fiction & Fantasy
Sports & Outdoors
Travel & Geography
   Book Info

enlarge picture

Jacob Lawrence  
Author: Mike Venezia
ISBN: 0516210122
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review

From School Library Journal
Gr 2-4-A brief, conversational biography of the contemporary African-American artist. The print is large; the layout is uncluttered. Black-and-white photographs are interspersed throughout the text, along with full-color reproductions of the artist's work and Venezia's cartoons with fictionalized dialogue balloons. The text concentrates on aspects of Lawrence's life that affected his art. Mindful of his audience, Venezia handles parts of the story in a truthful but gentle manner. For example, the text states that "[Lawrence] knew that people who didn't know about their history had no way of feeling proud of their past or of themselves" to explain the artist's motivation in painting historical figures who fought against slavery. In his discussion of The Migration Series, Venezia states, "Although slavery had ended years before, many black people were still treated badly in the South." Lawrence's successful treatment for depression is mentioned, although his illness is not named. The excellent-quality reproductions do a great deal to enhance and extend the text. Lawrence's paintings have appeared in his The Great Migration (HarperCollins, 1993) and Harriet and the Promised Land (S & S, 1993), Walter Dean Myers's Toussaint L'Ouverture (S & S, 1996), and Gwen Everett's John Brown: One Man against Slavery (Rizzoli, 1993), which would all be excellent resources to use with this title. John Duggleby's well-executed Story Painter: The Life of Jacob Lawrence (Chronicle, 1998) goes into more detail and is intended for a slightly older audience.-Lucinda Snyder Whitehurst, St. Christopher's School, Richmond, VA Copyright 2000 Cahners Business Information, Inc.

Card catalog description
A biography of the African American painter who used his art to tell stories about the lives of individual Blacks and historical events important in the lives of his people.




Jacob Lawrence

ANNOTATION

A biography of the African American painter who used his art to tell stories about the lives of individual Blacks and historical events important in the lives of his people.

FROM THE CRITICS

Children's Literature - Kathleen Karr

Writer and illustrator Venezia adds another title to the quirky "Getting to Know the World's Greatest Artists" series. The books have nice large type, bright reproductions of the artwork-and parenthetical cartoons by Venezia which work to get the art and artist closer to kid level. In this instance, though, Lawrence's work is already so accessible that the additional cartoons are hardly necessary. His bold folk art style speaks clearly to all ages through his various historical series. Venezia explains Lawrence's "Great Migration" pictures well, and also manages to tell about the artist's struggles with depression in terms a child can understand. Ultimately, though, Jacob Lawrence's art speaks for itself.

School Library Journal

Gr 2-4-A brief, conversational biography of the contemporary African-American artist. The print is large; the layout is uncluttered. Black-and-white photographs are interspersed throughout the text, along with full-color reproductions of the artist's work and Venezia's cartoons with fictionalized dialogue balloons. The text concentrates on aspects of Lawrence's life that affected his art. Mindful of his audience, Venezia handles parts of the story in a truthful but gentle manner. For example, the text states that "[Lawrence] knew that people who didn't know about their history had no way of feeling proud of their past or of themselves" to explain the artist's motivation in painting historical figures who fought against slavery. In his discussion of The Migration Series, Venezia states, "Although slavery had ended years before, many black people were still treated badly in the South." Lawrence's successful treatment for depression is mentioned, although his illness is not named. The excellent-quality reproductions do a great deal to enhance and extend the text. Lawrence's paintings have appeared in his The Great Migration (HarperCollins, 1993) and Harriet and the Promised Land (S & S, 1993), Walter Dean Myers's Toussaint L'Ouverture (S & S, 1996), and Gwen Everett's John Brown: One Man against Slavery (Rizzoli, 1993), which would all be excellent resources to use with this title. John Duggleby's well-executed Story Painter: The Life of Jacob Lawrence (Chronicle, 1998) goes into more detail and is intended for a slightly older audience.-Lucinda Snyder Whitehurst, St. Christopher's School, Richmond, VA Copyright 2000 Cahners Business Information.|

     



Home | Private Policy | Contact Us
@copyright 2001-2005 ReadingBee.com