Book Description
Peter Conrad is one of the most gifted writers of our time. Whether exploring the history of opera (A Song of Love and Death), the essence of a movie director (The Hitchcock Murders), or the twentieth-century relationship between art and life (Modern Times, Modern Places), he has dazzled audiences for nearly thirty-five years since he left his native Australia for a life spent mainly in Oxford, London, Lisbon, and New York. In this new book, Conrad tells the story of what Australia—the people, the bush, the desert, the cities—used to be like, and what it has now become. He uses all his special gifts of making us feel that the particular, in this case a country far from the horizons of most of us, is nevertheless of intense personal concern. The settlement of Australia coincided with the invention of photography, and Conrad's brilliant word-pictures of the hot, aromatic, cicada-loud landscape are woven around 200 images. The camera recorded the clearance of the bush and the construction of huts for homesteaders, documented the exploration of the uninhabitable outback, and accompanied the building of new cities, bravely determined to look European despite their geographical position. This many-layered story depicts the making and remaking of Australia: a social history extending from the trials of the frontier to the hedonistic urban society of the present day; a psychological history describing how the mob gradually permitted individuals to challenge the country's inherited values; and a cultural history that begins with the harsh, arid earth and shows how stark reality is transformed into art. It is a book about memory of home and our lifelong homesickness, about the way we construct fictions, license lies, make room for Utopia, or express and suppress desire and hostility about our family albums of self and nation. 200 illustrations.
At Home in Australia FROM THE PUBLISHER
This is a many-layered story that depicts the making and the remaking of a nation: a social history extending from the trials of the frontier to the hedonistic urban society of the present day; a psychological history describing how the mass or the mob gradually permitted individuals to challenge the country's inherited values; and a cultural history that begins with the harsh, arid earth and shows how the stark reality has been transformed into art thanks to the creative skills of generations of Australian photographers.
It is also a personal journey of rediscovery undertaken by a writer who quit Australia at the age of twenty and has now come to see it again, with fresh, wondering eyes, through these photographs. Though Peter Conrad's focus is local, the emotions with which he deals are universal. For this is a book about the memory of home, and our lifelong homesickness; it is impelled by a craving we all share, as we reclaim the past by consulting our family albums to remind ourselves where we come from and who we are.
FROM THE CRITICS
Library Journal
The approach here is a popular one: find a prominent author, preferably an expatriate, and ask him to reflect on his homeland. The vehicle for reminiscence is, however, novel-Conrad was set loose in the photographic collections of the National Gallery of Australia. An accomplished critic and novelist, Conrad (Modern Times, Modern Places) teaches at Christ Church, Oxford, and has spent most of his adult life in England. Here, he evokes his native Australia's history by using photographs in the National Gallery as an aide-m moire. Some of what he recounts is well known, such as the story of the Kelly Gang, which is merely alluded to in the chosen photographs; other photographs are iconic images in Australian photography, such as Max Dupain's Sunbather 1937. What Conrad accomplishes is not just an analysis of the photographs or the events but also a deep reading of the interplay between them and larger issues of the culture. He also brings in autobiographical details, but not obtrusively so. Superficially, this might be considered a history of photography or of Australia, but here the whole equals more than the sum of its parts, thanks to Conrad's gifts as a prose stylist. Recommended for those wanting a general introduction to Australia, especially if they want to move beyond clich s and look at some extraordinary pictures in the bargain.-David Azzolina, Univ. of Pennsylvania Lib., Philadelphia Copyright 2003 Reed Business Information.
Art & Photography
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