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   Book Info

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Samuel Taylor Coleridge  
Author: John Beer (Editor)
ISBN: 0460878263
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review


From School Library Journal
Grade 5 Up-This skillful introduction opens with an overview of Coleridge's life and poetry, followed by 18 works (or parts of works). Engell includes many of the English poet's most significant pieces, although "Dejection: An Ode"-important enough to mention in the introduction-is omitted. The notes and footnotes (defining obscure terms) accompanying each poem will be helpful to readers tackling the poet's challenging work. Chan's enchanting paintings embellish the text and do a nice job of capturing the mood of the poetry without dominating it. A useful but small index concludes the book. Little material for younger students focuses on Coleridge, making this a useful purchase for any collection.Julie Roach, Malden Public Library, Copyright 2003 Reed Business Information, Inc.


From Booklist
Reviewed with books on Wordsworth and Yeats in the Poetry for Young People series.Gr. 6-10. The editors of these handsome collections in the Poetry for Young People series have chosen well, bringing together about 20 of each great poet's most accessible, compelling poems, with selections that range from Coleridge's "The Rime of the Ancient Mariner" to Wordsworth's "I Wandered Lonely as a Cloud" and Yeats' stark, dramatic "An Irish Airman Foresees His Death." The full-color paintings on each page are beautiful. Each volume begins with a helpful general biography and a critical introduction to the poet's work. On the page with each poem, brief editorial notes provide useful context and guidance (if only the notes were at the back of the book, so that the reader could first enjoy a poem free of commentary). In fact, the book design is a problem, especially in the Yeats book. Harrington's impressionistic art is lush and beautiful, evoking the Irish landscapes, fantasy worlds, and stormy emotions of the verse; but the large pictures leave no space for readers to imagine what the words suggest, and much of the type is hard to read because it's printed right on the dark, full-page paintings. In the Coleridge and Wordsworth collections there is a lot more white space, and the illustrations evoke each poet's world without totally overwhelming the verbal images. None of this classic poetry is easy reading, and all three books will work best for reading aloud and group discussion. Hazel Rochman
Copyright © American Library Association. All rights reserved




Samuel Taylor Coleridge

FROM THE PUBLISHER

If the voice that is heard in the later poetry is a more labouring one, it is one that remains true to Coleridge's great themes. The role of imagination was always hard to come to terms with: sometimes it seemed to have acted as a dangerous and elusive will-o-the-wisp, sometimes it seemed to have been no less than ""the vision and the faculty divine"." John Beer-Editor

     



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