From Publishers Weekly
Set in the charming village of Stresa on Italy's Lake Maggiore, Elkins's 11th mystery to feature Gideon Oliver (after 2000's Edgar-winning Skeleton Dance) shows the forensic anthropologist in fine form. Oliver's half-Italian friend Phil Boyajian decides to combine a visit to relatives with a tour he's organizing, and invites Oliver and his wife to come along. As fate would have it—and Elkins is so good at acknowledging mystery conventions, often tongue-in-cheek—Phil's cousin, the bratty Achille de Grazia, has just been kidnapped. The local official, Colonnello Tullio Caravale, doesn't welcome Oliver's advice until an old set of bones turns up. Caravale, in a gently presented but highly amusing detail, admits that he once spent six hours classifying bones only to be told they were not human but rabbit. He's willing, therefore, to accept Oliver's expert help, and their evolving relationship is nicely evoked. The bones are identified as belonging to the kidnapped boy's grandfather, who was presumed dead in a sailing accident 10 years earlier. Clearly the two crimes are related, and the most likely suspects are the eccentric members of the de Grazia family, who live on a private island in a life of supreme physical ease but excruciating psychological discomfort. The distinct personalities of the de Grazias and other characters are sketched with great efficiency and precision. That alone would keep a reader's interest, but the forensic facts Elkins chooses to include and the brisk pace of the plot make for a total success. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School–When their friend Phil Ungarettis asks Gideon and Julie Oliver to help him run a guided tour in Italy, they are happy to oblige. The scenario changes, though, when Gideon's skills as a forensic pathologist are needed to solve a murder already 10 years old that involves a powerful and socially prominent family, the de Grazias. Phil happens to be both kin and a part of the inner circle, and this connection pulls him and the Olivers deeper into the mystery. As more clues become apparent, the murder proves to be tied to the kidnapping of the de Grazias' only son. Unwinding the clues becomes a responsibility that lands firmly in Gideon's skilled hands. Elkins spends the first part of the book laying the framework of family connections, describing the Italian background of the story, and setting the stage for the discovery of the murder. Once Gideon becomes a prime part of the investigating team, led by the scene-stealing carabinieriColonel Caravale, the plot moves rapidly along, becoming more interesting and complex with every page. The author infuses the story with a sense of the beauty of Italy, its style of life, and the culture of the area. Weaving complications into the exotic setting, spicing it with details of forensic pathology, and adding memorable characters make for an enticing story.–Pam Johnson, Fairfax County Public Library, VA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Forensic pathologist Gideon Oliver and his wife, Julie, are in Italy with a friend, who is visiting his relatives, the wealthy de Grazias. The trip soon becomes a busman's holiday for Gideon when one of the de Grazia sons is kidnapped and the remains of a de Grazia family elder, who disappeared 10 years earlier, is found at a construction site. Enlisted by the Italian authorities to use skills as a pathologist to help with the investigation, Gideon soon finds himself in the middle of a long-simmering family feud awash in secrets and motives. Oliver and his opposite partner from the Italian police form a daunting team, despite their initial misgivings regarding the other's credentials. The Gideon Oliver series is noteworthy for its witty dialogue and clever plotting; Elkins delivers on both counts here. The real culprit is both surprising and obvious, the latter because Elkins gives us all we need to name the killer and enough misdirection to fool us. Top-shelf reading for those who like puzzles rather than gunplay. Wes Lukowsky
Copyright © American Library Association. All rights reserved

FROM OUR EDITORS

The Barnes & Noble Review
Powerful family dynamics add drama and complexity to this entry in the Edgar Award–winning Gideon Oliver series. World-renowned professor of forensic anthropology Gideon Oliver (a.k.a. the Skeleton Detective) is on vacation with his wife and their friend Phil. They're enjoying the delights of the Italian countryside when Phil casually suggests a detour to meet his mother's family￯﾿ﾽand unknowingly invites them into tragedy. The aristocratic de Grazias inhabit a rambling villa on their own private island, a setting rich in history and shrouded in secrets. The first enigma they encounter there is that Achille, the teenage heir to the family's billion-dollar construction company, has been kidnapped. The second is the tale of the strange circumstances surrounding the missing boy's father's conception and birth. Although Phil wants to support his family in the dark days after Achille's disappearance, there is little he and his friends can do￯﾿ﾽuntil a skeleton is unearthed and the local police turn to Gideon for expert assistance. It's obvious from the first that the bones are too old to be Achille's, but Gideon's forensic examination soon raises equally disturbing questions about the death of the boy's grandfather, who was presumed drowned ten years before. Untangling the threads of that decade-old murder leads Gideon in unexpected directions that illuminate the modern crime, the motives and identity of Achille's kidnapper, and some surprising facts about Phil's position in this aristocratic Italian family. The details of Italian police work, Gideon's labors in his makeshift forensic laboratory, and the hidden longings and open hatreds of the de Grazia family make Good Blood a fast, fascinating read. Sue Stone

FROM THE PUBLISHER

It was supposed to be a much-needed Italian holiday from grueling academia for Gideon Oliver. True, his wife, Julie, is there to help their friend Phil run a guided tour, but Gideon himself is looking forward to a few days' R and R. So when Phil invites the couple to his wealthy family's idyllic island in Lake Maggiore, the Olivers accept with enthusiasm. But the breathtaking view and sumptuous food come at a price.

The family padrone's only child, Achille, has been kidnapped. Soon after, nearby construction workers unearth some bones, which Colonel Caravale of the local carabinieri calls on Gideon to identify. Chilled by the thought that the bones might be Achille's, the family anticipates the result with a mixture of dread and cautious hope. Accepting the task is the only gracious thing to do and, besides, Gideon finds that being on his own while Julie is working is less than satisfying. So he sets out to identify the bones - and along the way, exposes some extraordinary deceptions that lay bare the malignant, long-hidden secrets at the dark heart of a highborn family.

FROM THE CRITICS

Publishers Weekly

Set in the charming village of Stresa on Italy's Lake Maggiore, Elkins's 11th mystery to feature Gideon Oliver (after 2000's Edgar-winning Skeleton Dance) shows the forensic anthropologist in fine form. Oliver's half-Italian friend Phil Boyajian decides to combine a visit to relatives with a tour he's organizing, and invites Oliver and his wife to come along. As fate would have it-and Elkins is so good at acknowledging mystery conventions, often tongue-in-cheek-Phil's cousin, the bratty Achille de Grazia, has just been kidnapped. The local official, Colonnello Tullio Caravale, doesn't welcome Oliver's advice until an old set of bones turns up. Caravale, in a gently presented but highly amusing detail, admits that he once spent six hours classifying bones only to be told they were not human but rabbit. He's willing, therefore, to accept Oliver's expert help, and their evolving relationship is nicely evoked. The bones are identified as belonging to the kidnapped boy's grandfather, who was presumed dead in a sailing accident 10 years earlier. Clearly the two crimes are related, and the most likely suspects are the eccentric members of the de Grazia family, who live on a private island in a life of supreme physical ease but excruciating psychological discomfort. The distinct personalities of the de Grazias and other characters are sketched with great efficiency and precision. That alone would keep a reader's interest, but the forensic facts Elkins chooses to include and the brisk pace of the plot make for a total success. (Feb. 3) Copyright 2004 Reed Business Information.

Library Journal

In Skeleton Dance, forensic anthropologist Gideon Oliver and his park ranger wife, Julie, solved a crime in France. This time, they are on holiday in Italy, helping a friend host a tour featuring canoeing and bicycle riding. Since neither activity is Gideon's idea of fun, he lounges around the picturesque town of Stresa and is pulled, consequently, into the investigation of recently uncovered bones, which turn out to be connected to a 40-year-old secret baby swap. In turn, the swap is tied to a recent kidnapping involving the wealthy, influential family to which Gideon's tour guide friend is related. If readers can overlook this abundance of coincidences, this is vintage Elkins: well-drawn supporting characters, lovely scenery, and a bit of interesting science. The cast of colorful characters includes members of a large aristocratic Italian family and an Italian police officer who is both tough and humorous. Recommended for popular mystery collections.-Ann Forister, Roseville P.L., CA Copyright 2003 Reed Business Information.

School Library Journal

Adult/High School-When their friend Phil Ungarettis asks Gideon and Julie Oliver to help him run a guided tour in Italy, they are happy to oblige. The scenario changes, though, when Gideon's skills as a forensic pathologist are needed to solve a murder already 10 years old that involves a powerful and socially prominent family, the de Grazias. Phil happens to be both kin and a part of the inner circle, and this connection pulls him and the Olivers deeper into the mystery. As more clues become apparent, the murder proves to be tied to the kidnapping of the de Grazias' only son. Unwinding the clues becomes a responsibility that lands firmly in Gideon's skilled hands. Elkins spends the first part of the book laying the framework of family connections, describing the Italian background of the story, and setting the stage for the discovery of the murder. Once Gideon becomes a prime part of the investigating team, led by the scene-stealing carabinieri Colonel Caravale, the plot moves rapidly along, becoming more interesting and complex with every page. The author infuses the story with a sense of the beauty of Italy, its style of life, and the culture of the area. Weaving complications into the exotic setting, spicing it with details of forensic pathology, and adding memorable characters make for an enticing story.-Pam Johnson, Fairfax County Public Library, VA Copyright 2004 Reed Business Information.

Kirkus Reviews