Home becomes elusive in this story about immigration and acculturation, pieced together through old pictures and salvaged family tales. Both the narrator and his grandfather long to return to Japan, but when they do, they feel anonymous and confused: "The funny thing is, the moment I am in one country, I am homesick for the other." Allen Say's prose is succinct and controlled, to the effect of surprise when monumental events are scaled down to a few words: "The young woman fell in love, married, and sometime later I was born." The book also has large, formal paintings in delicate, faded colors that portray a cherished and well-preserved family album. The book, for audiences ages 4 to 8, won the 1994 Caldecott Medal.


From Publishers Weekly
Say transcends the achievements of his Tree of Cranes and A River Dream with this breathtaking picture book, at once a very personal tribute to his grandfather and a distillation of universally shared emotions. Elegantly honed text accompanies large, formally composed paintings to convey Say's family history; the sepia tones and delicately faded colors of the art suggest a much-cherished and carefully preserved family album. A portrait of Say's grandfather opens the book, showing him in traditional Japanese dress, "a young man when he left his home in Japan and went to see the world." Crossing the Pacific on a steamship, he arrives in North America and explores the land by train, by riverboat and on foot. One especially arresting, light-washed painting presents Grandfather in shirtsleeves, vest and tie, holding his suit jacket under his arm as he gazes over a prairie: "The endless farm fields reminded him of the ocean he had crossed." Grandfather discovers that "the more he traveled, the more he longed to see new places," but he nevertheless returns home to marry his childhood sweetheart. He brings her to California, where their daughter is born, but her youth reminds him inexorably of his own, and when she is nearly grown, he takes the family back to Japan. The restlessness endures: the daughter cannot be at home in a Japanese village; he himself cannot forget California. Although war shatters Grandfather's hopes to revisit his second land, years later Say repeats the journey: "I came to love the land my grandfather had loved, and I stayed on and on until I had a daughter of my own." The internal struggle of his grandfather also continues within Say, who writes that he, too, misses the places of his childhood and periodically returns to them. The tranquility of the art and the powerfully controlled prose underscore the profundity of Say's themes, investing the final line with an abiding, aching pathos: "The funny thing is, the moment I am in one country, I am homesick for the other." Ages 4-8. Copyright 1993 Reed Business Information, Inc.


From School Library Journal
Grade 3 Up-A personal history of three generations of the author's family that points out the emotions that are common to the immigrant experience. Splendid, photoreal watercolors have the look of formal family portraits or candid snapshots, all set against idyllic landscapes in Japan and in the U.S. (Sept., Copyright 1998 Reed Business Information, Inc.


Publishers Weekly
At once a very personal tribute to [Sayer's] grandfather and a distillation of universally shared emotions.


From Kirkus Reviews
``The funny thing is, the moment I am in one country, I am homesick for the other,'' observes Say near the end of this poignant account of three generations of his family's moves between Japan and the US. Say's grandfather came here as a young man, married, and lived in San Francisco until his daughter was ``nearly grown'' before returning to Japan; his treasured plan to visit the US once again was delayed, forever as it turned out, by WW II. Say's American-born mother married in Japan (cf. Tree of Cranes, 1991), while he, born in Yokohama, came here at 16. In lucid, graceful language, he chronicles these passages, reflecting his love of both countries--plus the expatriate's ever-present longing for home--in both simple text and exquisitely composed watercolors: scenes of his grandfather discovering his new country and returning with new appreciation to the old, and pensive portraits recalling family photos, including two evoking the war and its aftermath. Lovely, quiet- -with a tenderness and warmth new to this fine illustrator's work. (Nonfiction/Picture book. 4+) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.


Review
"The immigrant experience has rarely been so poignantly evoked as it is in this direct, lyrical narrative that is able to stir emotions through the sheer simplicity of its telling."


Review
"The immigrant experience has rarely been so poignantly evoked as it is in this direct, lyrical narrative that is able to stir emotions through the sheer simplicity of its telling."


Book Description
Through compelling reminiscences of his grandfather's life in America and Japan, Allen Say gives us a poignant acount of a family's unique cross-cultural experience. He warmly conveys his own love for his two countries, and the strong and constant desire to be in both places at once.


Card catalog description
A Japanese American man recounts his grandfather's journey to America which he later also undertakes, and the feelings of being torn by a love for two different countries.

FROM OUR EDITORS

This autobiographical reminiscence describes the wanderlust of the author's grandfather, who is torn between love for his native Japan and for California. Missing one place while in the other, the grandfather is always longing to be where he isn't. The grandson inherits his grandfather's love of travel, and like him, longs to be in both places at the same time. Soft-hued paintings decorate this quiet testament of love for both family and place.

ANNOTATION

A Japanese American man recounts his grandfather's journey to America which he later also undertakes, and the feelings of being torn by a love for two different countries.

FROM THE PUBLISHER

Through compelling reminiscences of his grandfather's life in America and Japan, Allen Say gives us a poignant acount of a family's unique cross-cultural experience. He warmly conveys his own love for his two countries, and the strong and constant desire to be in both places at once.

FROM THE CRITICS

Publishers Weekly

Say transcends the achievements of his Tree of Cranes and A River Dream with this breathtaking picture book, at once a very personal tribute to his grandfather and a distillation of universally shared emotions. Elegantly honed text accompanies large, formally composed paintings to convey Say's family history; the sepia tones and delicately faded colors of the art suggest a much-cherished and carefully preserved family album. A portrait of Say's grandfather opens the book, showing him in traditional Japanese dress, ``a young man when he left his home in Japan and went to see the world.'' Crossing the Pacific on a steamship, he arrives in North America and explores the land by train, by riverboat and on foot. One especially arresting, light-washed painting presents Grandfather in shirtsleeves, vest and tie, holding his suit jacket under his arm as he gazes over a prairie: ``The endless farm fields reminded him of the ocean he had crossed.'' Grandfather discovers that ``the more he traveled, the more he longed to see new places,'' but he nevertheless returns home to marry his childhood sweetheart. He brings her to California, where their daughter is born, but her youth reminds him inexorably of his own, and when she is nearly grown, he takes the family back to Japan. The restlessness endures: the daughter cannot be at home in a Japanese village; he himself cannot forget California. Although war shatters Grandfather's hopes to revisit his second land, years later Say repeats the journey: ``I came to love the land my grandfather had loved, and I stayed on and on until I had a daughter of my own.'' The internal struggle of his grandfather also continues within Say, who writes that he, too, misses the places of his childhood and periodically returns to them. The tranquility of the art and the powerfully controlled prose underscore the profundity of Say's themes, investing the final line with an abiding, aching pathos: ``The funny thing is, the moment I am in one country, I am homesick for the other.'' Ages 4-8. (Oct.)

"The immigrant experience has rarely been so poignantly evoked as it is in this direct, lyrical narrative that is able to stir emotions through the sheer simplicity of its telling."

School Library Journal