Augustine's City of God, a monumental work of religious lore, philosophy, and history, was written as a kind of literary tombstone for Roman culture. After the sack of Rome, Augustine wrote this book to anatomize the corruption of Romans' pursuit of earthly pleasures: "grasping for praise, open-handed with their money; honest in the pursuit of wealth, they wanted to hoard glory." Augustine contrasts his condemnation of Rome with an exaltation of Christian culture. The glory that Rome failed to attain will only be realized by citizens of the City of God, the Heavenly Jerusalem foreseen in Revelation. Because City of God was written for men of classical learning--custodians of the culture Augustine sought to condemn--it is thick with Ciceronian circumlocutions, and makes many stark contrasts between "Your Virgil" and "Our Scriptures." Even if Augustine's prose strikes modern ears as a bit bombastic, and if his polarized Christian/pagan world is more binary than the one we live in today, his arguments against utopianism and his defense of the richness of Christian culture remain useful and strong. City of God is, as its final words proclaim itself to be, "a giant of a book." --Michael Joseph Gross


Review
"The human mind can understand truth only by thinking, as is clear from Augustine."
--Saint Thomas Aquinas


From the Trade Paperback edition.


Language Notes
Text: English (translation)
Original Language: Latin


Language Notes
Text: English (translation)
Original Language: Latin


Download Description
In his workbook, a New York City novelist records the contents of his teeming brain--sketches for stories, accounts of his love affairs, riffs on the meanings of popular songs, ideas for movies, obsessions with cosmic processes. He is a virtual repository of the predominant ideas and historical disasters of the age. But now he has found a story he thinks may be-come his next novel: The large brass cross that hung behind the altar of St. Timothy's, a run-down Episco-pal church in lower Manhattan, has disappeared...and even more mysteriously reappeared on the roof of the Synagogue for Evolutionary Judaism, on the Upper West Side. The church's maverick rector and the young woman rabbi who leads the synagogue are trying to learn who committed this strange double act of desecration and why. Befriending them, the novelist finds that their struggles with their respective traditions are relevant to the case. Into his workbook go his taped interviews, insights, preliminary drafts...and as he joins the clerics in pursuit of the mystery, it broadens to implicate a large cast of vividly drawn characters--including scientists, war veterans, prelates, Holocaust survivors, cabinet members, theologians, New York Times reporters, filmmakers, and crooners--in what proves to be a quest for an authentic spirituality at the end of this tortured century. Daringly poised at the junction of the sacred and the profane, and filled with the sights and sounds of New York, this dazzlingly inventive masterwork emerges as the American novel readers have been thirsting for: a defining document of our times, a narrative of the twentieth century written for the twenty-first.


From the Publisher
St. Augustine's masterpiece is an interpretation of history in terms of the struggle between good and evil: the City of God in conflict with the City of the Devil. Abridged for the modern reader.


From the Inside Flap
St. Augustine's masterpiece is an interpretation of history in terms of the struggle between good and evil: the City of God in conflict with the City of the Devil. Abridged for the modern reader.

ANNOTATION

Saint Augustine examines the failure of Roman religion and the flaws in human civilization, thus creating the first Christrian philosophy of history.

FROM THE PUBLISHER

No book except the Bible itself had a greater influence on the Middle Ages than City of God. Since medieval Europe was the cradle of today's Western civilization, this work by consequence is vital for an understanding of our world and how it came into being. St. Augustine is often regarded as the most influential Christian thinker after St. Paul, and this book is his masterpiece, a vast synthesis of religious and secular knowledge. It began as a reply to the charge that Christian otherworldliness was causing the decline of the Roman Empire. Augustine produced a wealth of evidence to prove that paganism bore within itself the seeds of its own destruction. Then he proceeded to his larger theme, a cosmic interpretation of history in terms of the struggle between good and evil: the City of God in conflict with the Earthly City or the City of the Devil. This, the first serious attempt at a philosophy of history, was to have incalculable influence in forming the Western mind on the relations of church and state, and on the Christian's place in the temporal order. The original City of God contained twenty-two books and fills three regular-sized volumes. This edition has been skillfully abridged for the intelligent general reader by Vernon J. Bourke, author of Augustine's Quest of Wisdom. The heart of this monumental work is now available to a much wider audience.

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