From Publishers Weekly
Starred Review. The first half of French cartoonist David B.'s astonishing L'Ascension du Haut Mal appeared in English a few years ago, but this is the first time the whole book has been translated, and it's one of the greatest graphic novels ever published. Epileptic is a memoir of B.'s evolution into an artist, how learning to re-envision and recreate the world with his eyes and hands became his escape route from the madness and disease that might have destroyed him. B.'s family becomes involved with the shady alternative medicine world in France circa 1970 in an attempt to help his epileptic, unstable older brother. What B. picks up from that culture, from the military history he obsesses over and from his brother's cruel delusions is the raw material of his art: his stylized bodies and objects, which look like woodcuts and urn drawings, and especially his constant conflation of physical reality and symbolic value. With B.'s parents consumed with finding a cure, and his brother's quality of life deteriorating, B.'s dreams of a normal childhood are constantly undermined by his brother's illness, to be replaced by a waking and dreaming life filled with demons.This struggle becomes Epileptic's narrative core. B.'s artwork is magnificent—gorgeously bold, impressionistic representations of the world not as it is but as he's taught himself to perceive it—especially in the heartbreaking dream sequences near the end of the book. B.'s illustrations constantly underscore his writing's wrenching psychological depth; readers can literally see how the chaos of his childhood shaped his vision and mind. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School-This autobiographical work plumbs the psychological, social, and symbolic reaches of the author's experiences in a family that must deal with a devastating disease. Growing up in the 1960s and 1970s in France's Loire Valley, Jean-Christophe developed grand mal epilepsy around the age of 11. Pierre-Francois, nine, observes his brother's battle with the physical and social implications of the disease; their parents' efforts to find management of it through medical, macrobiotic, and even psychic interventions; and the author's own development in this milieu as a boy obsessed with history and warfare and as a dedicated artist. This is a full-strength novel with well-developed characters, subplots concerning both World Wars, and riffs on the popular culture of the period in which hip Westerners looked to the East for solutions to health and spiritual maladies. David B.'s black-and-white panels spin with Jungian figures of serpents and offer snapshots of commune kitchens, woodlots haunted by his recently deceased grandfather, and street alleys where neighborhood children fantasize the distant past and uncharted future. This volume comprises half of the eight titles originally published in French, and readers will eagerly await its companion. Teens who have read Don Trembath's Lefty Carmichael Has a Fit (Orca, 2000) or Lauren Slater's Lying: A Metaphorical Memoir (Random, 2000) may find this book to be the one that encourages them to become aficionados of sophisticated, graphic-novel literature.Francisca Goldsmith, Berkeley Public Library, CACopyright 2003 Reed Business Information, Inc.

From Bookmarks Magazine
David B. originally published Epileptic in Europe between 1996 and 2004 as a series of six comics, to great acclaim. Critics received this brilliant work as warmly here. Far more than a graphic novel, Epileptic intertwines family, cultural, and intellectual history in a brutally honest memoir. Compared to James Agee’s A Death in the Family and James Joyce’s A Portrait of the Artist as a Young Man, Epileptic traces the author’s relationship with his family, his sick brother, and himself, including his own obsession with his grandparents and his nation’s military involvements. The black-and-white drawings, inspired by the collages of Max Ernst, depict Jean-Christophe’s seizures in surreal, primal ways and amplify the psychological horror of the story. Epileptic, noted the Houston Chronicle, "is a different beast, bigger, broader and better than any graphic entry in recent memory." [For a recent look at the genre’s growing phenomena, see Stephen Weiner’s article on graphic novels in our Sept/Oct 2004 issue.]Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
*Starred Review* The identically titled first half of David B.'s graphic-novel account of his brother's lifelong battle with epilepsy and the family's desperate search for a cure appeared in 2002. This volume, previously published in Europe, collects the entire saga, and its cumulative impact confirms this as a landmark work in the autobiographical-comics genre. As young Jean-Christophe struggles with the illness, his parents desperately search for a cure, turning from psychiatry and neurosurgery to macrobiotics, spiritualism, and even voodoo. As Jean-Christophe grows increasingly troubled and violent, and the strain upon the family increases, young David escapes into a vividly depicted fantasy life, eventually fleeing to art school in Paris, where he honed the deceptively simple and highly expressive drawing style that serves his story so well. This volume follows the siblings into adulthood, concluding with a moving epilogue that touchingly demonstrates David's hard-won understanding of his brother's condition. Marjane Satrapi's acclaimed persepolis [BKL My 1 03; part 2, BKL Ag 04] owes a great deal to David B.'s simple, flattened drawing style; if his story is less compelling than hers, lacking Persepolis' backdrop of twentieth-century Iranian history, his treatment is more artistic and sophisticated. Yet they are equally accessible to readers beyond as well as within the ranks of comics fans. Gordon Flagg
Copyright © American Library Association. All rights reserved

FROM THE PUBLISHER

Hailed by The Comics Journal as one of Europe's most important and innovative comics artists, David B. has created a masterpiece in Epileptic, his stunning and emotionally resonant autobiography about growing up with an epileptic brother. Epileptic gathers together and makes available in English for the first time all six volumes of the internationally acclaimed graphic work.

David B. was born Pierre-François Beauchard in a small town near Orléans, France. He spent an idyllic early childhood playing with the neighborhood kids and, along with his older brother, Jean-Christophe, ganging up on his little sister, Florence. But their lives changed abruptly when Jean-Christophe was struck with epilepsy at age eleven. In search of a cure, their parents dragged the family to acupuncturists and magnetic therapists, to mediums and macrobiotic communes. But every new cure ended in disappointment as Jean-Christophe, after brief periods of remission, would only get worse.

Angry at his brother for abandoning him and at all the quacks who offered them false hope, Pierre-François learned to cope by drawing fantastically elaborate battle scenes, creating images that provide a fascinating window into his interior life. An honest and horrifying portrait of the disease and of the pain and fear it sowed in the family, Epileptic is also a moving depiction of one family's intricate history. Through flashbacks, we are introduced to the stories of Pierre-François's grandparents and we relive his grandfathers' experiences in both World Wars. We follow Pierre-François through his childhood, adolescence, and adulthood, all the while charting his complicated relationshipwith his brother and Jean-Christophe"s losing battle with epilepsy. Illustrated with beautiful and striking black-and-white images, Epileptic is as astonishing, intimate, and heartbreaking as the best literary memoir.

FROM THE CRITICS

Rick Moody - The New York Times

Because it is unafraid to dwell in detail on cultural and intellectual lineage, Epileptic seems to be influenced as much by Gide, Foucault, Malraux and Barthes as by Spiegelman. It is less a graphic novel, that is, than a bildungsroman about the artist as reader of continental philosophy, wherein Jean-Christophe's epilepsy, and its attendant familial disorder, are the fulcrum that forces Pierre-Francois to become the author David B., spawning his magnificent pictures, drawings full of the iconographies of both atavism and surrealism.

Chris Lehmann - The Washington Post

… one of the many achievements of Epileptic -- the energetic, melancholy and candid graphic novel from the French godfather of the genre, David B. -- is the construction of a sort of upside-down comics narrative: It draws its momentum from the loss of strength and mental clarity and, most of all, the failure of would-be magical powers to remedy a horrible, incurable psychic and physical affliction.

The New Yorker

The French cartoonist Pierre-François Beauchard (he changed his name to David B. as a teen-ager) had an unremarkable childhood in nineteen-sixties France, until his older brother, Jean-Christophe, began to have epileptic seizures. This graphic memoir depicts, with an admirable lack of sentimentality, how dealing with illness can become a power struggle as desperate and corrupting as that of war. The family’s youngest child, Florence, attempts suicide; Pierre-François fantasizes about killing his brother; and Jean-Christophe’s rages become increasingly unmanageable and violent. The Beauchards’ futile quest for a cure takes them from surgeons to macrobiotic diets to spiritual mediums. David B. draws these potential solutions as totemic symbols, and, in one haunting panel, his mother is surrounded by their jeering, insistent forms. “So long as my mother hasn’t tried every single one she’ll be tormented by guilt,” he writes.

Publishers Weekly

The first half of French cartoonist David B.'s astonishing L'Ascension du Haut Mal appeared in English a few years ago, but this is the first time the whole book has been translated, and it's one of the greatest graphic novels ever published. Epileptic is a memoir of B.'s evolution into an artist, how learning to re-envision and recreate the world with his eyes and hands became his escape route from the madness and disease that might have destroyed him. B.'s family becomes involved with the shady alternative medicine world in France circa 1970 in an attempt to help his epileptic, unstable older brother. What B. picks up from that culture, from the military history he obsesses over and from his brother's cruel delusions is the raw material of his art: his stylized bodies and objects, which look like woodcuts and urn drawings, and especially his constant conflation of physical reality and symbolic value. With B.'s parents consumed with finding a cure, and his brother's quality of life deteriorating, B.'s dreams of a normal childhood are constantly undermined by his brother's illness, to be replaced by a waking and dreaming life filled with demons.This struggle becomes Epileptic's narrative core. B.'s artwork is magnificent-gorgeously bold, impressionistic representations of the world not as it is but as he's taught himself to perceive it-especially in the heartbreaking dream sequences near the end of the book. B.'s illustrations constantly underscore his writing's wrenching psychological depth; readers can literally see how the chaos of his childhood shaped his vision and mind. (Jan. 4) Copyright 2004 Reed Business Information.

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