From Publishers Weekly
Although both tragedy and hope are mentioned in the subtitle, this work of reportage on Africa focuses more on the former than the latter. French was first captivated by Africa after college, in 1980, when he joined his parents and siblings in Ivory Coast. Taken by the pride and beauty he found on the continent, he became a journalist there, eventually serving as a bureau chief for the New York Times. His strength as a reporter is evident as he takes the reader across the continent, recounting in vivid detail the genocide in Rwanda and the AIDS and Ebola outbreaks. His prose is evocative without being melodramatic in describing the suffering he saw. The "powerful and eerily rhythmic" wailing of those who had lost loved ones to the Ebola virus "was painful to hear, and clearly bespoke of the recent or imminent deaths of loved ones." French is just as eloquent discussing his ambivalence about covering African crises after criticizing other journalists for their pack mentality in focusing on such crises rather than on giving a more rounded picture of life on the continent. In addition to disease and murder, French focuses his book on Africa's other plague: corrupt tyrants. While his insights into Zaire's Mobutu and Congo's Laurent Kabila are valuable, like many other writers on Africa French excoriates the "treachery and betrayal of Africa by a wealthy and powerful West." But providing some ways to improve life thereâ€"to give Africans some hopeâ€"is not so easy. As his book shows, French might be exactly the kind of seasoned Africa observer who could help point the way. 8 pages of photos, 1 map. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
For the U.S., Africa is only a source for oil and other resources and a theater of misery, according to senior New York Times writer French, who reported on Central and West Africa in the 1990s. In contrast to that official detachment is French's own passionate engagement, both with what he sees close-up and with the politics and history. An African American raised in Washington, D.C., he has lived with his family in Africa, and he brings a unique perspective to the news in Liberia, Nigeria, Rwanda, and Congo. He is as critical of the corruption and greed of Africa's modern leaders as he is of the West, but he does blame much of the continent's trouble on colonialism and "faraway mapmakers" who patched countries together. Most damning is his criticism of the Clinton administration's preoccupation with the Bosnian crisis, while it ignored the much bigger Rwandan genocide and its aftermath. French's eyewitness reporting is unforgettable, as in the portrait of a Liberian child-soldier. The "hope" of the subtitle isn't here. Hazel Rochman
Copyright © American Library Association. All rights reserved

Review
“A Continent for the Taking” is a compelling, passionate book richly informed by history and politics. It is also a moral book, an angry book by a writer who is outraged by how the west and, particularly, the United States has dealt with Africa to serve its own convenience. Never in the history of the world have so few done so much to destroy so many. French's book finally is the story of a man who loves the people and their customs—a grown-up view of Africa by a black man who is neither estranged from the place nor romantically seeking home.”
—Gerald Early


"A brilliant and nuanced meditation on the complexities of contemporary Africa. Essential reading for those of us who love Africa and for all those who wish to gain a fuller understanding of a continent that is sprawling, mysterious, and endlessly fascinating. Howard French's voice is both fresh and enlightening."
—Henry Louis Gates, Jr.

Review
?A Continent for the Taking? is a compelling, passionate book richly informed by history and politics. It is also a moral book, an angry book by a writer who is outraged by how the west and, particularly, the United States has dealt with Africa to serve its own convenience. Never in the history of the world have so few done so much to destroy so many. French's book finally is the story of a man who loves the people and their customs?a grown-up view of Africa by a black man who is neither estranged from the place nor romantically seeking home.?
?Gerald Early


"A brilliant and nuanced meditation on the complexities of contemporary Africa. Essential reading for those of us who love Africa and for all those who wish to gain a fuller understanding of a continent that is sprawling, mysterious, and endlessly fascinating. Howard French's voice is both fresh and enlightening."
?Henry Louis Gates, Jr.

From the Inside Flap
Africa first captivated New York Times journalist Howard W. French more than twenty-five years ago, but his knowledge of and passion for the continent has the depth of a lifetime association. His experiences there awakened him as nothing before to the selfishness and shortsightedness of the rich, the suffering and dignity of the poor and the uses and abuses of power. And in this powerfully written, profoundly felt book, he gives us an unstinting account of the disastrous consequences of the fateful, centuries-old encounter between Africa and the West.

French delineates the betrayal and greed of the West–often aided and abetted by Africa’s own leaders–that have given rise to the increasing exploitation of Africa’s natural resources and its human beings. Coarse self-interest and outright greed once generated a need for the continent’s rubber, cotton, gold and diamonds, not to mention slaves; now the attractions include offshore oil reserves and minerals like coltan, which powers cellular phones.

He takes us inside Nigeria, Liberia, Mali and the Congo, examining with unusual insight the legacy of colonization in the lives of contemporary Africans. He looks at the tragedies of the AIDS epidemic, the Ebola outbreak and the genocide that resulted in millions of deaths in Rwanda and the Congo. He makes clear the systematic failure of Western political leaders–the nurturers of tyrants such as Mobuto Sese Seko and Laurent Kabila, whose stories are told here in full detail–and the brutal excesses of the CIA.

In helping us to better understand the continent, and indeed Africans themselves, French helps us see as well the hope and possibility that lie in the myriad cultural strengths of Africa.

From the Back Cover
“A Continent for the Taking” is a compelling, passionate book richly informed by history and politics. It is also a moral book, an angry book by a writer who is outraged by how the west and, particularly, the United States has dealt with Africa to serve its own convenience. Never in the history of the world have so few done so much to destroy so many. French's book finally is the story of a man who loves the people and their customs—a grown-up view of Africa by a black man who is neither estranged from the place nor romantically seeking home.”
—Gerald Early


"A brilliant and nuanced meditation on the complexities of contemporary Africa. Essential reading for those of us who love Africa and for all those who wish to gain a fuller understanding of a continent that is sprawling, mysterious, and endlessly fascinating. Howard French's voice is both fresh and enlightening."
—Henry Louis Gates, Jr.

About the Author
Howard W. French is a senior writer for the New York Times. After teaching at the University of Ivory Coast in the early 1980s, he began his journalism career writing about Africa for the Washington Post, Africa News, The Economist and numerous other publications. Since 1986, he has reported for the Times from Central America, the Caribbean, West and Central Africa, Japan, Korea and now China. In 1997, his coverage of the fall of Mobuto Sese Seko won the Overseas Press Club of America’s award for best newspaper interpretation of foreign affairs. French was born in Washington, D.C., and now lives in Shanghai with his wife and their two children.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One
Prehistory

I remember clearly, even now, how and when Africa grabbed hold of me, and as is so often the case for people living abroad, my infatuation began with a romance. The lightning struck me in January 1980, in a small, smoke-filled nightclub called the Keur Samba, in Treichville, the densely packed working-class neighborhood and old colonial "indigenous quarter" of the capital of Ivory Coast, Abidjan.

The dance floor was tiny, and as I would quickly learn was commonplace in Africa, when people were moved to dance, they simply jumped up without any other formalities and joined the crowd. The club's African play list was heavy on fast numbers with thumping bass lines, and it did not take long to get swept up in the atmosphere amid all the bumping and swaying. For someone new to the country who had come alone, the discovery that partners were irrelevant was a pleasant surprise.

My father, who is a doctor, had designed and was running a regional primary healthcare program for the World Health Organization, and my parents had been living in Abidjan together with my brothers and sisters for a few years. I had just moved to Ivory Coast after graduating from college to find myself while plotting my next moves in life, and for a young American out on the town by himself, the packed nightclub with its throbbing African sounds and colliding bodies seemed like the very definition of exotic. And then I met Mariam.

With the strobe lights flashing wildly and the club jam-packed, it took me longer than it should have to notice that no matter in which direction I turned I was still bumping into the same lithe, dark-skinned woman. But when a fifties rock-and-roll number came on, changing the mood of the place abruptly, the dance floor cleared momentarily. Damp with sweat and tired of the smoke, I followed a stream of customers outside onto the unpaved street for a breather. When I stopped a few paces from the exit, there she was again.

Under the faint streetlight I could finally fix her features as she smiled. She was a real beauty, with the form of a ballet dancer and the élan of a gazelle, and an extraordinary head full of fine black tresses that tumbled down her back. There was an ever-so-brief moment of awkwardness, and then, suddenly, we both began talking. We spoke in French for a few minutes, and because of that, when she got around to asking me where I was from, she was a bit surprised to learn that I was American. I, on the other hand, assumed she was from Ivory Coast, and asked her what region of the country her family was from. The question elicited an immediate shock. "Me, from Ivory Coast?" she said, indignantly. "I am not from here. I am from a grand country, Mali; a place with a real history!"

Now it was my turn to be taken aback. Ivory Coast was the economic success story of the region. The people of the country had grown smug over their success, bragging about Abidjan's multiplex cinemas and ice-skating rink, its shopping malls and Miami skyline, and condescending to their much poorer neighbors. By contrast, Mali was one of Africa's poorest countries-a landlocked dust bowl plagued by recurrent droughts and famines that had languished under pseudo-socialist dictatorships since independence in 1960.

Mariam and I ended up leaving the nightclub together for a maquis, one of the cheap open-air drinking places that abound in Treichville. Of course I had read plenty about Mali's past greatness, about the fabled empires named Mali and Ghana, whose civilizations had flourished astride the ancient caravan routes across the Sahara between the sixth and fifteenth centuries. I was familiar with Malian sculpture, and that led me to share with my new friend one of my first impressions of her: There was something about her beauty that reminded me of the Chiwara mask, a graceful antelope-like sculpture from Mali that was one of the region's most distinctive forms.

I had grown up in a strong African-American family, where pride and self-respect were passed on daily, and in abundance-together with lots of history. Bowing and scraping were alien to us, and we were reminded of the achievements of blacks at every turn, from people like Charles Drew, the doctor who pioneered blood transfusion and had been my father's professor in medical school, to Ralph Bunche and Paul Robeson. Even so, it seemed that Mariam, whose pride in her culture was boundless, could easily teach us a thing or two when it came to holding our heads up. For Mariam, no matter how much I knew about Mali, it wasn't enough. For her, her homeland was the center of the universe, the cradle of African civilization and the repository of its greatest culture.

Mariam soon became my first African girlfriend, and we saw each other steadily for the next few weeks. She was visiting Abidjan from Paris, where she lived, and I was working as a translator, helping a French writer produce an English edition of her first novel. We would often meet at Mariam's hotel in Adjamé, a cheap but clean little affair where she could spend a couple of months in town without going bankrupt. She was buying West African goods-cloth, clothing, spices and artwork-to take back to Paris for sale there. The trip had far more than a mercantile interest for her, though. For Mariam, Africa would forever be home, the place where she returned to recharge.

As Mariam's stay drew to a close, I announced my decision to visit Mali. She seemed delighted, but as someone who jetted back and forth to Europe, she thought it funny of me to insist on going there overland, perhaps even as far north as Timbuktu. Jamie, my younger brother by seven years, was as determined as I was to see the continent from ground level, much as any ordinary African would, so together we set out by train for the north of Ivory Coast, as the first leg of our journey.

No one could say how much it had cost to build the Régie Abidjan-Niger railway, whose tracks were laid from Abidjan to Ouagadougou, the capital of Burkina Faso (formerly known as Upper Volta), between 1905 and 1954, or how many lives were lost in the process, but these many decades later it was easy to view it as a positive legacy of France's colonialism in the region. The train's cars were packed with migrant workers from the Sahel, the parched, impoverished badlands south of the Sahara Desert, carrying home their savings and cheap manufactured goods-black-and-white TVs, bulky radio-cassette decks and electric fans from China and India-bought with the meager salaries they had earned as laborers on cocoa plantations or as domestics.

Abidjan's fancy, "developed" veneer, all haughty and self-impressed, peeled away instantly as the train chugged along, propelling us through a thick patch of rain forest, then through verdant plantation land, and northward, with the temperature rising steadily, into the savannah.

We were traveling as light and unencumbered as possible, out to discover Africa and searching for ourselves a bit, too, along the way, and we must have made a curious sight for our fellow travelers. For luggage we had nothing more than a couple of changes of clothing stuffed into two goatskin sacks, which we wore slung over our shoulders. I had a wire-bound notebook to write in, and an old Olympus 35mm camera. For reading, I had brought along Freud's Introduction to Psychoanalysis and a hefty paperback travel book, Susan Blumenthal's Bright Continent, whose brilliant mixture of learned reflection and backpacker's-eye view made it the best African travel guide I have seen before or since.

At each stop along the way, in cities with strangely beautiful names like Katiola and Bouaké, the scenery grew more stark and simple, as did the dress and manners of the people we encountered. Before long, young girls were converging on the train at each station, shouting their sales pitches in Dioula, the commercial lingua franca of the northern half of the country, instead of French, and offering cold water to drink in clear little pouches of plastic. Other girls carried small brown smoked fish, exposed and still baking under the powerful sun, or bread borne on large enamel plates they balanced on their heads. These were not the fancy French baguettes of Abidjan, but big, boxy loaves of white bread with which the vendors rushed forward toward our open windows in a sales competition that was desperate yet always cheerful.

We fell asleep long after dark, at the end of a long and sweaty day, both feeling that the "real" Africa that we were searching for wouldn't reveal itself in earnest until we got off the train and trod the dusty ground, unmarked by man's hand, that stretched to the horizon outside. Later I came to distrust this concept of authenticity deeply.

We were awakened when the train lurched to a stop in the morning to discover that we were in Ferkessédougou, our jumping-off point for Mali, which was still about a hundred miles to the northwest. It had rained overnight and suddenly the air was surprisingly chilly. We took a taxi to the gare routière, where Peugeot 504 station wagons left for Bamako, the capital of Mali, and discovered that it was little more than a puddle-filled lot.

Around its circumference sat a bunch of buvettes, little tumbledown shacks that passed as restaurants, each with its own hand-painted sign describing the fare. We settled into one, feeling faintly like cowboys moseying around in an old western. But instead of being served whiskey, a characteristically light-skinned young Fulani man poured thick, heavily sweetened condensed milk into our coffee and whipped up our helpings of bread and fried eggs.

Afterward, we scouted out what looked like the best car, negotiated our fare to Bamako and then waited for a departure we figured was imminent. A two-hour lesson in patience awaited us, as well as a very neat illustration of power. We were in a world of peasants and the poor, and they already understood perfectly well what we were just discovering and could never completely accommodate ourselves to: that there is often little more to do in life than sit around and wait until those who are more powerful are ready to budge.

In this case, the more powerful meant the drivers, who seemed to live and work according to an internal calendar whose secrets were known only to themselves and to their coxswains-the boys who helped collect their fares. Although there was a nominal fare between any two points, supply and demand was the ultimate arbiter, and the driver was free to negotiate the cost upward whenever the cars were few and passengers many. Departure times were even more elastic, and seemed governed not just by how many would be occupying the vehicle, which counted a great deal, but also by the Muslim obligation to pray five times each day, by the need to eat and, most vexingly of all, by what seemed to my untrained eye to be the reckoning of innumerable omens.

But finally we took off, and it felt great to be moving again, even if the car was filled almost beyond its capacity. Since I am six foot four, I had luckily taken the precaution of paying a little extra so that I could sit in the front seat, where there was a little more leg room and a prime view of the scenery. We were heading north, supposedly toward the Sahara, but oddly the vegetation was getting steadily greener. By the time we reached the border, several hours later, the cramped space and huge potholes in the road had left me feeling like an invalid.

When we climbed out of the car at the crossing, we were introduced to a brand-new waiting game, this one run by the poker-faced customs officers. The border crossing was, in reality, little more than a legally sanctioned stickup spot. And in this racket, if it is true that the driver and the customs agents could not be called friends, they were clearly complicit. Our chauffeur had obviously tithed away a portion of the passengers' fares to pay off the customs agents, and stood nearby watching the scene with studied disinterest as the passengers pleaded poverty so as to surrender as little as possible, and the agents gradually escalated their threats to extort whatever they could.

But the agents' ultimate leverage was our driver. After an interval of about forty-five minutes or so-long enough for our driver to eat, drink something and relieve himself, and for Jamie and me to eat a few small wooden skewers of grilled mutton deliciously seasoned with a sprinkling of powdered red pepper and spices-he beckoned us back into the Peugeot and began making ready to leave. His departure would have stranded our fellow travelers, with no question of a refund for the fares they had already paid. As the driver and customs men surely knew, this was enough to get the men to take off their shoes or to fish into secret pockets to retrieve some hidden cash, and the portly market women among them to start undoing the elaborately wrapped cloth they wore to find the crumpled bills they had so carefully hidden in their bras or in secret folds.

The drive from there was our introduction to the savannah. The reddish clay earth stretched infinitely in whichever direction one looked, melding in a blur at the horizon with the low, bright sky. Other than the little circular villages, with their peaked thatch roofs and red walls made of mud and straw, the only relief from the landscape was the incredible termite mounds-huge baroque cathedrals that rose to the height of a tall man.

When night fell, we may as well have been on the moon as on that unlit highway with its deep craters, the location of which the driver seemed to know almost by heart. He slowed down for some of the holes and slalomed to dodge others. Despite his best efforts, though, every now and again he would hit one-perhaps, I thought, he was too tired to give a damn-but as we plummeted to the bottom and were then jolted back out of even the deepest potholes, the passengers scarcely stirred from their deep slumber. The sky was lit brilliantly with stars, and the savannah mimicked them with the fires of villagers, which could be seen twinkling in the distance. Malian music was playing on the driver's radio, and the alembic strumming of the kora, a long, eighteen-stringed harp, and the soaring declamations of the singers were carrying me back to the age of the great empires.

We arrived in Bamako a little before dawn. Trying to be frugal and not knowing the city, we decided to do what so many other travelers at the station had done. We unrolled our little straw mats, clutched our goatskin bags close to us, covered our faces with pieces of clothing and slept right there on the ground. A few hours later, we rose to the sunrise and the sound of heavy traffic to discover Bamako in all of its dusty and smoke-filled glory.

FROM THE PUBLISHER

Africa first captivated New York Times journalist Howard W. French more than twenty-five years ago, but his knowledge of and passion for the continent has the depth of a lifetime association. His experiences there awakened him as nothing before to the selfishness and shortsightedness of the rich, the suffering and dignity of the poor and the uses and abuses of power. And in this powerfully written, profoundly felt book, he gives us an unstinting account of the disastrous consequences of the fateful, centuries-old encounter between Africa and the West.

French delineates the betrayal and greed of the West-often aided and abetted by Africa's own leaders-that have given rise to the increasing exploitation of Africa's natural resources and its human beings. Coarse self-interest and outright greed once generated a need for the continent's rubber, cotton, gold and diamonds, not to mention slaves; now the attractions include offshore oil reserves and minerals like coltan, which powers cellular phones.

He takes us inside Nigeria, Liberia, Mali and the Congo, examining with unusual insight the legacy of colonization in the lives of contemporary Africans. He looks at the tragedies of the AIDS epidemic, the Ebola outbreak and the genocide that resulted in millions of deaths in Rwanda and the Congo. He makes clear the systematic failure of Western political leaders-the nurturers of tyrants such as Mobuto Sese Seko and Laurent Kabila, whose stories are told here in full detail-and the brutal excesses of the CIA.

In helping us to better understand the continent, and indeed Africans themselves, French helps us see as well the hope and possibility that lie in the myriadcultural strengths of Africa.

FROM THE CRITICS

Mort Rosenblum - The Washington Post

Few words evoke mystique and misconception like the proper noun Africa, and chroniclers have tried to capture its essence ever since Henry Morton Stanley wrote his swashbuckling diary more than a century ago. Howard W. French, a New York Times correspondent on the continent during four of its particularly dark years, adds substantially to this effort.

The New York Times

There are several powerful set pieces, among them grim scenes in Kikwit, the Zairian heartland of the Ebola virus, in 1995, a narrow escape in Liberia and another in Zaire in the course of duty. There are also some well-judged and bitter remarks about Mobutu's state apparatus, including his dangerous and venal secret police, known as the SNIP; a few hours' detention in a SNIP guardhouse, as this reviewer can testify, are enough to unsettle all but the most intrepid or well-financed journalists. — Jeremy Harding

Publishers Weekly

Although both tragedy and hope are mentioned in the subtitle, this work of reportage on Africa focuses more on the former than the latter. French was first captivated by Africa after college, in 1980, when he joined his parents and siblings in Ivory Coast. Taken by the pride and beauty he found on the continent, he became a journalist there, eventually serving as a bureau chief for the New York Times. His strength as a reporter is evident as he takes the reader across the continent, recounting in vivid detail the genocide in Rwanda and the AIDS and Ebola outbreaks. His prose is evocative without being melodramatic in describing the suffering he saw. The "powerful and eerily rhythmic" wailing of those who had lost loved ones to the Ebola virus "was painful to hear, and clearly bespoke of the recent or imminent deaths of loved ones." French is just as eloquent discussing his ambivalence about covering African crises after criticizing other journalists for their pack mentality in focusing on such crises rather than on giving a more rounded picture of life on the continent. In addition to disease and murder, French focuses his book on Africa's other plague: corrupt tyrants. While his insights into Zaire's Mobutu and Congo's Laurent Kabila are valuable, like many other writers on Africa French excoriates the "treachery and betrayal of Africa by a wealthy and powerful West." But providing some ways to improve life there-to give Africans some hope-is not so easy. As his book shows, French might be exactly the kind of seasoned Africa observer who could help point the way. 8 pages of photos, 1 map. Agent, Gloria Loomis. (Apr. 23) Copyright 2004 Reed Business Information.

Foreign Affairs

In this personal memoir of great humanity, French, a New York Times correspondent in West Africa for much of the 1990s, skillfully recounts that decade's most tragic events, from the emergence of the aids crisis to the Rwandan genocide, the start of the Liberian civil war, and the decline and fall of Mobutu Sese Seko's regime in Zaire. Those who remember his remarkable reporting will not be surprised by his telling vignettes of everyday life or by his ability to convey the tragic impact of war on individuals. His portraits of leading personalities in that era's dramas — Charles Taylor, Mobutu, Madeleine Albright — are similarly vivid, and he scathingly criticizes the Clinton administration for reacting to West Africa's murderous civil wars with a mixture of cynicism and carelessness. Disappointingly, French ends his account in 1998, when he left the region. And although his discussion of broader issues, such as the root causes and geostrategic implications of these crises, is not particularly original, this deeply empathetic account of a region in crisis deserves to be read widely.

Kirkus Reviews