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   Book Info

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Magic Barrel  
Author: Bernard Malamud
ISBN: 0374525862
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review

Review
"In the short story, Malamud achieved an almost psalmlike compression. He has been called the Jewish Hawthorne, but he might just as well be thought a Jewish Chopin, a prose composer of preludes and noctures."--Mark Shechner, Partisan Review

"There are thirteen stoires in The Magic Barrel and every one of them is a small, highly individualized work of art. This is the kind of book that calls for not admiration but gratitude."--Richard Sullivan, The Chicago Tribune


Review
"In the short story, Malamud achieved an almost psalmlike compression. He has been called the Jewish Hawthorne, but he might just as well be thought a Jewish Chopin, a prose composer of preludes and noctures."--Mark Shechner, Partisan Review

"There are thirteen stoires in The Magic Barrel and every one of them is a small, highly individualized work of art. This is the kind of book that calls for not admiration but gratitude."--Richard Sullivan, The Chicago Tribune


Book Description
Winner of the National Book Award for Fiction

Introduction by Jhumpa Lahiri

Bernard Malamud's first book of short stories, The Magic Barrel, has been recognized as a classic from the time it was published in 1959. The stories are set in New York and in Italy (where Malamud's alter ego, the struggleing New York Jewish Painter Arthur Fidelman, roams amid the ruins of old Europe in search of his artistic patrimony); they tell of egg candlers and shoemakers, matchmakers, and rabbis, in a voice that blends vigorous urban realism, Yiddish idiom, and a dash of artistic magic.

The Magic Barrel is a book about New York and about the immigrant experience, and it is high point in the modern American short story. Few books of any kind have managed to depict struggle and frustration and heartbreak with such delight, or such artistry.


The Merriam-Webster Encyclopedia of Literature
Collection of 13 short stories by Bernard Malamud, published in 1958. Malamud's first published collection, The Magic Barrel won the 1959 National Book Award. The title story, first published in 1954, is considered one of Malamud's finest. Most of the stories concern impoverished New York Jews. Reflecting the rhythm and style of Yiddish folktales, their settings are often bleak; the plots are ironic and humorous and show the influence of Hasidic tales.

About the Author
Bernard Malamud (1914-1986) also wrote eight novels, he won the Pulitzer Prize and a second National Book award for The Fixer. Born in Brooklyn, he taught for many years at Bennington College in Vermont.





Magic Barrel

FROM THE PUBLISHER

Bernard Malamud's first book of short stories, The Magic Barrel, has been recognized as a classic from the time it was published in 1959. The stories are set in New York and in Italy (where Malamud's alter ego, the struggleing New York Jewish Painter Arthur Fidelman, roams amid the ruins of old Europe in search of his artistic patrimony); they tell of egg candlers and shoemakers, matchmakers, and rabbis, in a voice that blends vigorous urban realism, Yiddish idiom, and a dash of artistic magic.

The Magic Barrel is a book about New York and about the immigrant experience, and it is high point in the modern American short story. Few books of any kind have managed to depict struggle and frustration and heartbreak with such delight, or such artistry.

FROM THE CRITICS

Richard Stern - Chicago Tribune Books

The stories Malamud wrote in the fifties and sixties will, I think, be treasured as long as people treasure the art of short story.

Richard Sullivan - The Chicago Tribune

There are thirteen stories in The Magic Barrel and every one of them is a small, highly individualized work of art. This is the kind of book that calls for not only admiration but gratitude.

Mark Shechner - Partisan Review

In the short story, Malamud achieved an almost psalm-like compression. He has been called the Jewish Hawthorne, but he might just as well be thought a Jewish Chopin, a prose composer of preludes and nocturnes.

     



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