From Publishers Weekly
The Truman franchise chugs along with little sign of losing steam in the 20th entry (after 2002's Murder at Ford's Theatre) in this reliably entertaining series. Writer Richard Marienthal is eagerly anticipating his publishing debut, an organized crime exposé that owes much to Louis Russo, a former hitman turned government informant. But when Russo returns from Israel, where he's been living under witness protection, to help promote the book, the elderly mobster is gunned down in D.C.'s landmark Union Station. Apparently, someone is unhappy with the book's revelation of a clandestine overseas operation authorized by the top echelons of power. As the search for the killer expands, Marienthal realizes it's one thing to risk his own life and career, quite another to expose his fiancée and others to potential harm. As usual, Truman supplies a heady mix of high and low Washington. The FBI, the CIA and the D.C. police each have their own agendas, and few of the good guys are all that good. Meanwhile, travelers stream past the magnificent train station's shoeshine man, Joe Jenks, who serves as an astute observer of the Washington scene. By the end, one can't help wondering where murder will strike next in the nation's capital. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.


From School Library Journal
Adult/High School–Readers will have a lot to think about when what appears to be a revenge-motivated hit on an ailing, tell-all Mafia informant leads to another murder. Truman lends authenticity to this engaging work with accurate descriptions of the Washington metropolitan area and plausible insight into its political mentality. Teens native to the suburbs of the nation's capital or acquainted with the Hill will revel in the familiar. They will enjoy the contemporary setting where stereotypes of pundits, power mongers, and do-gooders converge. Whether sweet or unscrupulous, the characters exude purpose: to help their livelihoods, loved ones, or libidos. Richly described, this is a first-class ticket for mystery fans.–Karen Sokol, Fairfax County Public Schools, VA


From Booklist
Despite occasional echoes of John Grisham's The Pelican Brief (1992), this thriller about suspected corruption in the highest office in the land has a character all its own, which is largely the product of Truman's love-hate relationship with the U.S. government. Her mix of skepticism and respect weaves through a story about how a young writer's zealous pursuit of success causes him to compromise his ethics. When the writer prints an unsubstantiated story told him by an old mobster, all hell breaks loose: a right-wing senator attempts to use the story to unseat the president, and the mobster is murdered at Union Station before he can testify for the senator's committee. Thanks to Truman's unflinching perspective on partisan politics, it becomes increasingly difficult to tell the good guys from the bad as the tale unfolds. Solid fare for her fans and for others who like political thrillers without a lot of blood and gore. Stephanie Zvirin
Copyright © American Library Association. All rights reserved


Review
Praise for Margaret Truman and Murder at Ford’s Theatre

“Dead-on descriptions of Washington’s most crack-ridden streets and exclusionary shindigs . . . Readers who enjoy travelogue, gossip, and social commentary in their whodunits will enjoy Murder at Ford’s Theatre.”
–USA Today

“Truman can write suspense with the best of them.”
–LARRY KING

“Truman ‘knows the forks’ in the nation’s capital and how to pitchfork her readers into a web of murder and detection.”
–The Christian Science Monitor

“Truman combines her insider’s knowledge of life inside the beltway with a writing skill that grows more sophisticated and lively every year. . . . Let’s hope that . . . Truman has another book in the works.”
–The Advocate (Baton Rouge, LA)


From the Inside Flap
When Washington’s splendid Union Station opened its doors in 1908, the glorious structure epitomized capital stylishness. Today, restored and refurbished, the station is again a hub of activity where the world’s most famous and infamous people meet–and often collide. Now, in Margaret Truman’s new Capital Crime novel, this landmark locale becomes the scene of a sensational shooting whose consequences ricochet from seedy bars to the halls of Congress.

Historic Union Station means nothing to the elderly man speeding south on the last lap of what turns out to be a one-way journey from Tel Aviv to D.C.–on a train that will soon land him at Gate A-8 and, moments later, at St. Peter’s Gate. This weary traveler, whose terminal destination is probably hell, is Louis Russo, former mob hit man and government informer. Two men are at the station to meet him. One is Richard Marienthal, a young writer whose forthcoming book is based on Russo’s life. The other is the man who kills him.

Russo has returned to help promote Marienthal’s book, which, although no one has been allowed to read it, already has some people shaking in their Gucci boots. The powerful fear the contents will not only expose organized crime’s nefarious business, but also a top-secret assignment abroad that Russo once masterminded for a very-high-profile Capitol Hill client. As news of Russo’s murder rockets from the MPD to the FBI and the CIA, from Congress to the West Wing, the final chapter of the story begins its rapid-fire unfolding.

In addition to the bewildered Marienthal and his worried girlfriend, there is an array of memorable characters: rock-ribbed right-wing Senator Karl Widmer; ruthless New York publisher Pamela Warren; boozy MPD Detective Bret Mullin; shoe-shine virtuoso Joe Jenks; dedicated presidential political adviser Chet Fletcher; and President Adam Parmele himself–not to mention freelance snoops, blow-dried climbers, and a killer or two. There’s no place like the nation’s capital, and as her myriad fans know, Margaret Truman always gets it right. Murder at Union Station is a luxury express, nonstop delight.


About the Author
Margaret Truman has won faithful readers with her works of biography and fiction, particularly her ongoing series of Capital Crimes mysteries. Her novels let us into the corridors of power and privilege, poverty and pageantry, in the nation’s capital. Her new work of nonfiction is The President’s House. She lives in Manhattan.


Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1

Hamilton, Bermuda

A nasty squall had blown across Pitts Bay earlier in the day, the wind tossing sheets of water against the landmark pink facade of the famed Hamilton Princess Hotel. Blue sky and sun followed the storm; the hotel was now bathed in lambent light.

Kathryn Jalick unlatched the sliding glass door of the second-floor suite, slid it open, and stepped out onto the small balcony overlooking the bay. She’d carried a large, fluffy white towel with her from the bathroom, which she used to wipe residual water from the two plastic chairs and glass-topped table. She returned inside to retrieve a glass of white wine she’d poured from a bottle purchased that morning in one of Hamilton’s downtown liquor stores, and took a chair.

Below was a pitch-n-putt green on which two men were engaged in conversation between putts. She knew both, one better than the other.

She’d been dating Richard Marienthal for three years. The anniversary of their first meeting was Tuesday of next week; marking such dates and occasions was important to Kathryn, and she was good at it.

They’d met at Irish Times, a popular place a block east of Union Station, in the northwest corner of the Capitol Hill area. Irish Times was one of three establishments within a block of each other catering to those seeking a wee bit o’ Ireland; The Dubliner and Powers Court Restaurant were the other two. A hundred years ago, when nearby Union Station was on the drawing board, its planned location was on the edge of Swampoodle, an infamous Irish slum, which was said to be the ideal place to turn a dishonest dollar. Those days were, of course, gone. A foul swamp had been transformed into a thriving neighborhood anchored by the station. If there were such a thing in Washington as an Irish neighborhood—which there isn’t—the area around North Capitol and F Streets would have to do. Although the pubs there were practically interchangeable—same beers, same atmosphere, same spirited conversation—patrons were fiercely loyal, including Marienthal, who wasn’t Irish but for whom authenticity was important, and who considered Irish Times to be, well, more authentic than the others.

He had been at the bar with Winard Jackson, an up-and-coming tenor sax player, when another friend brought Kathryn and a female friend into the room. If there was such a thing as love at first sight, Kathryn experienced it that evening, and try as she might to appear cool and disinterested, her immediate infatuation with him was almost comically obvious. Marienthal’s black musician friend, Jackson, eventually whispered in his ear, “I think the lady’s smitten with you, man. Time for me to split.” Marienthal and Kathryn were soon alone at the bar, where they lingered over fresh, bubbly tap beers.

It became apparent to Kathryn as they drank and talked that this Richard Marienthal was different from other young men she’d met since moving to Washington six years ago to pursue a career as a librarian. First hired by the Daughters of the American Revolution’s Library of Genealogy and Local History, she later landed a plum job at the prestigious Library of Congress, where she still worked. The daughter of a plainspoken Kansas pharmacist, Kathryn found most other men with whom she’d worked or dated too slick and sure of themselves, consumed with their appearance, terminally ambitious, and always pretending to know more than they did. Like Geoff Lowe, the young man practicing putting with Rich on the grounds of the Hamilton Princess.

Marienthal was none of those things. He was big and tousled, a teddy bear type. His face was boyish, although she judged him to be in his late twenties or early thirties. His smile, too, was boyish, meaning it looked the way it probably had when he was a little kid, with a hint of mischief in it. Smiles change with age, she knew, but his hadn’t. She liked it. This night in Irish Times, he wore a gray-and-red-checked shirt, baggy chino pants, and a tan safari jacket frayed at the neck.

Slightly tipsy, they decided to have dinner together, after which he escorted her home to her apartment on the fringe of Foggy Bottom. She hoped he would kiss her good night, which he did, lightly, like a campaign promise, without commitment. She hoped he would commit to seeing her again, which he also did, saying he would call the next day. He kept his word.

“He’s so gentle and kind, and really funny,” Kathryn told her sister back in Topeka on the phone that night. “And he’s a writer, too. Very handsome in a rugged sort of way, but not macho, if you know what I mean. He’s tall. I mean, a lot taller than me. I kidded that we’d have trouble dancing together. Know what he said? He said he’d install a little microphone in one of his shirt buttons and I could talk into it.” She giggled. “Know what else he told me? He told me my glasses not only make me look smart, they make me look sexy.” Kathryn Jalick had worn big round-shaped glasses since junior high school. She had never been happy about having to wear them—until this night. She and her sister laughed. Kathryn’s sudden acceptance of her black-rimmed glasses was symbolic of her acceptance of the large young man.

Three months later, she moved into Marienthal’s apartment in the Capitol Hill district, a block from the bustling Eastern Market at Seventh and C Streets, where they’d been living since, discovering more about each other every day and liking what they learned; haunting the market in search of fresh produce and honing their cooking skills for small dinner parties with friends; lazing in front of the small fireplace when the winds blew and ice covered the streets of Washington, D.C.; and strolling the neighborhood on Sunday mornings, buying the papers and going back to bed, where they usually spent the rest of the day under the covers catching up on the news and with each other.

-

She wrapped the white terrycloth robe tighter around her against a chilled wind off the bay and continued to watch Rich and Geoff Lowe on the putting green. She couldn’t hear their words, but she knew what they were discussing. How could she not? That’s all Richard had talked about for the past year. He was consumed with it, driven. “I’m a man on a mission,” he would often say when she questioned the long hours he worked on the book. She wished Rich hadn’t gotten involved with Lowe, a pretentious sort if she’d ever seen one, and she’d seen plenty of them in Washington, D.C., basking in the reflected glory of their powerful political bosses, like secretaries to high-profile physicians who assume their bosses’ status and press it upon patients.

Meeting like this in Bermuda was Lowe’s idea, silly cloak-and-dagger stuff, Kathryn thought. She didn’t like the influence Lowe seemed to have developed over Rich. The man she’d fallen in love with had been changing before her eyes since hooking up with the young Senate staffer, and not for the better.

Marienthal looked up and waved, gave her that boyish grin. She returned the greeting and raised her glass. “Up in a minute,” he yelled, and walked off the green with Lowe.

-

They had dinner that night in the hotel’s Harley’s Bistro, a large, modern room with huge windows overlooking the pool and Hamilton Harbor beyond, Rich, Kathryn, Lowe, and Ellen Kelly, who worked with Geoff but who was obviously more than that; they shared the same hotel room. Kathryn wished she and Rich could spend a week alone in romantic Bermuda, but that wasn’t in the cards. He’d been away for almost three weeks, returning to Washington from Israel only yesterday and announcing they were flying to Bermuda to meet Lowe and Ellen Kelly, who’d already been there a few days enjoying themselves.

Unsurprisingly, Lowe dominated the dinner table conversation, ranting about politics, which, Washington style, he seemed to feel only he had a handle on, and vilifying the current administration and president. Adam Parmele was in his first term and running for a second. Geoff Lowe was a short man, not much taller than Kathryn, who was five feet, four inches tall. He was chunky, with a large face dominated by a broad nose that would not be out of place on a professional prizefighter. Balding prematurely, he had strands of blond hair long at the sides. He was type A personality personified; even when seated he seemed to be in motion.

Rich and Kathryn had heard Lowe’s lectures too many times over the past year to react with anything but feigned interest, and she sensed a similar paralysis in Ellen, although Lowe’s colleague and girlfriend seemed to exhibit dutiful interest in his words. But the redheaded, green-eyed Kelly also seemed aware of Rich and Kathryn’s situation because she would turn the conversation around to them whenever Lowe took a break.

“How was Israel this time, Rich?” Ellen asked.

Marienthal laughed and sipped his wine. “Great place. Same as it’s always been,” he said. “I’ve been there so often lately I ought to start wearing a yarmulke.”

“Adam Parmele’s approach to the Israeli-Palestinian situation, if you can call it an approach, is ridiculous,” Lowe said, obviously not interested in learning more from Rich. “His whole foreign policy is a joke. Anybody with half a brain could have seen that when he was running—waffling, saying one thing one day, reversing himself the next.” He shook his head and sat back in his armchair. “Another four years with this liberal bumbler and we’ll really be down the drain—the economy, crime, foreign policy, all of it.”

Again, Ellen changed the subject out of deference to Rich and Kathryn, asking Kathryn a question about her job at the library, which led to a lengthy tale of how she’d only recently been promoted into the rare documents room, which answer carried them through dessert but stopped short of coffee with Sambuca.

They ended the evening in the lobby. At least Kathryn thought it had.

“Flight’s at noon,” Lowe said. “Airport shuttle leaves at nine-thirty. Come on, I’ll buy you a drink.”

Marienthal looked at Kathryn, whose face said she wanted to get away from the other couple.

“Thanks, no,” Marienthal replied.

“There’s something we still have to go over,” Lowe said. “Why don’t you two gals browse the shops? Some of them are still open.”

Kathryn hoped Rich would remain firm in declining a drink with Geoff, but he disappointed her. If there were one thing about him that sometimes bothered her, it was how he always seemed to understand both sides of any debate. On the one hand, it was an appealing trait, often heading off potential arguments. On the other hand, it was waffling, and he was easily led at times, the most persuasive—or the last—voice heard having the most influence on him.

“We’ll make it quick, hon,” he told her. “Meet you in the room in an hour.”

Kathryn and Ellen watched the two men cross the lobby and disappear into the wood-paneled Colony Pub.

“I’m beat,” Kathryn said. “Think I’ll head up to the room.”

“Me, too,” Ellen said. “By the way, it’s great what Rich is doing, Kathryn.”

Kathryn’s curt nod did not convey what she really thought. She wished Rich had never agreed to Lowe’s proposal. If only he hadn’t. If only they could turn back the clock a year. If only she didn’t have this nagging feeling of foreboding that kept her awake nights. If only . . .

FROM THE PUBLISHER

"Historic Union Station means nothing to the elderly man speeding south on the last lap of what will turn out to be a one-way journey from Tel Aviv to D.C. - on a train that will soon land him at Gate A-8 and, moments later, at St. Peter's Gate. This weary traveler, whose terminal destination is probably hell, is Louis Russo, former mob hit man and government informer. Two men are at the station to meet him. One is Richard Marienthal, a young writer whose forthcoming book is based on Russo's life. The other is the man who'll kill him." "Russo has returned to help promote Marienthal's book, which, although no one has been allowed to read it, already has some people shaking in their Gucci boots. Those in power fear that the contents will expose not only organized crime's nefarious business but also a top-secret assignment abroad that Russo once masterminded for a very-high-profile Capitol Hill client. As news of Russo's murder rockets from the MPD to the FBI and the CIA, from Congress to the West Wing, the final chapter of the story begins its rapid-fire unfolding." In addition to the bewildered Marienthal and his worried girlfriend, Murder at Union Station features an array of characters: rock-ribbed right-wing Senator Karl Widmer; ruthless New York publisher Pamela Warren; boozy MPD Detective Bret Mullin; shoe-shine virtuoso Joe Jenks; dedicated presidential political adviser Chet Fletcher; and President Adam Parmele himself - not to mention freelance snoops, blow-dried climbers, and a killer or two.

FROM THE CRITICS

Publishers Weekly

The Truman franchise chugs along with little sign of losing steam in the 20th entry (after 2002's Murder at Ford's Theatre) in this reliably entertaining series. Writer Richard Marienthal is eagerly anticipating his publishing debut, an organized crime expos that owes much to Louis Russo, a former hitman turned government informant. But when Russo returns from Israel, where he's been living under witness protection, to help promote the book, the elderly mobster is gunned down in D.C.'s landmark Union Station. Apparently, someone is unhappy with the book's revelation of a clandestine overseas operation authorized by the top echelons of power. As the search for the killer expands, Marienthal realizes it's one thing to risk his own life and career, quite another to expose his fianc e and others to potential harm. As usual, Truman supplies a heady mix of high and low Washington. The FBI, the CIA and the D.C. police each have their own agendas, and few of the good guys are all that good. Meanwhile, travelers stream past the magnificent train station's shoeshine man, Joe Jenks, who serves as an astute observer of the Washington scene. By the end, one can't help wondering where murder will strike next in the nation's capital. Agent, Ted Chichak. (Oct. 26) FYI: Truman's latest work of nonfiction is The President's House (2003). Copyright 2004 Reed Business Information.

Library Journal

A former hit man gets a taste of his own medicine when he arrives at Union Station in Washington, DC, to help promote a book about his life. Copyright 2004 Reed Business Information.

School Library Journal