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   Book Info

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Prayer for Owen Meany  
Author: John Irving
ISBN: 0345361792
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review



Owen Meany is a dwarfish boy with a strange voice who accidentally kills his best friend's mom with a baseball and believes--accurately--that he is an instrument of God, to be redeemed by martyrdom. John Irving's novel, which inspired the 1998 Jim Carrey movie Simon Birch, is his most popular book in Britain, and perhaps the oddest Christian mystic novel since Flannery O'Connor's work. Irving fans will find much that is familiar: the New England prep-school-town setting, symbolic amputations of man and beast, the Garp-like unknown father of the narrator (Owen's orphaned best friend), the rough comedy. The scene of doltish the doltish headmaster driving a trashed VW down the school's marble staircase is a marvelous set piece. So are the Christmas pageants Owen stars in. But it's all, as Highlights magazine used to put it, "fun with a purpose." When Owen plays baby Jesus in the pageants, and glimpses a tombstone with his death date while enacting A Christmas Carol, the slapstick doesn't cancel the fact that he was born to be martyred. The book's countless subplots add up to a moral argument, specifically an indictment of American foreign policy--from Vietnam to the Contras.

The book's mystic religiosity is steeped in Robertson Davies's Deptford trilogy, and the fatal baseball relates to the fatefully misdirected snowball in the first Deptford novel, Fifth Business. Tiny, symbolic Owen echoes the hero of Irving's teacher Günter Grass's The Tin Drum--the two characters share the same initials. A rollicking entertainment, Owen Meany is also a meditation on literature, history, and God. --Tim Appelo


From Publishers Weekly
Although he is convincing in his appraisal of the tragedy of Vietnam and in his religious philosophizing, "Irving's storytelling skills have gone seriously astray in this contrived, preachy, tedious tale of the eponymous Owen Meany, a latter-day prophet and Christ-like figure who dies a martyr after having inspired true Christian belief in the narrator Johnny Wheelwright," warned PW . Author tour. Copyright 1990 Reed Business Information, Inc.


From Library Journal
Diminutive Owen Meaney, the social outcast with the high, pinched voice, has an enormous influence on his friend Johnny Wheelwright--not least because the only baseball Owen ever hits causes the death of Johnny's mother. But as Johnny claims, "Owen gave me more than he ever took from me. . . . What did he ever say that wasn't right?" Spookily prescient, convinced that he is an instrument of God, Owen intimidates child and adult alike. Why Johnny "is a Christian because of Owen Meaney" is the novel's central mystery but not its only one: Who, for instance, was Johnny's father? Untangling these knots, the adult Johnny pauses to consider his religious convictions and distaste of American politics in passages that are neither especially persuasive nor effectively integrated into the book. And though Owen is a compelling presence, his power over others is not entirely convincing. Still, readers will be drawn in by the story of the boys' friendship and by the desire to see some resolution to Johnny's mysteries.- Barbara Hoffert, "Library Journal"Copyright 1989 Reed Business Information, Inc.


Review
“John Irving, who writes novels in the unglamorous but effective way Babe Ruth used to hit home runs, deserves a medal not only for writing this book but for the way he has written it. . . . A Prayer for Owen Meany is a rare creation in the somehow exhausted world of late twentieth-century fiction—it is an amazingly brave piece of work . . . so extraordinary, so original, and so enriching. . . . Readers will come to the end feeling sorry to leave [this] richly textured and carefully wrought world.” —Stephen King


From the Hardcover edition.


Review
?John Irving, who writes novels in the unglamorous but effective way Babe Ruth used to hit home runs, deserves a medal not only for writing this book but for the way he has written it. . . . A Prayer for Owen Meany is a rare creation in the somehow exhausted world of late twentieth-century fiction?it is an amazingly brave piece of work . . . so extraordinary, so original, and so enriching. . . . Readers will come to the end feeling sorry to leave [this] richly textured and carefully wrought world.? ?Stephen King


From the Hardcover edition.


Book Description
Owen Meany, the only child of a New Hampshire granite quarrier, believes he is God's instrument; he is.
This is John Irving's most comic novel, yet Owen Meany is Mr. Irving's most heartbreaking character.
"Roomy, intelligent, exhilarating and darkly comic...Dickensian in scope....Quite stunning and very ambitious."
LOS ANGELES TIMES BOOK REVIEW
"John Irving is an abundantly and even joyfully talented storyteller."
THE NEW YORK TIMES BOOKR EVIEW



From the Publisher
I have been a voracious reader since childhood, and while I've read and loved many, many books, I can honestly say that A Prayer for Owen Meany is my all-time favorite! It is such an extraordinarily funny, moving and heartbreaking story and then ending is the best and most satisfying one I've ever read. The highlight of my first year working for Ballantine Books was attending a reading John Irving gave for the paperback publication. Owen Meany has a very memorable voice when you read the book, so you can imagine how exciting it was for me to hear my favorite author read my favorite book and DO THE VOICE OF OWEN MEANY!

M. Coolman
Ballantine Publicity


From the Inside Flap
Owen Meany, the only child of a New Hampshire granite quarrier, believes he is God's instrument; he is.
This is John Irving's most comic novel, yet Owen Meany is Mr. Irving's most heartbreaking character.
"Roomy, intelligent, exhilarating and darkly comic...Dickensian in scope....Quite stunning and very ambitious."
LOS ANGELES TIMES BOOK REVIEW
"John Irving is an abundantly and even joyfully talented storyteller."
THE NEW YORK TIMES BOOKR EVIEW




Prayer for Owen Meany

ANNOTATION

In the summer of 1953, during a Little League baseball game, 11-year-old Owen Meany hits a foul ball that kills his best friend's mother. What happens to him after that fateful day makes A Prayer for Owen Meany extraordinary, terrifying, and unforgettable.

FROM THE PUBLISHER

In the summer of 1953, two eleven-year-old boys - best friends - are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen, after that 1953 foul ball, is extraordinary and terrifying.

FROM THE CRITICS

Los Angeles Times Book Review

"Roomy, intelligent, exhilarating and darkly comic ... Dickensian in scope .... Quite stunning and very ambitious."

Publishers Weekly

Irving's storytelling skills have gone seriously astray in this contrived, preachy, tedious tale of the eponymous Owen Meany, a latter-day prophet and Christ-like figure who dies a martyr after having inspired true Christian belief in the narrator, Johnny Wheelwright. The boys grow up close friends in a small New Hampshire town, where Owen's loutish parents own a quarry and where the fatherless Johnny, whose beloved mother never reveals the secret of his paternity, becomes an orphan at age 11 when a foul ball hit by Owen in a Little League game strikes his mother on the head, killing her instantly. The tragedy notwithstanding, Owen and Johnny cleave to a friendship sealed when Owen uses desperate means to keep Johnny from going to Vietnam, and brought to its apotheosis when Johnny is present at the death Owen has seen prefigured in a vision. Despite the overworked theme of a boy's best friend causing his mother's injury or death (one thinks immediately of Robertson Davies and Nancy Willard), the plot might have been workable had not Irving made Owen a caricature: Owen is, all his life, so tiny he can be lifted with one hand; he is ``mortally cute,'' and he has a ``cartoon voice'' because he must shout through his nose, which Irving conveys by printing all of Owen's dialogue in capital lettersan irritating device that immediately sets the reader's teeth on edge. Then too, the author's portentously dramatic foreshadowing, which has worked well in his previous books, is here sadly overdone and excessively melodramatic. On the plus side, Irving is convincing in his appraisal of the tragedy of Vietnam and in his religious philosophizing, in which he distinguishes the true elements of faith. But that is not enough to save the meandering narrative. Owen is not the only one to hit a foul ball in this novel, which is too ``mortally cute'' for its own good. BOMC main selection. (Mar)

Library Journal

Diminutive Owen Meaney, the social outcast with the high, pinched voice, has an enormous influence on his friend Johnny Wheelwright--not least because the only baseball Owen ever hits causes the death of Johnny's mother. But as Johnny claims, ``Owen gave me more than he ever took from me. . . . What did he ever say that wasn't right?'' Spookily prescient, convinced that he is an instrument of God, Owen intimidates child and adult alike. Why Johnny ``is a Christian because of Owen Meaney'' is the novel's central mystery but not its only one: Who, for instance, was Johnny's father? Untangling these knots, the adult Johnny pauses to consider his religious convictions and distaste of American politics in passages that are neither especially persuasive nor effectively integrated into the book. And though Owen is a compelling presence, his power over others is not entirely convincing. Still, readers will be drawn in by the story of the boys' friendship and by the desire to see some resolution to Johnny's mysteries.-- Barbara Hoffert, ``Library Journal''

WHAT PEOPLE ARE SAYING

The book is as cunningly contrived as the most skillful mystery story - that is the best of it. But there is absolutely no irony. . . .Mr. Irving shows considerable skill as scene after scene mounts to its moving climax. But the thinking behind it all seems juvenile, preppy, is much too pleased with itself. -- The New York Times  — Alfred Kazin

     



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