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1603: The Death of Queen Elizabeth I, the Return of the Black Plague, the Rise of Shakespeare, Piracy, Witchcraft, and the Birth of the Stuart Era  
Author: Christopher Lee
ISBN: 0312321392
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review


From Publishers Weekly
Lee, author of This Sceptred Isle, a history of Britain that accompanied a BBC radio series, focuses in on one turning point in that saga. In 1603 the Elizabethan era ended with the last Tudor monarch's death, and the Stuart dynasty began with the coronation of James I (formerly James VI of Scotland). Lee gives the political background by skillfully summarizing the past intrigues of the Tudor era. Drawing on chronicles, diaries and letters, Lee paints a lively picture of the society that the new king inherited. A condensed biography of James (the only son of Mary, Queen of Scots) details his birth, his mother's political intrigues and execution, and his schooling and marriage. A meandering middle section describes James's uncertain procession south from Scotland to his coronation in London. Vivid snapshots of the plague and of witch-hunting, a dense account of the demise of Walter Raleigh, an outline of London's theater world, a glimpse of Irish revolt and tales of early empire-building voyages make absorbing reading. Yet Lee struggles to define the year's significance beyond mere regime change. He is analytic when discussing endemic government corruption, the nation's uneasy religious mood, the creation of the King James Bible and James's clampdown on the lucrative piracy industry, but these analyses never gel into an overall thesis. Yet in its rich texture and detail, 1603 will surely whet the appetite of readers interested in 17th-century English history. 8 pages of b&w photos. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.


Book Description
1603 was the year that Queen Elizabeth I, the last of the Tudors, died. Her cousin, Robert Carey, immediately rode like a demon to Scotland to take the news to James VI. The cataclysmic time of the Stuarts had come and the son of Mary Queen of Scots left Edinburgh for London to claim his throne as James I of England.

Diaries and notes written in 1603 describe how a resurgence of the plague killed nearly 40,000 people. Priests blamed the sins of the people for the pestilence, witches were strangled and burned and plotters strung up on gate tops. But not all was gloom and violence. From a ship's log we learn of the first precious cargoes of pepper arriving from the East Indies after the establishment of a new spice route; Sharkespeare was finishing Othello and Ben Jonson wrote furiously to please a nation thirsting for entertainment.

1603 was one of the most important and interesting years in British history. Christopher Lee, acclaimed author of This Sceptred Isle, unfolds its story from first-hand accounts and original documents to mirror the seminal year in which Britain moved from Tudor medievalism towards the wars, republicanism and regicide that lay ahead.



About the Author
Christopher Lee studied history at Cambridge and subsequently became BBC defense correspondent. He is the author of the acclaimed BBC series This Sceptered Isle and has edited Churchill's History of the English-Speaking Peoples from the original four volumes into a single book .





1603: The Death of Queen Elizabeth I, the Return of the Black Plague, the Rise of Shakespeare, Piracy, Witchcraft, and the Birth of the Stuart Era

FROM THE PUBLISHER

In 1603 Queen Elizabeth I, The Last of the Tudors, died. Her cousin, Robert Carey, immediately rode like a demon to Scotland to take the news to James VI. The cataclysmic time of the Stuarts had come and the son of Mary Queen of Scots left Edinburgh for London to claim his throne as James I of England. Diaries and notes written in 1603 describe how a resurgence of the plague killed nearly 40,000 people. Priests blamed the sins of the people for the pestilence, witches were strangled and burned, and plotters strung up on gate tops. But not all was gloom and violence. From a ship's log we learn of the first precious cargoes of pepper arriving from the East Indies after the establishment of a new spice route; Shakespeare was finishing Othello and Ben Jonson wrote furiously to please a nation thirsting for entertainment. 1603 was one of the most important and interesting years in British history. Christopher Lee tells its story from firsthand accounts and original documents to mirror the seminal year in which Britain moved from Tudor medievalism toward the wars, republicanism, and regicide that lay ahead.

FROM THE CRITICS

Publishers Weekly

Lee, author of This Sceptred Isle, a history of Britain that accompanied a BBC radio series, focuses in on one turning point in that saga. In 1603 the Elizabethan era ended with the last Tudor monarch's death, and the Stuart dynasty began with the coronation of James I (formerly James VI of Scotland). Lee gives the political background by skillfully summarizing the past intrigues of the Tudor era. Drawing on chronicles, diaries and letters, Lee paints a lively picture of the society that the new king inherited. A condensed biography of James (the only son of Mary, Queen of Scots) details his birth, his mother's political intrigues and execution, and his schooling and marriage. A meandering middle section describes James's uncertain procession south from Scotland to his coronation in London. Vivid snapshots of the plague and of witch-hunting, a dense account of the demise of Walter Raleigh, an outline of London's theater world, a glimpse of Irish revolt and tales of early empire-building voyages make absorbing reading. Yet Lee struggles to define the year's significance beyond mere regime change. He is analytic when discussing endemic government corruption, the nation's uneasy religious mood, the creation of the King James Bible and James's clampdown on the lucrative piracy industry, but these analyses never gel into an overall thesis. Yet in its rich texture and detail, 1603 will surely whet the appetite of readers interested in 17th-century English history. 8 pages of b&w photos. (Apr.) Copyright 2004 Reed Business Information.

Kirkus Reviews

Or, a year of living dangerously in England for champions of the Tudor line, would-be pirates, and civilians susceptible to a touch of the plague. Many a noted British historian, such as Tudor specialist G.R. Elton, has passed the year 1603 by without much comment, thinking it no more important than any other 12-month period. London-based freelance writer/historian Lee (The Sceptred Isle, not reviewed), undaunted, makes a case for that year as one of those previously unheralded watersheds in the history of the British Isles. After all, it marked the death of Queen Elizabeth and the inauguration of the Scottish King James VI, who became James I of England and set about making all sorts of controversial steps and missteps and opening up the path to civil war later in the 17th century; as Lee writes, "Elizabeth may have commanded the obedience of the people, but James would not-and nor would any sovereign who followed." Complicating James's uneasy ascent to the throne was the return of the Black Death, which felled 40,000 English men, women, and children in 1603; it was less catastrophic than previous episodes of the plague, but an added burden in a time of hunger, want, and economic distress. Against this backdrop, Lee populates his stage with vivid characters, including the none-too-pleasant James himself; a rising star named William Shakespeare; and the privateer, ne'er-do-well, and poet Walter Ralegh, whom English writers and historians have lately been discovering. Though Lee falls for a classic schoolboy-Latin trap ("O rare Ben Johnson" has nothing to do with the poet's uncommonness) and seems sometimes to be channeling a period ghostwriter ("The people of James's green and pleasantland would prosper and breed as they might anyway have done"), his narrative moves well and neatly weaves many threads. A turning point in English history, skillfully distilled for readers four centuries after.

     



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