From Publishers Weekly
Chatwin is a protean writer ( On the Black Hill , The Songlines ) always capable of surprising and entertaining his readers. In this slim volume, he draws a satirical portrait of life in a Socialist stateand concludes that human nature is the same no matter what political winds are blowing. The last descendent of an old Czech family, the eponymous art dealer Kaspar Utz lives in Prague, where the Russian occupiers allow him to keep his priceless Meissen porcelain collection on condition that he bequeath it to the national museum. To the narrator, Utz represents the quintessential adapter, able to tolerate a repressive government as long as his private life is undisturbed. Obsessed with a passion to preserve these remnants of the bygone days of imperial glory, Utz implies that the figurines are more real, enduring and invulnerable than the gray world of Eastern Europe existing behind the Iron Curtain. But on his death a droll mystery is revealed; the fate of the collection is as much a result of the belated awakening of Utz's romantic nature as it is a joke against the political regime he despised. Befitting his narrative, Chatwin's spare, precise prose takes on a surrealist quality appropriate to the theater of the absurd. 40,000 first printing; $35,000 ad/promo; Literary Guild alternate. Copyright 1988 Reed Business Information, Inc.
From Library Journal
Kaspar Utz has two passions in life: fine porcelain and sopranos. Between them he manages to keep the world at bayno mean feat for a resident of Prague living first under Nazi, then Soviet domination. Utz is not your conventional hero, and his heroismif it can be called thatlies in his determination to maintain and expand his collection of antique porcelain figurines no matter what. It is his way of asserting his individuality, of thumbing his nose at the state. For Utz the figurines are almost living creatures, much like Rabbi Loew's legendary Golem. But as Utz himself points out, golems can be dangerous, by their very nature beseeching their own destruction. In spare but elegant prose, Chatwin slowly chips away at Utz's character to reveal its many facets. Intriguing and original; for most public and academic libraries. David W. Henderson, Eckerd Coll. Lib., St. Petersbury, Fla.Copyright 1988 Reed Business Information, Inc.
Book Description
Bruce Chatwin's bestselling novel traces the fortunes of Kaspar Utz, an enigmatic collector of Meissen porcelain living in Cold War Czechoslovakia. Although Utz is allowed to leave the country each year, and considers defecting each time, he always returns to his Czech home, a prisoner of the Communist state and of his precious collection.
"A triumph." --The Washington Post
"Exquisite. . . One thinks of a Vermeer painting, a luminous miniature disclosing worlds within worlds." --Newsday
About the Author
Born in 1942, Bruce Chatwin was the author of six books, including In Patagonia, On the Black Hill, and The Songlines. He died in 1989.
Utz FROM THE PUBLISHER
Bruce Chatwin's bestselling novel traces the fortunes of Kaspar Utz, an enigmatic collector of Meissen porcelain living in Cold War Czechoslovakia. Although Utz is allowed to leave the country each year, and considers defecting each time, he always returns to his Czech home, a prisoner of the Communist state and of his precious collection.
"A triumph." --The Washington Post
"Exquisite. . . One thinks of a Vermeer painting, a luminous miniature disclosing worlds within worlds." --Newsday
FROM THE CRITICS
Publishers Weekly
Chatwin is a protean writer ( On the Black Hill , The Songlines ) always capable of surprising and entertaining his readers. In this slim volume, he draws a satirical portrait of life in a Socialist stateand concludes that human nature is the same no matter what political winds are blowing. The last descendent of an old Czech family, the eponymous art dealer Kaspar Utz lives in Prague, where the Russian occupiers allow him to keep his priceless Meissen porcelain collection on condition that he bequeath it to the national museum. To the narrator, Utz represents the quintessential adapter, able to tolerate a repressive government as long as his private life is undisturbed. Obsessed with a passion to preserve these remnants of the bygone days of imperial glory, Utz implies that the figurines are more real, enduring and invulnerable than the gray world of Eastern Europe existing behind the Iron Curtain. But on his death a droll mystery is revealed; the fate of the collection is as much a result of the belated awakening of Utz's romantic nature as it is a joke against the political regime he despised. Befitting his narrative, Chatwin's spare, precise prose takes on a surrealist quality appropriate to the theater of the absurd. 40,000 first printing; $35,000 ad/promo; Literary Guild alternate. (Jan.)
Library Journal
Kaspar Utz has two passions in life: fine porcelain and sopranos. Between them he manages to keep the world at bayno mean feat for a resident of Prague living first under Nazi, then Soviet domination. Utz is not your conventional hero, and his heroismif it can be called thatlies in his determination to maintain and expand his collection of antique porcelain figurines no matter what. It is his way of asserting his individuality, of thumbing his nose at the state. For Utz the figurines are almost living creatures, much like Rabbi Loew's legendary Golem. But as Utz himself points out, golems can be dangerous, by their very nature beseeching their own destruction. In spare but elegant prose, Chatwin slowly chips away at Utz's character to reveal its many facets. Intriguing and original; for most public and academic libraries. David W. Henderson, Eckerd Coll. Lib., St. Petersbury, Fla.
Art & Photography
Book Info
