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   Book Info

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Dogsbody  
Author: Diana Wynne Jones
ISBN: 0064410382
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review

From Publishers Weekly
Praised by PW as "among the most rewarding novels available for readers of all ages," this fantasy tells of the difficult mission confronting Sirius the Dog Star when he is sentenced to be reborn on Earth. Ages 9-14. Copyright 1990 Reed Business Information, Inc.

Kirkus Reviews
"Jones sees clearly and writes effectively and the girl-and-dog dtory is a sure, and never sticky, heart-tugger."

Book Description

The Dog Star, Sirius, is tried for murder by his heavenly peers and found guilty. His sentence: to be reborn on Earth as a dog until such time as he carries out the seemingly impossible mission imposed on him.

In his Earth guise, Sirius, renamed Leo, truly lives a dog's life. Although he is the pet of a girl who loves him, both child and dog are mistreated by the family with whom they live. But the worldly obstacles Leo faces are minor when compared with his chilling encounters with the Dark Powers that are set against him. His quest seems hopeless until at lost Sol, Moon, and Earth itself come to his aid.

Dogsbody is a tense, exciting, sciencefiction fantasy, a thriller, and a touching dog story all in one.

Card catalog description
Sirius the dog star, is reborn on earth as a puppy with a mission to search for the lost Zoi, the murder weapon of the stars.

About the Author
Diana Wynne Jones was raised in the village of Thaxted, in Essex, England. She has been a compulsive storyteller for as long as she can remember enjoying most ardently those tales dealing with witches, hobgoblins, and the like. Ms. Jones lives in Bristol, England, with her husband, a professor of English at Bristol University. They have three sons and two granddaughters. In Her Own Words..."I decided to be a writer at the age of eight, but I did not receive any encouragement in this ambition until thirty years later. I think this ambition was fired-or perhaps exacerbated is a better word-by early marginal contacts with the Great, when we were evacuated to the English Lakes during the war. The house we were in had belonged to Ruskin's secretary and had also been the home of the children in the books of Arthur Ransome. One day, finding I had no paper to draw on, I stole from the attic a stack of exquisite flower-drawings, almost certainly by Ruskin himself, and proceeded to rub them out. I was punished for this. Soon after, we children offended Arthur Ransome by making a noise on the shore beside his houseboat. He complained. So likewise did Beatrix Potter, who lived nearby. It struck me then that the Great were remarkably touchy and unpleasant (even if, in Ruskin's case, it was posthumous), and I thought I would like to be the same, without the unpleasantness."I started writing children's books when we moved to a village in Essex where there were almost no books. The main activities there were hand-weaving, hand-making pottery, and singing madrigals, for none of which I had either taste or talent. So, in intervals between trying to haunt the church and sitting on roofs hoping to learn to fly, I wrote enormous epic adventure stories which I read to my sisters instead of the real books we did not have. This writing was stopped, though, when it was decided I must be coached to go to University. A local philosopher was engaged to teach me Greek and philosophy in exchange for a dollhouse (my family never did things normally), and I eventually got a place at Oxford."At this stage, despite attending lectures by J. R. R. Tolkien and C. S. Lewis, I did not expect to be writing fantasy. But that was what I started to write when I was married and had children of my own. It was what they liked best. But small children do not allow you the use of your brain. They used to jump on my feet to stop me thinking. And I had not realized how much I needed to teach myself about writing. I took years to learn, and it was not until my youngest child began school that I was able to produce a book which a publisher did not send straight back."As soon as my books began to be published, they started coming true. Fantastic things that I thought I had made up keep happening to me. The most spectacular was Drowned Ammet. The first time I went on a boat after writing that book, an island grew up out of the sea and stranded us. This sort of thing, combined with the fact that I have a travel jinx, means that my life is never dull."Diana Wynne Jones is the author of many highly praised books for young readers, as well as three plays for children and a novel for adults. She lives in Bristol, England, with her husband, a professor of English at Bristol University. They have three sons.




Dogsbody

FROM OUR EDITORS

This quick-paced, evocative tale has already achieved cult status among fantasy fans.

FROM THE PUBLISHER

The Dog Star, Sirius, is tried for murder by his heavenly peers and found guilty. His sentence: to be reborn on Earth as a dog until such time as he carries out the seemingly impossible mission imposed on him.

In his Earth guise, Sirius, renamed Leo, truly lives a dog's life. Although he is the pet of a girl who loves him, both child and dog are mistreated by the family with whom they live. But the worldly obstacles Leo faces are minor when compared with his chilling encounters with the Dark Powers that are set against him. His quest seems hopeless until at lost Sol, Moon, and Earth itself come to his aid.

Dogsbody is a tense, exciting, sciencefiction fantasy, a thriller, and a touching dog story all in one.

About the AuthorDiana Wynne Jones was raised in the village of Thaxted, in Essex, England. She has been a compulsive storyteller for as long as she can remember enjoying most ardently those tales dealing with witches, hobgoblins, and the like. Ms. Jones lives in Bristol, England, with her husband, a professor of English at Bristol University. They have three sons and two granddaughters.

From the Author:

"I decided to be a writer at the age of eight, but I did not receive any encouragement in this ambition until thirty years later. I think this ambition was fired-or perhaps exacerbated is a better word-by early marginal contacts with the Great, when we were evacuated to the English Lakes during the war. The house we were in had belonged to Ruskin's secretary and had also been the home of the children in the books of Arthur Ransome. One day, finding I had no paper to draw on, I stole from the attic a stack of exquisiteflower-drawings, almost certainly by Ruskin himself, and proceeded to rub them out. I was punished for this. Soon after, we children offended Arthur Ransome by making a noise on the shore beside his houseboat. He complained. So likewise did Beatrix Potter, who lived nearby. It struck me then that the Great were remarkably touchy and unpleasant (even if, in Ruskin's case, it was posthumous), and I thought I would like to be the same, without the unpleasantness.

"I started writing children's books when we moved to a village in Essex where there were almost no books. The main activities there were hand-weaving, hand-making pottery, and singing madrigals, for none of which I had either taste or talent. So, in intervals between trying to haunt the church and sitting on roofs hoping to learn to fly, I wrote enormous epic adventure stories which I read to my sisters instead of the real books we did not have. This writing was stopped, though, when it was decided I must be coached to go to University. A local philosopher was engaged to teach me Greek and philosophy in exchange for a dollhouse (my family never did things normally), and I eventually got a place at Oxford.

"At this stage, despite attending lectures by J. R. R. Tolkien and C. S. Lewis, I did not expect to be writing fantasy. But that was what I started to write when I was married and had children of my own. It was what they liked best. But small children do not allow you the use of your brain. They used to jump on my feet to stop me thinking. And I had not realized how much I needed to teach myself about writing. I took years to learn, and it was not until my youngest child began school that I was able to produce a book which a publisher did not send straight back.

"As soon as my books began to be published, they started coming true. Fantastic things that I thought I had made up keep happening to me. The most spectacular was Drowned Ammet. The first time I went on a boat after writing that book, an island grew up out of the sea and stranded us. This sort of thing, combined with the fact that I have a travel jinx, means that my life is never dull."

Diana Wynne Jones is the author of many highly praised books for young readers, as well as three plays for children and a novel for adults. She lives in Bristol, England, with her husband, a professor of English at Bristol University. They have three sons.

FROM THE CRITICS

Publishers Weekly

Praised by PW as ``among the most rewarding novels available for readers of all ages,'' this fantasy tells of the difficult mission confronting Sirius the Dog Star when he is sentenced to be reborn on Earth. Ages 9-14. (Feb.)

Children's Literature

Diana Wynne Jones has the uncanny ability to make her fantasies real and believable. Dogsbody is more than a case in point. We are asked to believe that a heavenly body-the star Sirius-is exiled to Earth on a mission of recovery and redemption in the body of a dog. Completely rational by Wynne Jones's way of thinking. Why couldn't the dog star become a living dog? And he does. Sirius/Leo becomes one of the most believable canines in dog literature: lovable, devoted to his new mistress Kathleen, intelligent yet still eminently doggie. It is, in fact, the warring between Sirus's intelligence and dog nature that leads to most of the story's drama and sends him back into the heavens as a wiser star. It would be folly to give away more of the plot. It need only be said that the book is more than welcome back into print-and may its own reincarnation find it many new readers. 2001 (orig. 1975), Greenwillow/HarperTrophy, $6.95. Ages 10 up. Reviewer: Kathleen Karr

     



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