From Publishers Weekly
Feisty Marietta Greer changes her name to "Taylor" when her car runs out of gas in Taylorville, Ill. By the time she reaches Oklahoma, this strong-willed young Kentucky native with a quick tongue and an open mind is catapulted into a surprising new life. Taylor leaves home in a beat-up '55 Volkswagen bug, on her way to nowhere in particular, savoring her freedom. But when a forlorn Cherokee woman drops a baby in Taylor's passenger seat and asks her to take it, she does. A first novel, The Bean Trees is an overwhelming delight, as random and unexpected as real life. The unmistakable voice of its irresistible heroine is whimsical, yet deeply insightful. Taylor playfully names her little foundling "Turtle," because she clings with an unrelenting, reptilian grip; at the same time, Taylor aches at the thought of the silent, staring child's past suffering. With Turtle in tow, Taylor lands in Tucson, Ariz., with two flat tires and decides to stay. The desert climate, landscape and vegetation are completely foreign to Taylor, and in learning to love Arizona, she also comes face to face with its rattlesnakes and tarantulas. Similarly, Taylor finds that motherhood, responsibility and independence are thorny, if welcome, gifts. This funny, inspiring book is a marvelous affirmation of risk-taking, commitment and everyday miracles. Copyright 1988 Reed Business Information, Inc.


From Library Journal
This debut novel follows the gritty, outspoken Taylor Greer, who leaves her native Kentucky to head west. She becomes mother to an abandoned baby and, when her jalopy dies in Tucson, is forced to work in a tire garage and to room with a young, battered divorcee who also has a little girl. With sisterly counsel and personal honesty, the two face their painful lot (told in ponderous detail). The blue-collar setting, described vibrantly, often turns violent, with baby beatings, street brawls, and drug busts. Despite the hurt and rage, themes of love and nurturing emerge. A refreshingly upbeat, presentable first effort by an author whose subsequent novels will probably generate more interest than this one. Edward C. Lynskey, Documentation, Atlantic Research Corp., Alexandria, Va.Copyright 1988 Reed Business Information, Inc.


From 500 Great Books by Women; review by Jesse Larsen
Marietta Greer's mama called her Missy, because, according to family legend, when she was three, she stamped her foot "and told my own mother not to call me Marietta but MISS Marietta, as I had to call all the people including children in the houses where she worked Miss this or Mister that..." Her growing up years in Pittnam County, Kentucky, taught her two things: don't get pregnant, and get out as quick as you can. With Mama's expert training in old-car trouble-shooting, Marietta hits the road in her 1955 windowless, jump-start volkswagen, determined to rename herself after the first place she has to buy gas. Relieved at missing Homer, Illinois, and keeping her "fingers crossed through Sidney, Sadorus, Cerro Gordo, Decatur, and Blue Mound," she "coasted into Taylorville on the fumes." Now Taylor Greer, she discovers that car trouble can change more than just her name: when her rocker arm breaks in Oklahoma, she is "given" a baby; when she has two flat tires in Tucson, she limps into Jesus Is Lord Used Tires, where she begins to learn that her troubles are minor compared to people hiding from Guatemalan death squads. The Bean Trees is written in the spirited language of a Kentucky-raised working woman with a generous heart and an audacious imagination. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14.


Philadelphia Inquirer
"Loving and expansive...idealistic and exhilarating."


Publishers Weekly
"This funny, inspiring book is a marvelous affirmation of risk-taking, commitment and everyday miracles... An overwhelming delight..."


Anne Rivers Siddons
"An extraordinary good novel, tough and tender and gritty and moving."


Glamour
"This is the story of a lovable, resourceful "instant mother," one who speaks, acts and learns for herself... an inspiration..."


Book Description
Clear-eyed and spirited, Taylor Greer grew up poor in rural Kentucky with the goals of avoiding pregnancy and getting away. But when she heads west with high hopes and a barely functional car, she meets the human condition head-on. By the time Taylor arrives in Tucson, Arizona, she has acquired a completely unexpected child, a three-year-old American Indian girl named Turtle, and must somehow come to terms with both motherhood and the necessity for putting down roots. Hers is a story about love and friendship, abandonment and belonging, and the discovery of surprising resources in apparently empty places. Available for the first time in mass-market, this edition of Barbara Kingsolver's bestselling novel, The Bean Trees, will be in stores everywhere in September. With two different but equally handsome covers, this book is a fine addition to your Kingsolver library.


About the Author
Barbara Kingsolver was born on April 8, 1955. She grew up "in the middle of an alfalfa field," in the part of eastern Kentucky that lies between the opulent horse farms and the impoverished coal fields. While her family has deep roots in the region, she never imagined staying there herself. "The options were limited--grow up to be a farmer or a farmer's wife." Kingsolver has always been a storyteller: "I used to beg my mother to let me tell her a bedtime story." As a child, she wrote stories and essays and, beginning at the age of eight, kept a journal religiously. Still, it never occurred to Kingsolver that she could become a professional writer. Growing up in a rural place, where work centered mainly on survival, writing didn't seem to be a practical career choice. Besides, the writers she read, she once explained, "were mostly old, dead men. It was inconceivable that I might grow up to be one of those myself . . . " Kingsolver left Kentucky to attend DePauw University in Indiana, where she majored in biology. She also took one creative writing course, and became active in the last anti-Vietnam War protests. After graduating in 1977, Kingsolver lived and worked in widely scattered places. In the early eighties, she pursued graduate studies in biology and ecology at the University of Arizona in Tucson, where she received a Masters of Science degree. She also enrolled in a writing class taught by author Francine Prose, whose work Kingsolver admires. Kingsolver's fiction is rich with the language and imagery of her native Kentucky. But when she first left home, she says, "I lost my accent . . . [P]eople made terrible fun of me for the way I used to talk, so I gave it up slowly and became something else." During her years in school and two years spent living in Greece and France she supported herself in a variety of jobs: as an archaeologist, copy editor, X-ray technician, housecleaner, biological researcher and translator of medical documents. After graduate school, a position as a science writer for the University of Arizona soon led her into feature writing for journals and newspapers. Her numerous articles have appeared in a variety of publications, including The Nation, The New York Times, and Smithsonian, and many of them are included in the collection, High Tide in Tucson: Essays from Now or Never. In 1986 she won an Arizona Press Club award for outstanding feature writing, and in 1995, after the publication of High Tide in Tucson, Kingsolver was awarded an Honorary Doctorate of Letters from her alma mater, De Pauw University. Kingsolver credits her careers in scientific writing and journalism with instilling in her a writer's discipline and broadening her "fictional possiblities." Describing herself as a shy person who would generally prefer to stay at home with her computer, she explains that "journalism forces me to meet and talk with people I would never run across otherwise." From 1985 through 1987, Kingsolver was a freelance journalist by day, but she was writing fiction by night. Married to a chemist in 1985, she suffered from insomnia after becoming pregnant the following year. Instead of following her doctor's recommendation to scrub the bathroom tiles with a toothbrush, Kingsolver sat in a closet and began to write The Bean Trees, a novel about a young woman who leaves rural Kentucky (accent intact) and finds herself living in urban Tucson.The Bean Trees, published by HarperCollins in 1988, and reissued in a special ten-year anniversary hardcover edition in 1998, was enthusiastically received by critics. But, perhaps more important to Kingsolver, the novel was read with delight and, even, passion by ordinary readers. "A novel can educate to some extent," she told Publishers Weekly. "But first, a novel has to entertain--that's the contract with the reader: you give me ten hours and I'll give you a reason to turn every page. I have a commitment to accessiblity. I believe in plot. I want an English professor to understand the symbolism while at the same time I want the people I grew up with--who may not often read anything but the Sears catalogue--to read my books." For Kingsolver, writing is a form of political activism. When she was in her twenties she discovered Doris Lessing. "I read the Children of Violence novels and began to understand how a person could write about the problems of the world in a compelling and beautiful way. And it seemed to me that was the most important thing I could ever do, if I could ever do that." The Bean Trees was followed by the collection, Homeland and Other Stories (1989), the novels Animal Dreams (1990), and Pigs in Heaven (1993), and the bestselling High Tide in Tucson: Essays from Now and Never (1995). Kingsolver has also published a collection of poetry, Another America: Otra America (Seal Press, 1992, 1998), and a nonfiction book, Holding the Line: Women in the Great Arizona Mine Strike of l983 (ILR Press/Cornell University Press, 1989, 1996). The Poisonwood Bible, published in 1998, earned accolades at home and abroad, and was an Oprah's Book Club selection. Barbara's Prodigal Summer, released in November of 2000, is a novel set in a rural farming community in southern Appalachia. Small Wonder, April 2002, presents twenty-three wonderfully articulate essays. Here Barbara raises her voice in praise of nature, family, literature, and the joys of everyday life while examining the genesis of war, violence, and poverty in our world. Barbara Kingsolver presently lives outside of Tucson with her husband Steven Hopp, and her two daughters, Camille from a previous marriage, and Lily, who was born in 1996. When not writing or spending time with her family, Barbara gardens, cooks, hikes, and works as an environmental activist and human-rights advocate.Given that Barbara Kingsolver's work covers the psychic and geographical territories that she knows firsthand, readers often assume that her work is autobiographical. "There are little things that people who know me might recognize in my novels," she acknowledges. "But my work is not about me. I don't ever write about real people. That would be stealing, first of all. And second of all, art is supposed to be better than that. If you want a slice of life, look out the window. An artist has to look out that window, isolate one or two suggestive things, and embroider them together with poetry and fabrication, to create a revelation. If we can't, as artists, improve on real life, we should put down our pencils and go bake bread."


Excerpted from The Bean Trees : A Novel by Barbara Kingsolver. Copyright © 1998. Reprinted by permission. All rights reserved
The One to Get AwayI have been afraid of putting air in a tire ever since I saw a tractor tire blow up and throw Newt Hardbine's father over the top of the Standard Oil sign. I'm not lying. He got stuck up there. About nineteen people congregated during the time it took for Norman Strick to walk up to the Courthouse and blow the whistle for the volunteer fire department. They eventually did come with the ladder and haul him down, and he wasn't dead but lost his hearing and in many other ways was never the same afterward. They said he overfilled the tire.Newt Hardbine was not my friend, he was just one of the big boys who had failed every grade at least once and so was practically going on twenty in the sixth grade, sitting in the back and flicking little wads of chewed paper into my hair. But the day I saw his daddy up there like some old overalls slung over a fence, I had this feeling about what Newt's whole life was going to amount to, and I felt sorry for him. Before that exact moment I don't believe I had given much thought to the future.My mama said the Hardbines had kids just about as fast as they could fall down the well and drown. This must not have been entirely true, since they were abundant in Pittman County and many survived to adulthood. But that was the general idea.Which is not to say that we, me and Mama, were any better than Hardbines or had a dime to our name. If you were to look at the two of us, myself and Newt side by side in the sixth grade, you could have pegged us for brother and sister. And for all I ever knew of my own daddy I can't say we weren't,except for Mama swearing up and down that he was nobody I knew and was long gone besides. But we were cut out of basically the same mud, I suppose,just two more dirty-kneed kids scrapping to beat hell and trying to land on our feet. You couldn't have said, anyway, which one would stay right where he was, and which would be the one to get away.Missy was what everyone called me, not that it was my name, but because when I was three supposedly I stamped my foot and told my own mother not to call me Marietta but Miss Marietta, as I had to call all the people including children in the houses where she worked Miss this or Mister that, and so she did from that day forward. Miss Marietta and later on just Missy.The thing you have to understand is, it was just like Mama to do that. When I was just the littlest kid I would go pond fishing of a Sunday and bring home the boniest mess of blue-gills and maybe a bass the size of your thumb,and the way Mama would carry on you would think I'd caught the famous big lunker in Shep's Lake that old men were always chewing their tobacco and thinking about. "That's my big girl bringing home the bacon,"she would say, and cook those things and serve them up like Thanksgiving for the two of us.I loved fishing those old mud-bottomed ponds. Partly because she would be proud of whatever I dragged out, but also I just loved sitting still. You could smell leaves rotting into the cool mud and watch the Jesus bugs walk on the water, their four little feet making dents in the surface but never falling through. And sometimes you'd see the big ones, the ones nobody was ever going to hook, slipping away under the water like dark-brown dreams.By the time I was in high school and got my first job and all the rest,including the whole awful story about Newt Hardbine which I am about to tell you, he was of course not in school anymore. He was setting tobacco alongside his half-crippled daddy and by that time had gotten a girl in trouble, too, so he was married. It was Jolene Shanks and everybody was a little surprised at her, or anyway pretended to be, but not at him. Nobody expected any better of a Hardbine.But I stayed in school. I was not the smartest or even particularly outstanding but I was there and staying out of trouble and I intended to finish. This is not to say that I was unfamiliar with the back seat of a Chevrolet. I knew the scenery of Greenup Road, which we called Steam-It-Up Road, and I knew what a pecker looked like, and none of these sights had so far inspired me to get hogtied to a future as a tobacco farmer's wife. Mama always said barefoot and pregnant was not my style. She knew.It was in this frame of mind that I made it to my last year of high school without event. Believe me in those days the girls were dropping by the wayside like seeds off a poppyseed bun and you learned to look at every day as a prize. You'd made it that far. By senior year there were maybe two boys to every one of us, and we believed it was our special reward when we got this particular science teacher by the name of Mr. Hughes Walter.

ANNOTATION

A "warmhearted and highly entertaining first novel...." --Kirkus Reviews

FROM THE PUBLISHER

Clear-eyed and spirited, Taylor Greer grew up poor in rural Kentucky with the goals of avoiding pregnancy and getting away. But when she heads west with high hopes and a barely functional car, she meets the human condition head-on. By the time Taylor arrives in Tucson, Arizona, she has acquired a completely unexpected child, a three-year-old American Indian girl named Turtle, and must somehow come to terms with both motherhood and the necessity for putting down roots. Hers is a story about love and friendship, abandonment and belonging, and the discovery of surprising resources in apparently empty places.

Available for the first time in mass-market, this edition of Barbara Kingsolver's bestselling novel, The Bean Trees, will be in stores everywhere in September. With two different but equally handsome covers, this book is a fine addition to your Kingsolver library.

FROM THE CRITICS

Los Angeles Times

The Bean Trees is the work of a visionary.... It leaves you open-mouthed and smiling.

Cosmopolitan

An astonishing literary debut....For a deep breath of fresh air, spend some time in the neighborhood of The Bean Trees.

San Francisco Chronicle

So wry and wise we wish it would never end....The chatty, down-home audacity of Barbara Kingsolver's remarkable first novel hooks us on the first page.

Ms.

A major new talent. From the very first page, Kingsolver's characters tug at the heart and soul.

Glamour