From Publishers Weekly
Never one to shy away from grim or sensational themes, Oates writes about murder, rape, arson and terrorism in her latest collection of short fiction. In these 19 stories, she evokes the underbellies of small towns and the bizarre and obsessive desires of their inhabitants. In "Upholstery," a teenager finds herself helplessly attracted to a lecherous older man. A 14-year-old in "The Girl with the Blackened Eye" is brutally abducted but afraid to break her kidnapper's trust by escaping. In Oates's precise psychological renderings, victims are as complex as villains and almost always more interesting. The lure of the criminal is seductive, impossible to resist. Two stories, "In Hiding" and "The Instructor," feature middle-class female intellectuals inexplicably drawn to convicts. The prototypical victim, Marilyn Monroe-also the subject of Oates's acclaimed 2001 novel Blonde-appears in disguise in "Three Girls," when two young coeds encounter her in the Strand bookstore and agree to help her remain anonymous. The collection closes with a story about September 11 that in anyone but Oates's hands would fall flat. But "The Mutants," in which a young woman trapped in her downtown apartment building refuses to be paralyzed by fear, is beautifully, uncannily affecting. "She was hollow-eyed and gaunt yet wakeful, no longer the dreamy-eyed blond. A mutant being, primed to survive." Indeed, even the strangest events in this sure-footed collection are painfully familiar. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.


From Booklist
Oates is vitally concerned, even obsessed, with the most primal and disturbing encounters between females and males, and her new searing short stories explore the malevolent aspects of human sexuality with unflinching authenticity and a cathartic fascination. Set in Oates country--bleak, rural New York State--these bold and bloody tales enfold elements of the mystery genre as Oates introduces compellingly expressive young women threatened or assaulted by men, some of whom they should be able to trust. Race is frequently a factor, as is the vulnerability of literary women somewhat like herself, a concern Oates dramatizes to chilling affect in "The Instructor," in which a novice writing teacher, "a young woman with a quiet, implacable will," confronts a former death-row inmate. Then, in another exceptionally accomplished tale, "Me & Wolfie, 1979," wizardly Oates turns the tables by portraying a crazed and destructive woman. Ultimately, key truths emerge: family bonds can be shackles, and women possess the amazing ability to put their lives back together after even the most hellish ordeal. Donna Seaman
Copyright © American Library Association. All rights reserved


Book Description

I Am No One You Know contains nineteen startling stories that bear witness to the remarkably varied lives of Americans of our time. In "Fire," a troubled young wife discovers a rare, radiant happiness in an adulterous relationship. In "Curly Red," a girl makes a decision to reveal a family secret, and changes her life irrevocably. In "The Girl with the Blackened Eye," selected for The Best American Mystery Stories 2001, a girl pushed to an even greater extreme of courage and desperation manages to survive her abduction by a serial killer. And in "Three Girls," two adventuresome NYU undergraduates seal their secret love by following, and protecting, Marilyn Monroe in disguise at Strand Used Books on a snowy evening in 1956.

These vividly rendered portraits of women, men, and children testify to Oates's compassion for the mysterious and luminous resources of the human spirit.


About the Author
Joyce Carol Oates is a recipient of the National Book Award and the PEN/Malamud Award for Excellence in Short Fiction. She has written some of the most enduring fiction of our time, including the national bestsellers We Were the Mulvaneys and Blonde, which was nominated for the National Book Award. She is the Roger S. Berlind Distinguished Professor of the Humanities at Princeton University and has been a member of the American Academy of Arts and Letters since 1978. In 2003 she received the Common Wealth Award for Distinguished Service in Literature and the Kenyon Review Award for Literary Achievement.

FROM THE PUBLISHER

I Am No One You Know contains nineteen startling stories that bear witness to the remarkably varied lives of Americans of our time. In "Fire," a troubled young wife discovers a rare, radiant happiness in an adulterous relationship. In "Curly Red," a girl makes a decision to reveal a family secret, and changes her life irrevocably. In "The Girl with the Blackened Eye," selected for The Best American Mystery Stories 2001, a girl pushed to an even greater extreme of courage and desperation manages to survive her abduction by a serial killer. And in "Three Girls," two adventuresome NYU undergraduates seal their secret love by following, and protecting, Marilyn Monroe in disguise at Strand Used Books on a snowy evening in 1956.

These vividly rendered portraits of women, men, and children testify to Oates's compassion for the mysterious and luminous resources of the human spirit.

About the Author:Award-winning author, Joyce Carol Oates was born in 1938 and grew up in upstate New York. While a scholarship student at Syracuse University, she won the coveted Mademoiselle fiction contest. She graduated as valedictorian, then earned an M.A. at the University of Wisconsin. In 1968, she began teaching at the University of Windsor. In 1978, she moved to New Jersey to teach creative writing at Princeton University, where she is now the Roger S. Berlind Distinguished Professor of the Humanities.

A prolific writer, Joyce Carol Oates has produced some of the most controversial, and lasting, fiction of our time. Her novel, Them, set in racially volatile 1960s Detroit, won the 1970 National Book Award. Because It Is Bitter, andBecause It Is My Heart focused on an interracial teenage romance. Black Water, a narrative based on the Kennedy-Chappaquiddick scandal, garnered a Pulitzer Prize nomination, and her national bestseller Blonde, an epic work on American icon Marilyn Monroe, became a National Book Award Finalist. Although Joyce Carol Oates has called herself, "a serious writer, as distinct from entertainers or propagandists," her novels have enthralled a wide audience, and We Were the Mulvaneys earned the #1 spot on the New York Times bestseller list.

FROM THE CRITICS

The New York Times

It is as if these pieces, by being smaller, are even sharper -- as a small television's picture can seem unnaturally crisp. — John Schwartz

Publishers Weekly

Never one to shy away from grim or sensational themes, Oates writes about murder, rape, arson and terrorism in her latest collection of short fiction. In these 19 stories, she evokes the underbellies of small towns and the bizarre and obsessive desires of their inhabitants. In "Upholstery," a teenager finds herself helplessly attracted to a lecherous older man. A 14-year-old in "The Girl with the Blackened Eye" is brutally abducted but afraid to break her kidnapper's trust by escaping. In Oates's precise psychological renderings, victims are as complex as villains and almost always more interesting. The lure of the criminal is seductive, impossible to resist. Two stories, "In Hiding" and "The Instructor," feature middle-class female intellectuals inexplicably drawn to convicts. The prototypical victim, Marilyn Monroe-also the subject of Oates's acclaimed 2001 novel Blonde-appears in disguise in "Three Girls," when two young coeds encounter her in the Strand bookstore and agree to help her remain anonymous. The collection closes with a story about September 11 that in anyone but Oates's hands would fall flat. But "The Mutants," in which a young woman trapped in her downtown apartment building refuses to be paralyzed by fear, is beautifully, uncannily affecting. "She was hollow-eyed and gaunt yet wakeful, no longer the dreamy-eyed blond. A mutant being, primed to survive." Indeed, even the strangest events in this sure-footed collection are painfully familiar. (Apr. 16) Copyright 2004 Reed Business Information.

Library Journal

Like an ominous storm cloud forming on the horizon, these 19 stories (all previously published in slightly different form) build on a sense of foreboding. In Part 1, the storm hits hard, with each story considering the issue of unnatural death in a different, but equally troubling, way. The storm seems to pass without striking Part 2, however, as here the issues surrounding murder, accidents, and criminality are resolved. The four stories in Part 3 pull us away to a different sort of storm, that of relationships in their many forms, such as the love affair between a teacher and a student found in "Mrs. Halifax and Rickie Swann: A Ballad." The last two stories switch gears completely, exploring the meeting of two students with Marilyn Monroe and a woman's isolation during the September 11 attacks. In all these stories, Oates demonstrates her continued ability to create edgy stories that are still grounded in reality. She immerses the reader in disturbing dilemmas and then resolves them in unexpected ways. Not for the faint of heart but recommended. [Previewed in Prepub Alert, LJ 12/03.]-Joshua Cohen, Mid-Hudson Lib. Syst., Poughkeepsie, NY Copyright 2004 Reed Business Information.

Kirkus Reviews