From Publishers Weekly
The colossal and impressive third volume (after Quicksilver and The Confusion) of Stephenson's magisterial exploration of the origins of the modern world in the scientific revolution of the baroque era begins in 1714. Daniel Waterhouse has returned to England, hoping to mediate the feud between Sir Isaac Newton and Leibniz, both of whom claim to have discovered the calculus and neither of whom is showing much scientific rationality in the dispute. This brawl takes place against the background of the imminent death of Queen Anne, which threatens a succession crisis as Jacobite (Stuart, Catholic) sympathizers confront supporters of the Hanoverian succession. Aside from the potential effect of the outcome on the intellectual climate of England, these political maneuverings are notable for the role played by trilogy heroine Eliza de la Zour, who is now wielding her influence over Caroline of Ansbach, consort of the Hanoverian heir. Eliza has risen from the streets to the nobility without losing any of her creativity or her talents as a schemer; nor has outlaw Jack Shaftoe lost any of his wiliness. What he may have lost is discretion, since he oversteps the boundaries of both law and good sense far enough to narrowly escape the hangman. In the end, reluctant hero Waterhouse prevails against the machinations of everybody else, and scientific (if not sweet) reason wins by a nose. The symbol of that victory is the inventor Thomas Newcomen standing (rather like a cock crowing) atop the boiler of one of his first steam engines. This final volume in the cycle is another magnificent portrayal of an era, well worth the long slog it requires of Stephenson's many devoted readers. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.


From Bookmarks Magazine
The conclusion to The Baroque Cycle is a veritable doorstop, but a doorstop perhaps worth its weight in 18th-century gold coins—especially to those who need a reminder about the dangerous misuses of science and “progress.” Critics can’t heap enough praise on Stephenson’s eloquent narration, true-to-life characters, and impeccable plotting (“generated via Waterhouse’s Logic Mills,” says the San Francisco Chronicle). Stephenson exquisitely unearths Baroque history, too, from mints to gardens to Jacobites. While compelling, you’ll best appreciate this epic history-romance-science fiction story “once you have a solid liberal arts education under your belt” (Chronicle). Stephenson mostly gets away with his philosophical pedantry because he’s so smart and inventive. If you have the courage to delve in, you won’t be disappointed. And if you can’t bring yourself to start with Quicksilver, System includes a preface relating “the story thus far” that reviewers found helpful enough.Copyright © 2004 Phillips & Nelson Media, Inc.


From Booklist
Stephenson, enjoying cult status for his 1999 novel Cryptonomicon as well as the first two installments in a trilogy he calls the Baroque Cycle (Quicksilver [BKL S 1 03] and The Confusion [BKL F 15 04]), brings the long-winded but compulsively readable series to its conclusion. All three volumes have been lengthy but also effective as the author delves deeply into European history in the late-seventeenth and early-nineteenth centuries, eras of great intellectual and political ferment. Daniel Waterhouse, who was introduced in the first volume, has come back to England from the American colonies to mediate a dispute between two scientists, Isaac Newton and Gottfried von Leibniz. Around this continuing struggle, which has a side story encompassing Newton's desire to find a time-bomb-armed criminal gang, led by his archenemy, a counterfeiter called the king of the vagabonds, swirls a larger arena of contention: the probably sooner rather than later death of Queen Anne and whether the Whigs or the Tories will dominate the court in the reign that follows. Obviously--given the book's length--details are profuse, but each detail speedily draws readers into the narrative rather than impeding it. The language, to correlate with the times in which the novel is set, is done in a stately but not overwrought style. Expect considerable demand. Brad Hooper
Copyright © American Library Association. All rights reserved


Book Description
'Tis done. The world is a most confused and unsteady place -- especially London, center of finance, innovation, and conspiracy -- in the year 1714, when Daniel Waterhouse makes his less-than-triumphant return to England's shores. Aging Puritan and Natural Philosopher, confidant of the high and mighty and contemporary of the most brilliant minds of the age, he has braved the merciless sea and an assault by the infamous pirate Blackbeard to help mend the rift between two adversarial geniuses at a princess's behest. But while much has changed outwardly, the duplicity and danger that once drove Daniel to the American Colonies is still coin of the British realm. No sooner has Daniel set foot on his homeland when he is embroiled in a dark conflict that has been raging in the shadows for decades. It is a secret war between the brilliant, enigmatic Master of the Mint and closet alchemist Isaac Newton and his archnemesis, the insidious counterfeiter Jack the Coiner, a.k.a. Jack Shaftoe, King of the Vagabonds. Hostilities are suddenly moving to a new and more volatile level, as Half-Cocked Jack plots a daring assault on the Tower itself, aiming for nothing less than the total corruption of Britain's newborn monetary system. Unbeknownst to all, it is love that set the Coiner on his traitorous course; the desperate need to protect the woman of his heart -- the remarkable Eliza, Duchess of Arcachon-Qwghlm -- from those who would destroy her should he fail. Meanwhile, Daniel Waterhouse and his Clubb of unlikely cronies comb city and country for clues to the identity of the blackguard who is attempting to blow up Natural Philosophers with Infernal Devices -- as political factions jockey for position while awaiting the impending death of the ailing queen; as the "holy grail" of alchemy, the key to life eternal, tantalizes and continues to elude Isaac Newton, yet is closer than he ever imagined; as the greatest technological innovation in history slowly takes shape in Waterhouse's manufactory. Everything that was will be changed forever ... The System of the World is the concluding volume in Neal Stephenson's Baroque Cycle, begun with Quicksilver and continued in The Confusion.


Download Description
"

'Tis done.

The world is a most confused and unsteady place -- especially London, center of finance, innovation, and conspiracy -- in the year 1714, when Daniel Waterhouse makes his less-than-triumphant return to England's shores. Aging Puritan and Natural Philosopher, confidant of the high and mighty and contemporary of the most brilliant minds of the age, he has braved the merciless sea and an assault by the infamous pirate Blackbeard to help mend the rift between two adversarial geniuses at a princess's behest. But while much has changed outwardly, the duplicity and danger that once drove Daniel to the American Colonies is still coin of the British realm.

No sooner has Daniel set foot on his homeland when he is embroiled in a dark conflict that has been raging in the shadows for decades. It is a secret war between the brilliant, enigmatic Master of the Mint and closet alchemist Isaac Newton and his archnemesis, the insidious counterfeiter Jack the Coiner, a.k.a. Jack Shaftoe, King of the Vagabonds. Hostilities are suddenly moving to a new and more volatile level, as Half-Cocked Jack plots a daring assault on the Tower itself, aiming for nothing less than the total corruption of Britain's newborn monetary system.

Unbeknownst to all, it is love that set the Coiner on his traitorous course; the desperate need to protect the woman of his heart -- the remarkable Eliza, Duchess of Arcachon-Qwghlm -- from those who would destroy her should he fail. Meanwhile, Daniel Waterhouse and his Clubb of unlikely cronies comb city and country for clues to the identity of the blackguard who is attempting to blow up Natural Philosophers with Infernal Devices -- as political factions jockey for position while awaiting the impending death of the ailing queen; as the ""holy grail"" of alchemy, the key to life eternal, tantalizes and continues to elude Isaac Newton, yet is closer than he ever imagined; as the greatest technological innovation in history slowly takes shape in Waterhouse's manufactory.

Everything that was will be changed forever ... The System of the World is the concluding volume in Neal Stephenson's Baroque Cycle, begun with Quicksilver and continued in The Confusion. "


About the Author
Neal Stephenson is the author of the bestselling Baroque Cycle (Quicksilver, The Confusion, and The System of the World) as well as the novels Cryptonomicon, The Diamond Age, Snow Crash, and Zodiac. He lives in Seattle, Washington.

FROM OUR EDITORS

The Barnes & Noble Review
The System of the World, the third and concluding volume of Neal Stephenson's shelf-bending Baroque Cycle (Quicksilver and The Confusion), brings the epic historical saga to its thrilling -- and truly awe-inspiring -- conclusion.

Set in the early 18th century and featuring a diverse cast of characters that includes alchemists, philosophers, mathematicians, spies, thieves, pirates, and royalty, The System of the World follows Daniel Waterhouse, an unassuming philosopher and confidant to some of the most brilliant minds of the age, as he returns to England to try and repair the rift between geniuses Sir Isaac Newton and Gottfried Wilhelm Leibniz. After reluctantly leaving his family in Boston, Waterhouse arrives in England and is almost killed by a mysterious Infernal Device. Having been away from the war-decimated country for two decades, Waterhouse quickly learns that although many things have changed, there is still violent revolution simmering just beneath the surface of seemingly civilized society. With Queen Anne deathly ill and Tories and Whigs jostling for political supremacy, Waterhouse and Newton vow to figure out who is trying to kill certain scientists and decipher the riddle behind the legend of King Solomon's gold, a mythical hoard of precious metal with miraculous properties.

Arguably one of the most ambitious -- and most researched -- stories ever written, Stephenson's Baroque Cycle is set in one of the most turbulent and exciting times in human history. Filled with wild adventure, political intrigue, social upheaval, civilization-changing discoveries, cabalistic mysticism, and even a little romance, this massive saga is worth its weight in (Solomon's) gold. Paul Goat Allen

FROM THE PUBLISHER

"The world is a most confused and unsteady place - especially London, center of finance, innovation, and conspiracy - in the year 1714, when Daniel Waterhouse makes his less-than-triumphant return to England's shores. Aging Puritan and Natural Philosopher, confidant of the high and mighty and contemporary of the most brilliant minds of the age, he has braved the merciless sea and an assault by the infamous pirate Blackbeard to help mend the rift between two adversarial geniuses at a princess's behest. But while much has changed outwardly, the duplicity and danger that once drove Daniel to the American Colonies is still coin of the British realm." "No sooner has Daniel set foot on his homeland than he is embroiled in a dark conflict that has been raging in the shadows for decades. It is a secret war between the brilliant, enigmatic Master of the Mint and closet alchemist Isaac Newton and his archnemesis, the insidious counterfeiter Jack the Coiner, a.k.a. Jack Shaftoe, King of the Vagabonds. Hostilities are suddenly moving to a new and more volatile level, as Half-Cocked Jack plots a daring assault on the Tower itself, aiming for nothing less than the total corruption of Britain's newborn monetary system." "Unbeknownst to all, it is love that set the Coiner on his traitorous course; the desperate need to protect the woman of his heart - the remarkable Eliza, Duchess of Arcachon-Qwghlm - from those who would destroy her should he fail. Meahwhile, Daniel Waterhouse and his Clubb of unlikely cronies comb the city and country for clues to the identity of the blackguard who is attempting to blow up Natural Philosophers with Infernal Devices - as political factions jockey for position while awaiting the impending death of the ailing queen; as the "holy grail" of alchemy, the key to life eternal, tantalizes and continues to elude Isaac Newton, yet is closer than he ever imagined; as the greatest technological innovation in history slowly takes shape in Waterhouse's man

SYNOPSIS

The thrilling conclusion to the New York Times bestselling "Baroque Cycle," THE SYSTEM OF THE WORLD delivers intrigue, adventure, and excitement set against the political upheaval of the early 18th century Tory-Whig power struggle.

THE SYSTEM OF THE WORLD concludes the epic adventure begun in Quicksilver and continued in The Confusion.

The year is 1714. Daniel Waterhouse has returned to England, where he joins forces with his friend Isaac Newton to hunt down a criminal gang attempting to blow up Natural Philosophers with "Infernal Devices," or time bombs. Unbeknownst to Daniel, however, Newton has an ulterior motive: to wrest the Solomonic Gold from the control of his arch-enemy, the master counterfeiter Jack the Coiner, a.k.a Jack Shaftoe, King of the Vagabonds. As Daniel and Newton machinate and maneuver, an increasingly vicious struggle rises for control of the Bristish Crown: Who will take control when the queen dies? Tories and Whigs are set against each other as people jockey to replace Queen Anne with the Hanoverian dynasty of Princess Caroline, with whom the multi-talented Eliza has become closely associated. . . 

FROM THE CRITICS

Publishers Weekly

The colossal and impressive third volume (after Quicksilver and The Confusion) of Stephenson's magisterial exploration of the origins of the modern world in the scientific revolution of the baroque era begins in 1714. Daniel Waterhouse has returned to England, hoping to mediate the feud between Sir Isaac Newton and Leibniz, both of whom claim to have discovered the calculus and neither of whom is showing much scientific rationality in the dispute. This brawl takes place against the background of the imminent death of Queen Anne, which threatens a succession crisis as Jacobite (Stuart, Catholic) sympathizers confront supporters of the Hanoverian succession. Aside from the potential effect of the outcome on the intellectual climate of England, these political maneuverings are notable for the role played by trilogy heroine Eliza de la Zour, who is now wielding her influence over Caroline of Ansbach, consort of the Hanoverian heir. Eliza has risen from the streets to the nobility without losing any of her creativity or her talents as a schemer; nor has outlaw Jack Shaftoe lost any of his wiliness. What he may have lost is discretion, since he oversteps the boundaries of both law and good sense far enough to narrowly escape the hangman. In the end, reluctant hero Waterhouse prevails against the machinations of everybody else, and scientific (if not sweet) reason wins by a nose. The symbol of that victory is the inventor Thomas Newcomen standing (rather like a cock crowing) atop the boiler of one of his first steam engines. This final volume in the cycle is another magnificent portrayal of an era, well worth the long slog it requires of Stephenson's many devoted readers. Agent, Liz Darhansoff at Darhansoff, Verrill, Feldman Literary Agents. 6-city author tour. (Oct.) Copyright 2004 Reed Business Information.

Library Journal

Responding to a request from Hanoverian Princess Caroline of Brandenburg-Ansbach, Royal Society Fellow Daniel Waterhouse leaves his Boston home to travel to London to mediate a volatile dispute between Gottfried Wilhelm von Leibnitz and Sir Isaac Newton over the origin of the calculus. There, Waterhouse becomes embroiled in the search for a clandestine group of terrorists who are attempting to assassinate prominent proponents of Natural Philosophy including Waterhouse himself. Set against the vibrant cacophony of the early 1700s, this conclusion to Stephenson's stunning "Baroque Cycle" (Quicksilver; The Confusion) stands out as a masterwork of time, place, and people. Familiar characters reappear: Jack Shaftoe acquires an even greater reputation as a rogue extraordinaire, and Eliza, the Duchess of Arcachon-Qwghlm, makes her presence felt in high society. In a style both conversationally modern and atmospherically reminiscent of the period, Stephenson captures the spirit of an age of great discoveries, high "technology," and resourceful individuals. Highly recommended for general and historical fiction collections. [See Prepub Alert, LJ 6/15/04.] Jackie Cassada, Asheville-Buncombe Lib. Syst., NC Copyright 2004 Reed Business Information.

Kirkus Reviews