In the 1970s Joe Haldeman approached more than a dozen different publishers before he finally found one interested in The Forever War. The book went on to win both the Hugo and Nebula Awards, although a large chunk of the story had been cut out before it saw publication. Now Haldeman and Avon Books have released the definitive version of The Forever War, published for the first time as Haldeman originally intended. The book tells the timeless story of war, in this case a conflict between humanity and the alien Taurans. Humans first bumped heads with the Taurans when we began using collapsars to travel the stars. Although the collapsars provide nearly instantaneous travel across vast distances, the relativistic speeds associated with the process means that time passes slower for those aboard ship. For William Mandella, a physics student drafted as a soldier, that means more than 27 years will have passed between his first encounter with the Taurans and his homecoming, though he himself will have aged only a year. When Mandella finds that he can't adjust to Earth after being gone so long from home, he reenlists, only to find himself shuttled endlessly from battle to battle as the centuries pass. --Craig E. Engler


Book Description

Private William Mandella is a hero in spite of himself -- a reluctant conscript drafted into an elite military unit, and propelled through space and time to fight in a distant thousand-year conflict. He never wanted to go to war, but the leaders on Earth have drawn a line in the interstellar sand -- despite the fact that their fierce alien enemy is unknowable, unconquerable, and very far away. So Mandella will perform his duties without rancor and even rise up through the military's ranks . . . if he survives. But the true test of his mettle will come when he returns to Earth. Because of the time dilation caused by space travel the loyal soldier is aging months, while his home planet is aging centuries -- and the difference will prove the saying: you never can go home. . .

FROM OUR EDITORS

Twenty-five years ago, Joe Haldeman became an instant presence in the science fiction field with the publication of The Forever War, which went on to win both the Hugo and Nebula awards for Best Novel. The Forever War is an ingenious, complex account of soldiers whose lives have been brutally disrupted by the combined effects of relativity and interstellar war. It has remained in print continuously since its initial appearance, and has recently given rise to some unexpected new offshoots. In 1997, Avon Books released an amended version of the text that restored the middle section -- a downbeat novella published independently as You Can Never Go Back -- to its originally intended place. In early 1999, Haldeman contributed a second related novella --A Separate War -- to Robert Silverberg￯﾿ﾽs anthology, Far Horizons. Most recently, Haldeman reversed his own frequently stated position by publishing a novel-length sequel titled Forever Free. It seems appropriate, in light of this creative flurry, to return to the source -- The Forever War itself -- and take another look. The Forever War was Joe Haldeman￯﾿ﾽs second novel. His first, War Year, was published in 1972, and was a realistic, frankly autobiographical account of its author￯﾿ﾽs experiences as a combat soldier in Vietnam. These experiences, radically reconfigured, also found their way into The Forever War, which is very much a reflection of the lingering effects of the "seemingly endless" war in Vietnam. Haldeman￯﾿ﾽs version of that conflict begins in 1996, just one generation after the withdrawal of American troops from Vietnam. In that year, the combined forces of Earth declare war against an apparently hostile race of aliens known as Taurans. As part of the military response to the Tauran threat, William Mandella, the narrator-hero, is drafted and placed in an elite combat unit composed of the best and brightest members of his own generation.

In order to engage the remote, enigmatic Taurans, Mandella and his cohorts must travel through a series of "collapsars," anomalous gateways in the fabric of quantum space. Passage through these gateways results in a relativistic phenomenon known as "time dilation." By the end of Mandella￯﾿ﾽs first, bloody campaign (which covers about two years of subjective time), more than 25 years have elapsed on his home planet. He returns to Earth to find himself a stranger in a very strange land, where he knows almost no one and where the patterns of day-to-day life have changed beyond recognition. Unable to cope with these changes, he reenters the barbarous but familiar society of the army, accompanied by his friend, lover, and fellow soldier, Marygay Potter.

Back in uniform, Mandella finds himself trapped, once again, in an endless cycle of violence and temporal displacement. He endures (and barely survives) a series of lethal, faceless encounters with an enemy that no one, least of all the political and military leaders of Earth, can begin to understand. In the resulting chaos, the one constant in Mandella￯﾿ﾽs life is his relationship with Marygay. Finally, even that is taken away, and he is left with nothing but the prospect of dying for an incomprehensible cause.

Throughout this process, relativity continues to impose its distortions. As the war carries Mandella and his fellow soldiers toward an increasingly remote series of battlefields, centuries roll by on Earth. In the course of these centuries, populations rise and fall, historical epochs flower and fade, and humanity evolves in unexpected directions. Eventually, at the tail end of a pointless, infinitely protracted war, Mandella returns -- a young/old man of barely 30 -- to a radically altered society he can neither recognize nor live in. In the end, he is forced to confront the fundamental irony of his thousand-year military career: Having left his home to do battle with aliens, he himself has now become the alien, and has no place in the world he fought to preserve.

The Forever War is very much concerned with alienation, which assumes a cruel and quite literal form during the course of the story. And though, like all good novels, it is many things at once -- acerbic portrait of the military mentality; imaginative extrapolation of the principles of relativity; meditation on the future of warfare in a technologically advanced society -- it derives much of its power from its compelling portrait of disenfranchised soldiers detached, by the very nature of their experiences, from the social mainstream. In a way, The Forever War serves as an extravagant metaphor for the actual condition of the soldiers who fought in Vietnam, and who returned home to a divided society that failed, almost completely, to acknowledge their efforts or honor their sacrifices.

After more than a quarter of a century, The Forever War continues to matter, continues to engage our sympathy for the individual men and women caught in the movement of huge, impersonal forces. Like Catch-22, to which it bears a familial resemblance, The Forever War is a novel about the desperate search for sanity in an unreasoning world, and the universality of its concerns makes it as fresh and relevant today as it was in 1975, when the national nightmare of Vietnam was still raw and recent. Literary prognostication may be a fool￯﾿ﾽs game, but the betting here is that The Forever War will endure well into the newly arrived millennium. Its energy, compassion, and bitter, hard-won wisdom are timeless qualities that should, by rights, continue to speak to new generations of readers.

--Bill Sheehan

FROM THE PUBLISHER

Private William Mandella is a hero in spite of himself—a reluctant conscript drafted into an elite military unit, and propelled through space and time to fight in a distant thousand-year conflict. He never wanted to go to war, but the leaders on Earth have drawn a line in the interstellar sand—despite the fact that their fierce alien enemy is unknowable, unconquerable, and very far away. So Mandella will perform his duties without rancor and even rise up through the militarys ranks. . .if he survives. But the true test of his mettle will come when he returns to Earth. Because of the time dilation caused by space travel the loyal soldier is aging months, while his home planet is aging centuries—and the difference will prove the saying: you never can go home. . .

Author Biography: Joe Haldeman first won the Hugo Award for his novel The Forever War. His work includes the Hugo and Nebula Award-winning novel The Hemingway Hoax and the acclaimed Worlds Trilogy. He has won a total of three Nebula Awards and four Hugo Awards. A Vietnam veteran who was wounded, Joe Hadleman teaches writing at M.I.T. and lives part-time in Florida with his wife, Gay.

FROM THE CRITICS

Gale Research

"Haldeman exercises his literary license," James Scott Hicks writes in the Dictionary of Literary Biography, "to comment on, and ultimately to expunge from his memory, America's last ground war [Vietnam]." Hicks points out that Haldeman's first novel, War Year, based on his army diaries, deals with the Vietnam fighting directly. "But the demon of Vietnam," Hicks writes, "was not exorcised from Haldeman's soul by writing [War Year], and frontline combat became the subject of . . . The Forever War." Haldeman, Hicks believes, is particularly adept at presenting his "theme of quiet resentment felt by those waging war."

Because of his scientific training in physics and astronomy, Haldeman is particularly careful to present The Forever War as realistically and accurately as possible. "The technology involved in this interplanetary campaign," Martin Levin of the New York Times Book Review notes in his review of The Forever War, "is so sophisticated that the book might well have been accompanied by an operator's manual. But then, all the futuristic mayhem is plugged into human situations that help keep the extraterrestrial activity on a warm and even witty plane."

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