From Publishers Weekly
Engelbreit's visions of sugarplums translate to a busy-bright patchwork of checks, plaids, paisleys and chintzes in this oversize (11" x 11") volume. Her interpretation of Moore's poem features a cast of rambunctious elves who accompany an exceptionally jolly St. Nick as he leaves assorted old-fashioned candies and toys inside a home decorated in a spectrum of Engelbreit's trademark patterns and prints. Kids-and adult fans of the artist-will enjoy poring over the copious details. All ages.Copyright 2002 Reed Business Information, Inc.


From School Library Journal
Kindergarten-Grade 2-The full text of the familiar poem is illustrated in Engelbreit's crisply decorated style. A large trim size allows each highly embellished spread to hold a plethora of detail. From the opening stanza's view of the non-stirring mouse's hole (a cracked teacup is his bed, a potholder his doormat, and a paintbrush is his broom) and throughout the verses, the artist adds lots of elves and ornamentation. Santa is not pictured as "dressed all in fur, from his head to his foot"; he's wearing a checked coat with fur trim and what appear to be leather bowling shoes. He does twinkle a lot, though, and that may be enough for some readers.-S. P.Copyright 2002 Reed Business Information, Inc.


Kirkus Reviews
Fans will adore sharing this oversized, traditional treatment of the beloved Christmas poem. A delectable holiday treat.


Kirkus Reviews
"Fans will adore sharing this oversized, traditional treatment of the beloved Christmas poem. A delectable holiday treat."


Book Description

Readers young and old are invited into the enchanting world of Mary Engelbreit in this sparkling edition of Clement C. Moore's classic poem. It is the night before Christmas, in a house so cozy and colorful, so filled with expectation, so dusted with Christmas magic that only this beloved illustrator could have created it. Shhh. A mouse is asleep in its snug den and children are dreaming as sugarplum fairies flutter around their bed. Then there's the jingle of bells. . . .

For this merry celebration of Christmas, Mary Engelbreit has filled every page with bewitching details, rich color, and memorable characters. These include a bevy of mischievous elves, an adorable mouse, and a lovable, bespectacled Santa. The images in Mary's joyous vision will bring discovery and delight to generations of readers.


Card catalog description
A newly illustrated version of the well-known poem about an important Christmas visitor.


About the Author
Clement C. Moore (1779–1863), an American scholar and poet, first wrote The Night Before Christmas in 1822 to entertain his children. A friend submitted it to a local newspaper, The Troy Sentinel, where it was published on December 23, 1823. Moore's delightful description of St. Nicholas and his eight flying reindeer has since become the definitive portrait of Santa Claus.

ANNOTATION

A newly illustrated version of the well-known poem about an important Christmas visitor.

FROM THE PUBLISHER

Readers young and old are invited into the enchanting world of Mary Engelbreit in this sparkling edition of Clement C. Moore's classic poem. It is the night before Christmas, in a house so cozy and colorful, so filled with expectation, so dusted with Christmas magic that only this beloved illustrator could have created it. Shhh. A mouse is asleep in its snug den and children are dreaming as sugarplum fairies flutter around their bed. Then there's the jingle of bells. . . .

For this merry celebration of Christmas, Mary Engelbreit has filled every page with bewitching details, rich color, and memorable characters. These include a bevy of mischievous elves, an adorable mouse, and a lovable, bespectacled Santa. The images in Mary's joyous vision will bring discovery and delight to generations of readers.

FROM THE CRITICS

Publishers Weekly

Engelbreit's visions of sugarplums translate to a busy-bright patchwork of checks, plaids, paisleys and chintzes in this oversize (11" x 11") volume. Her interpretation of Moore's poem features a cast of rambunctious elves who accompany an exceptionally jolly St. Nick as he leaves assorted old-fashioned candies and toys inside a home decorated in a spectrum of Engelbreit's trademark patterns and prints. Kids-and adult fans of the artist-will enjoy poring over the copious details. All ages. (Oct.)

Children's Literature - Susan Hepler, Ph.D.

The backgrounds and foregrounds of this prettily illustrated poem are full of elves, fairies, tiny mouse-sized things to look at, and bright red borders to contain the overflow. But the main action follows a human who hears the clatter on the roof, witnesses St. Nicholas come down the chimney, and greets the right jolly old elf, and the small mouse house does not appear again. Rather, readers can spot him in some of the pictures. Wavy edges of the text are blocked with initial capital letters made of candy canes lending a festive look. Fans of Engelbreit's cheery paintings on china, t-shirts, calendars, popular greeting cards, and the like, will enjoy yet another product from her workshop. There are even sheets of wrapping paper tucked under the back jacket flap. It is difficult to find a beautiful keepsake version of this well-loved traditional poem but in the meantime, this brightly decorated one will get the job done. 2004 (orig. 2002), HarperCollins, Ages 4 to 8.

School Library Journal

K-Gr 2-The full text of the familiar poem is illustrated in Engelbreit's crisply decorated style. A large trim size allows each highly embellished spread to hold a plethora of detail. From the opening stanza's view of the non-stirring mouse's hole (a cracked teacup is his bed, a potholder his doormat, and a paintbrush is his broom) and throughout the verses, the artist adds lots of elves and ornamentation. Santa is not pictured as "dressed all in fur, from his head to his foot"; he's wearing a checked coat with fur trim and what appear to be leather bowling shoes. He does twinkle a lot, though, and that may be enough for some readers.-S. P. Copyright 2002 Cahners Business Information.

Kirkus Reviews