Little Women, by Louisa May Alcott, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Generations of readers young and old, male and female, have fallen in love with the March sisters of Louisa May Alcott’s most popular and enduring novel, Little Women. Here are talented tomboy and author-to-be Jo, tragically frail Beth, beautiful Meg, and romantic, spoiled Amy, united in their devotion to each other and their struggles to survive in New England during the Civil War. It is no secret that Alcott based Little Women on her own early life. While her father, the freethinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with “woman’s work,” including sewing, doing laundry, and acting as a domestic servant. But she soon discovered she could make more money writing. Little Women brought her lasting fame and fortune, and far from being the “girl’s book” her publisher requested, it explores such timeless themes as love and death, war and peace, the conflict between personal ambition and family responsibilities, and the clash of cultures between Europe and America. Camille Cauti, Ph.D., is an editor and literary critic who lives in New York City. She is a specialist in the Catholic conversion trend among members of the avant-garde in London in the 1890s.
Little Women (Barnes & Noble Classics Series) FROM OUR EDITORS Barnes & Noble Classics offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influencesbiographical, historical, and literaryto enrich each reader's understanding of these enduring works. FROM THE PUBLISHER “Miss Alcott is the novelist of children—the Thackeray,
the Trollope, of the nursery and the school-room.”
—Henry James
Generations of readers young and old, male and female, have fallen in
love with the March sisters of Louisa May Alcott’s most
popular and enduring novel, Little Women. Here are talented tomboy
and author-to-be Jo, tragically frail Beth, beautiful Meg, and romantic,
spoiled Amy, united in their devotion to each other and their struggles
to survive in New England during the Civil War.
It is no secret that Alcott based Little Women on her own early
life. While her father, the freethinking reformer and abolitionist
Bronson Alcott, hobnobbed with such eminent male authors as Emerson,
Thoreau, and Hawthorne, Louisa supported herself and her sisters with
“woman’s work,” including sewing, doing laundry, and
acting as a domestic servant. But she soon discovered she could make more
money writing. Little Women brought her lasting fame and fortune,
and far from being the “girl’s book” her publisher
requested, it explores such timeless themes as love and death, war and
peace, the conflict between personal ambition and family
responsibilities, and the clash of cultures between Europe and
America.
Louisa May Alcott based Jo on herself. Consequently Jo is the most fully
realized, complex character and, not surprisingly, the one most beloved
by Alcott’s readers across generations and most inspirational for
these readers’ own fantasies and ambitions. The character shares
the author’s November birth month, strong concerns about
women’s claims to independence and artistic expression, and the
desire to be a writer and to broaden her experience through travel far
from her provincial New England home.
—from the Introduction by Camille Cauti
Camille Cauti wrote her dissertation about the Catholic
conversion trend among the 1890s London avant-garde, including such
figures as Wilde, Ernest Dowson, John Gray and Michael Field. Her other
academic interests include nineteenth- and twentieth-century English
poetry, in particular John Keats, the Pre-Raphaelites, W. B. Yeats and
the connections between them, as well as Irish literature generally.
Cauti is a teacher, editor and critic living in New York.
Louisa May Alcott was born on November 29, 1832. During the Civil
War, Alcott moved briefly to Washington, D.C., to work as a Union Army
nurse, until a bout with typhoid cut her service short. While
convalescing, she reworked her letters to her family into a series called
Hospital Sketches; published in 1863, it brought her favorable
notice as a writer. With the publication of Little Women (1868),
Alcott gained immense fame and achieved long-sought financial security
for herself and her family. The sequels Little Men: Life at Plumfield
with Jo’s Boys (1871) and the feminist-leaning Jo’s
Boys (1886) followed. Louisa May Alcott died on March 6, 1888, two
days after the death of her father.
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