FROM THE PUBLISHER

Little Sonny Bruchac¿¿¿s childhood was full of secrets. He didn¿¿¿t know why he lived with his grandparents, who ran a gas station and general store, when his own parents¿¿¿ home was just up the road, or why his grandfather was so defensive about his dark skin. Sonny would be an adult before he finally understood his family¿¿¿s legacy of passion and prejudice. Yet as the sensitive, precocious boy grew up¿¿¿through experiences both searing and hilarious¿¿¿he would find himself drawn to all things Indian long before he knew of his grandfather¿¿¿s hidden Abenaki roots. Bowman¿¿¿s Store gracefully weaves themes from Joseph Bruchac¿¿¿s intimate knowledge of Native American cultures with the scenes from the past that have shaped his life. For those who enjoy memoirs, Native American writings, books about finding one¿¿¿s cultural heritage, or just a wonderful read here is a consummate storyteller unfolding his most personal and poignant story of all.

FROM THE CRITICS

Publishers Weekly

In this poignant memoir, author and storyteller Bruchac (Eagle Song) lays bare the often painful circumstances of his youth and describes the gradual embracing of his Native American heritage. Bruchac is widely known as an expert in Native American culture and lore, especially in the ways of the Abenaki and other woodland peoples. But growing up, his dark-skinned maternal grandfather denied his Indian blood, calling himself "French-Canadian," and told young Joseph that he was a "mongrel." In a strained family situation that is never made completely clear (though descriptions of his father's short-fused temper and brusque manner strongly hint at potential physical violence), Bruchac describes life with his loving Grama and Grampa Bowman. They praised his academic accomplishments and nurtured his strong affinity for the natural world. Although Bruchac's account unfolds choppily at first (each is introduced by a seemingly unrelated memory, dream sequence or Indian story), he interlaces some especially moving passages in which the other students mercilessly taunt him and beat him up because of his dark skin, glasses and his bookish behavior (the school bus was a terrifying gauntlet). The narrative soon gathers the emotional momentum that will compel readers to the satisfying final chapters where a confident Bruchac shines in his success at Cornell, reflects on a less tense, respectful relationship with his father and discusses the beginnings of his writing career. A smattering of b&w photos provide a visual family history and highlight Bruchac's relationship with his beloved Grampa Jesse. Ages 12-up. (Oct.)

Children's Literature - Marilyn Courtot

Subtitled "A Journey to Myself," Bruchac offers a very personal account of his early years. Raised by loving but overprotective grandparents, Bruchac struggled to find himself and his Native American heritage. He felt a kinship with nature and Native Americans that seemed to have no rational explanation, since his grandfather's true heritage was kept hidden due to prejudice. As an adult, he learned about his Native American roots, which he and his sons have totally embraced. Bruchac has steeped himself in Abenaki culture and has become a well-known Native American storyteller.

VOYA - Richard Gercken

Children's and YA writer Bruchac grew up in a gas station/general store near the Adirondacks in New York, raised by a protective grandmother and a loving grandfather who kept secret his Abenaki blood and background. Bruchac tells us his book is about a search for his native American roots; but it is really the story of a hard childhood, adolescence, and early manhood. It also is a glowing portrait of the grandfather neither he nor any reader will ever forget. Lyrical dream passages and whimsical Abenaki tales alternate with straightforward autobiography about being an unpopular outsider in school. Bruchac may show a couple too many instances of being picked on; and like so many native American reminiscences today, this has its share of smugness and portraying the native American as perfect, noble natural man. But Bruchac is sensitive, wise, well read, and experienced. Despite a jacket and family photographs (wonderful!) not geared for YA, this is an adult book that will appeal to young readers interested in native Americans or culture clash, and certainly to anyone wanting to know more about the writer of such good picture books and YA novels. VOYA Codes: 4Q 2P J S (Better than most, marred only by occasional lapses, For the YA with a special interest in the subject, Junior High-defined as grades 7 to 9 and Senior High-defined as grades 10 to 12).

School Library Journal

Gr 7 Up--Bruchac takes readers into the circle of his past in this autobiography that covers his life from his earliest memories to the death of his maternal grandfather, Jesse Bowman, in 1970. He tells about growing up with his grandparents, who ran a country store and gas station. He describes his grandfather as a gentle yet strong man, unschooled but wise in his sense of justice and honesty, and his grandmother, a well-educated and stubborn woman who defied her family by marrying their hired man. Strong but overprotective, she sheltered her grandson from school-yard bullies. Bruchac tells his life chronologically and includes references to Abenaki culture and some legends. Chapters begin with Native American tales from a variety of tribes. Black-and-white reproductions of mostly family photographs lend strong atmosphere to the evocative text. The author's early life (this account ends when he's 28 years old) is a lesson in persistence and survival: his family did not acknowledge their Abenaki past, yet he recovered it and champions his Native heritage. He was, for reasons unclear to him and to readers, the center of intergenerational hostility, having been removed from his parents who lived and raised Bruchac's two sisters only a mile from Bowman's store. However, this is not just the story of one life but the story of a nation.--Loriene Roy, University of Texas, Austin

Nina Jaffe

Not every book can speak in a voice that is both personal and mythic, historic in scope yet intimate in the boundaries of its details and recollection. With this memoir, Joseph Bruchac weaves strands of native American myths, history and contemporary social movements together with the events of his childhood, adolescence and young adulthood. -- Nina Jaffe, New York Times Book ReviewRead all 6 "From The Critics" >