An all-time children's classic "The Velveteen Rabbit" beautifully packaged with an adorable, authentic plush version of the beloved bunny!

The Velveteen Rabbit's journey from outcast toy to real bunny is a classic tale of love, friendship and learning to be yourself. This special hardcover gift edition, which includes beautiful design on every page, reunites Margery Williams's text with the original full-color 1922 illustrations by William Nicholson. The plush stuffed bunny, which has been designed exclusively for this gift set, is made of high quality velveteen and based on these same original illustrations. We hope that he will become, like the Velveteen Rabbit himself, a cherished companion and inspiration.

FROM OUR EDITORS

In this parable about rebirth and the mysterious power of love, the magic of a young boy's love changes a beloved toy bunny into a real live rabbit. In this new edition, Donna Green's charming watercolor illustrations help to animate Margery Williams' timeless children's classic.

ANNOTATION

Thrown out when his owner becomes ill, a toy rabbit who has longed to be real receives his dearest wish.

FROM THE PUBLISHER

The Rabbit in the stocking isn't as expensive as the other toys: he's covered in velveteen. On Christmas Day, the Boy enjoys his new toy but then quickly forgets and neglects him. Shunned and unsure, the Velveteen Rabbit questions his worth. Should he even becalled a real toy? An answer comes from his friend, the Skin Horse: "Real isn't how you are made. . . .It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real." The Velveteen Rabbit's journey through love and loneliness to become who he was really meant to be is a story that inspires us all on our own journey to Real.

The Velveteen Rabbit is a timeless tale of friendship, love, acceptance and honesty. When the world seems uncertain, Margery Williams's classic story reminds all of us what really matters.

The type in this edition has been reset to emphasize the poetry of the language and to bring out the depth of sentiment in the story. William Nicholson's 1922 illustrations, which have delighted generations of readers, are rendered in full-color just as they appeared in the original edition of The Velveteen Rabbit. Together words and pictures create a world so much like our own, and yet so delightfully magical.

SYNOPSIS

This adaptation of Margery Williams's treasured childhood classic tells how a toy rabbit learns what it means to be loved by a child--and how toys become "Real." This book will bring kids hours of fun as they read the engaging story and color in the pictures.

FROM THE CRITICS

Publishers Weekly

The beloved tale of the stuffed bunny who becomes real is complemented by delicate pastel drawings. Ages 3-7. (Feb.)

Publishers Weekly

Lou Fancher sensitively adapts Margery Williams's The Velveteen Rabbit, illus. by Steve Johnson and Fancher, while maintaining the magic of the original. The inviting oil paintings ingeniously portray the boy's toy rabbit with button eyes, shaped like those of the real rabbits living in the nearby woods; as the stuffed rabbit is transformed by love, the artists seem to inject animation into its eyes, depicting its metamorphosis into a living, breathing being.

Publishers Weekly

Hague's warm paintings give a soft sheen to Williams's classic story. Ages 5-10. (May) Copyright 1999 Cahners Business Information.

Children's Literature - Marilyn Courtot

The story has been abridged, too much so, to fit this die cut board version. It isn't the same story and lacks the strong emotional pull of the original. Undoubtedly, it will raise a few questions and some concerns such as why did the boy's toys have to be thrown away? However, it is still one that kids who have a beloved stuffed animal can relate to. The soft pastel illustrations suit the short text.

School Library Journal

Gr 1-4 Were it not for its jumpy design, this version would rank near the top of the half-dozen versions of The Velveteen Rabbit now available. The discomforting design may be accounted for by its translation from an electronic to a print medium (this version is based on a TV special narrated by Meryl Streep). Some illustrations are full page, others vignettes that bleed into the text; still other vignettes have hard edges; there are several isolated figures stuck on the white page; and here and there ovals, rather than rectangles, frame the images. No visual logic accounts for these design variations. Although there are several compelling illustrations, there are too many other scenes that just exist as if cut from larger cloth. The drawings themselves are well-crafted in a fuzzy range of colors that accentuates the warmer hues. Even the night is subfused with golden yellows. The effect is psychologically comforting, supporting the sentimental message of hope with its suggestion of death, resurrection and eternal life. Figures are rendered solidly and with anatomical conviction. Occasionally a pencil outline intrudes and breaks the dreamy magic's spell. Yet there can be no denying the magnetism of the individual characters. Kenneth Marantz, Art Education Department, Ohio State University, Columbus Read all 7 "From The Critics" >