ANNOTATION

Grandpa demonstrates for his visiting grandchildren some of the songs, dances, and jokes he performed when he was a vaudeville entertainer.

FROM THE PUBLISHER

Illus. in full color. "In this affectionate story, three children follow their grandfather up to the attic, where he pulls out his old bowler hat, gold-tipped cane, and his tap shoes. Grandpa once danced on the vaudeville stage, and as he glides across the floor, the children can see what it was like to be a song and dance man. Gammell captures all the story's inherent joie de vivre with color pencil renderings that leap off the pages. Bespectacled, enthusiastic Grandpa clearly exudes the message that you're only as old as you feel, but the children respond—as will readers—to the nostalgia of the moment. Utterly original."—(starred) Booklist.

FROM THE CRITICS

Publishers Weekly

In this Caldecott winner, Grandpa relives his vaudeville days for an adoring audience--his grandchildren. Ages 3-7. (Feb.)

Children's Literature - Jan Lieberman

Another toe-tapping book! An ex-vaudevillian grandpa recreated one of his routines for his grandchildren. Soft-shoe dance music adds to the fun e.g. "Tea for Two."

School Library Journal

PreS-Gr 2 Gammell's animated, crisp, colored pencil line drawings enhance this story of Grandpa, who was famous for his vaudeville song and dance. Clever details of his and his grandchildrens' personalities are consciously delineated as he now performs on his attic stage. The shadow and the performer, transformed by his art, complement the text tenderly. The spirit of song and dance are reflected in the careful placement of drawings and text; five times they stretch voluminously across double-page spreads, although the text is always legible. It is also poetic at times. The accurate depiction of old age and the magic of the theater rhythmically combine like a dance with a solid beginning, middle, and end. It offers enchantment for children and for the person of any age who reads it to them. In its entirety, this glimpse into a unique, artistic personality offers a sweet reminder of the joy in the diversity of people, much like Blos' memorable Old Henry (Morrow, 1987). In boldness, realism, and linear strength, the illustrations are reminiscent of Steig's Amos and Boris (Farrar, 1971), which is also about individuality and acceptance. However, the persistence of memory and the acceptance of individuality are sophisticated concepts. The book's only weakness is that it may too often be set aside by adults looking for something easier to digest. Gratia Banta, Germantown Public Library, Dayton, Ohio