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Author: Linda Sue Park
    ISBN: 0395978270  
    Format:  
    Publish Date:  
 
  Book Title: 2002 A Single Shard
Book Description
Two lovable hippos teach the meaning of friendship in five separate vignettes: "Split Pea Soup," "The Flying Machine," "The Tub," "The Mirror," "The Tooth."

A Single Shard

FROM OUR EDITORS

The Barnes & Noble Review
Linda Sue Park's novels are distinctive for their focus on various aspects of Korean history. A Single Shard, the winner of the 2002 Newbery Medal, is a tenderly rendered tale about a 12th-century Korean boy named Tree-ear, who must overcome a host of obstacles in order to attain his life's dream.

Orphaned as a toddler, Tree-ear (named after a type of mushroom that grows out of a tree without the benefit of parent seeds) has been raised by a kindly, crippled weaver named Crane-man (so named because he has only one good leg). Over the years, they have eked out a meager but relatively happy existence living under a bridge and scavenging for food, though never stealing or begging. The town they live in, Ch'ulp'o, is renowned for the many artisans who craft the area's unique clay into beautiful celadon pottery. Tree-ear has dreams of one day creating his own pottery, and for this reason, he starts spying on one of the most gifted craftsmen in town, a cranky old codger named Min. When Tree-ear accidentally breaks some of Min's work, he offers to pay for the damage by working off the debt, hoping Min will eventually offer him an apprenticeship.

Things don't go as planned, however. The curmudgeonly Min isn't an easy man to work with, and Tree-ear's dream of creating his own pottery seems more unattainable with each passing day. Things come to a head when Min is offered a shot at a royal commission and Tree-ear offers to carry samples of the artisan's work to the royal court -- a hike of many days across some of Korea's most unforgiving country. The journey is fraught with setbacks that test Tree-ear's courage and integrity, but in the end, he comes to know a triumph of heart, mind, and spirit that will leave him, and Korean history, forever changed.

This delightfully endearing tale is not only entertaining; it's inspirational and educational. Tree-ear's decisions and actions in the face of several ethical dilemmas exemplify honor, honesty, and integrity at their best, setting a fine example for young readers to follow. And Park's vivid portrayal of this era in Korean history offers a colorful introduction to a culture and an art form that might otherwise go unknown. (Beth Amos)

ANNOTATION

Tree-ear, a thirteen-year-old orphan in medieval Korea, lives under a bridge in a potters' village, and longs to learn how to throw the delicate celadon ceramics himself.

FROM THE PUBLISHER

Tree-ear, an orphan, lives under a bridge in Ch'ulp'o, a potters' village famed for delicate celadon ware. He has become fascinated with the potter's craft; he wants nothing more than to watch master potter Min at work, and he dreams of making a pot of his own someday. When Min takes Tree-ear on as his helper, Tree-ear is elated - until he finds obstacles in his path: the backbreaking labor of digging and hauling clay, Min's irascible temper, and his own ignorance. But Tree-ear is determined to prove himself - even if it means taking a long, solitary journey on foot to present Min's work in the hope of a royal commission . . . even if it means arriving at the royal court with nothing to show but a single celadon shard.

FROM THE CRITICS

Publishers Weekly

In a starred review of this Newbery Medal winner, PW wrote, "The author molds a moving tribute to perseverance and creativity in this finely etched novel set in mid- to late-12th-century Korea. Readers will not soon forget these characters or their sacrifices." Ages 10-up. (Feb.) Copyright 2003 Reed Business Information.

Publishers Weekly

Park (Seesaw Girl) molds a moving tribute to perseverance and creativity in this finely etched novel set in mid- to late 12th-century Korea. In Ch'ul'po, a potter's village, Crane-man (so called because of one shriveled leg) raises 10-year-old orphan Tree Ear (named for a mushroom that grows "without benefit of "parent-seed"). Though the pair reside under a bridge, surviving on cast-off rubbish and fallen grains of rice, they believe "stealing and begging... made a man no better than a dog." From afar, Tree Ear admires the work of the potters until he accidentally destroys a piece by Min, the most talented of the town's craftsmen, and pays his debt in servitude for nine days. Park convincingly conveys how a community of artists works (chopping wood for a communal kiln, cutting clay to be thrown, etc.) and effectively builds the relationships between characters through their actions (e.g., Tree Ear hides half his lunch each day for Crane-man, and Min's soft-hearted wife surreptitiously fills the bowl). She charts Tree Ear's transformation from apprentice to artist and portrays his selflessness during a pilgrimage to Songdo to show Min's work to the royal court he faithfully continues even after robbers shatter the work and he has only a single shard to show. Readers will not soon forget these characters or their sacrifices. Ages 10-14. (Mar.) Copyright 2001 Cahners Business Information.

A broken piece of pottery sets events in motion as an orphan struggles to pay off his debt to a master potter. This finely crafted novel brings 12th-century Korea and these indelible characters to life.

Children's Literature

This beautifully-crafted tale of an orphan boy named Tree-ear takes place in 12th century Korea in the small potter's village of Ch'ulp'o. Tree-ear (named after a mushroom that grows on a tree without a parent seed) lives under a bridge with his one-legged friend, Crane-man, (hence the name) surviving on scraps pulled from rubbish heaps and rice foraged from fields. They possess a fierce integrity that keeps them from begging and stealing and share a friendship akin to father and son. Each day Tree-ear goes to the bushes behind the studio of the brilliant potter, Min, who works outside. Tree-ear dreams of one day making a pot of his own. After breaking one of Min's wares, Tree-ear is obligated to work for Min to make amends for the accident. He works diligently for the gruff old potter, collecting wood for the local kiln and retrieving and preparing clay for his master. Min's work is so admired that the king's emissary has requested a sample to be considered for a royal commission. Tree-ear, being young and in good health, travels by foot the long distance to the royal court to present two of Min's beautiful prune vases to the emissary. Along the way he is confronted with challenges both frightening and rewarding, which ultimately change his life and the lives of those around him. This moving story captures a moment in Korean history when the mystery, magic and fortitude of true artisans were valued as they dedicated their lives to create things beautiful to behold. 2001, Clarion Books/Houghton Mifflin, $15.00. Ages 9 to 14. Reviewer: Karen Deans

VOYA - Anna Yu (aka anna banana), Teen Reviewer

This novel is a great book for young readers who enjoy historical fiction. They will enjoy learning about clay and about how artists in twelfth-century Korea made works of art. They also will like the character of Tree-ear and the way he matures and grows up. The ending brings both a happy and sad tear to the eye. This recommended book is a quick read for young teens. VOYA CODES: 4Q 3P M (Better than most, marred only by occasional lapses; Will appeal with pushing; Middle School, defined as grades 6 to 8). 2001, Clarion, 152p, Read all 6 "From The Critics" >

 
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